IMDb-BEWERTUNG
5,3/10
14.747
IHRE BEWERTUNG
Ein aufgeweckter Assistenz-Staatsanwalt untersucht einen grausamen Axtmord und versteckt einen Hinweis, den er am Tatort gefunden hat.Ein aufgeweckter Assistenz-Staatsanwalt untersucht einen grausamen Axtmord und versteckt einen Hinweis, den er am Tatort gefunden hat.Ein aufgeweckter Assistenz-Staatsanwalt untersucht einen grausamen Axtmord und versteckt einen Hinweis, den er am Tatort gefunden hat.
- Auszeichnungen
- 2 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesAccording to Joe Eszterhas's autobiography, he hated the final film. Director William Friedkin changed Eszterhas's script so much, he threatened to remove his name from the credits. Paramount settled with him by giving him a "blind script deal" worth $2-4 million. Later, Friedkin admitted that he did virtually rewrite the script, but Friedkin also said that this was his favorite film.
- PatzerWhen David is chasing the black car you can clearly see his airbag coming out with the second jump. In the next scene the airbag is gone.
- Zitate
David Corelli: Cristal, Baluga, Wolfgang Puck... it's a fuckhouse.
- Alternative VersionenWilliam Friedkin created a director's cut of the film, approximately twelve minutes longer, which added quite a few scenes including a different ending. This version aired exclusively on USA cable network Cinemax in August/September 1996. It has also been posted on Hulu.
- VerbindungenEdited into The Green Fog (2017)
- SoundtracksThe Mystic's Dream
Written, Performed and Produced by Loreena McKennitt
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products and Quinlan Road Limited
Ausgewählte Rezension
This is a decent erotic thriller/mystery brought down by predictability, cliché and some rather bad writing. The film does have an impressive pedigree, having been directed by William Friedkin, and starring Chazz Palminteri, Linda Fiorentino as well as a pre-CSI: Miami David Caruso. All of the actors do a serviceable job, but they have to deliver some of the hammiest dialogue I've ever heard. The script is devoid of any real surprises or thrills, and so it relies on an over-insistent score. It's like it's shouting "Look at me! Take me seriously!", except it's impossible to take anything in this movie seriously. The most impressive part of the movie is the intro (before the score has become overbearing), which features some creepy music and surrealistic camera-work. It's too bad that they overuse the style throughout the film, though. Another bright spot was a well-filmed (but ridiculous) car chase through San Francisco, but it wears out its welcome once they hit Chinatown and the movie almost literally comes to a halt. So, there's also some issues with pacing, particularly in that sequence. However, the biggest problem with this movie is the script, penned by Joe Eszterhaz (who also wrote BASIC INSTINCT and SHOWGIRLS). Not only is the story relatively unengaging, but it's rather misogynistic towards its female characters, and the voyeuristic camera-work doesn't help in that regard either. At best, it's a rather bland erotic thriller with some decent performances, but it could be worth a late-night watch if you're into this sort of thing.
- brchthethird
- 13. Nov. 2014
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Джейд
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 50.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 9.851.610 $
- Eröffnungswochenende in den USA und in Kanada
- 4.284.246 $
- 15. Okt. 1995
- Weltweiter Bruttoertrag
- 9.851.610 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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