Ein kleiner Junge freundet sich mit einem riesigen Roboter aus dem All an, den ein paranoider Regierungsagent zerstören will.Ein kleiner Junge freundet sich mit einem riesigen Roboter aus dem All an, den ein paranoider Regierungsagent zerstören will.Ein kleiner Junge freundet sich mit einem riesigen Roboter aus dem All an, den ein paranoider Regierungsagent zerstören will.
- 1 BAFTA Award gewonnen
- 20 Gewinne & 18 Nominierungen insgesamt
Eli Marienthal
- Hogarth Hughes
- (Synchronisation)
Harry Connick Jr.
- Dean McCoppin
- (Synchronisation)
Jennifer Aniston
- Annie Hughes
- (Synchronisation)
Vin Diesel
- The Iron Giant
- (Synchronisation)
James Gammon
- Foreman Marv Loach
- (Synchronisation)
- …
Cloris Leachman
- Mrs. Tensedge
- (Synchronisation)
Christopher McDonald
- Kent Mansley
- (Synchronisation)
John Mahoney
- General Rogard
- (Synchronisation)
M. Emmet Walsh
- Earl Stutz
- (Synchronisation)
Jack Angel
- Additional Voices
- (Synchronisation)
Bob Bergen
- Additional Voices
- (Synchronisation)
- (as Robert Bergen)
Mary Kay Bergman
- Additional Voices
- (Synchronisation)
Michael Bird
- Additional Voices
- (Synchronisation)
Devon Cole Borisoff
- Additional Voices
- (Synchronisation)
- (as Devon Borisoff)
Rodger Bumpass
- Additional Voices
- (Synchronisation)
Robert Clotworthy
- Additional Voices
- (Synchronisation)
Jennifer Darling
- Additional Voices
- (Synchronisation)
Zack Eginton
- Additional Voices
- (Synchronisation)
Handlung
WUSSTEST DU SCHON:
- WissenswertesBrad Bird was in part inspired to make this film as a memorial to his sister Susan, who died at the hands of her estranged husband by gun violence. His pitch was this: "What if a gun had a soul and didn't want to be a gun?"
- PatzerAt the beginning of the film, Sputnik is shown orbiting from East to West. All non-polar orbits of satellites run West to East, in order to take advantage of the Earth's rotation.
- Zitate
[as the Giant flies toward the missle]
Hogarth Hughes: [in the Giant's mind] You are who you choose to be.
The Iron Giant: Superman.
- Crazy CreditsThe Warner Brothers logo is done in 50's art deco, as the Sputnik signal is heard.
- Alternative VersionenTwo added scenes overseen by Brad Bird were animated for the theatrical release of The Iron Giant: Signature Edition.
- VerbindungenEdited into The Making of 'The Iron Giant' (2000)
- SoundtracksHoneycomb
Written by Bob Merrill
Performed by Jimmie Rodgers
Courtesy of Rhino Entertainment Company
By Arrangement with Warner Special Products
Ausgewählte Rezension
After seeing this movie, I was overcome by a strange feeling. I realized that I had found a treasure where I had least expected it. The Iron Giant is intelligent, funny, touching, and visually superb, and should show the world that an animated movie does not need to be A) computer-animated, or B) based on a fairy tale to be successful. One of the best American-made children's movies I have seen in a decade: 8.5/10.0
Now, I'm a 17-year-old who is slowly transitioning into the domain of movie buffdom, which basically means that I am watching a stream of movies based on recommendations from friends, critics, and the IMDb Top 250 list. I got this one almost by accident after the local rental place could not find the movie I was really after, choosing it basically on the knowledge that it was the previous project of Brad Bird, director of The Incredibles (a personal favorite). After watching it, I felt like calling up every mother I knew and telling her to have her children (and herself) watch this.
The Iron Giant revolves around an adventurous young boy in 1950s small-town America who discovers a gigantic robot out in the woods that has arrived on Earth from goodness-knows-where. He befriends the robot, while trying to keep him safe from a nosy government agent. The story seldom lags, with a series of comical adventures connected by the boy's growing relationship with his friend.
This movie is very appealing as entertainment. The voices are well-done, and the scenery is also terrific. Most importantly, though, is the animation, which is a bright spot from this time period. The characters are well-drawn, especially the Giant, who through terrific design, lifelike movements, and clever small touches (i.e., the eyes) seems both alien and human, imposing and childlike. Furthermore, the animation is comical. I don't know when I have ever seen slapstick or punchlines so well-complimented by the animation. The script, written by Bird and based off the book The Iron Man, is also very well done. Though the movie relies upon a few minor crutches common to children's movies, it is still very original and clever.
One thing that I must point out about this movie is its morals. Throughout the movie, the main moral of the story, about the Iron Giant learning and choosing to be good, is actually fairly adroitly handled. At no point when the subject comes up, including standard sentimental climax, does the idea seem contrived. Throughout the movie, evidence of Bird's influence by comic books is quite evident, and his ultimate message about heroes (variations of which will resurface in The Incredibles) is relevant and sincere. However, I do have to say that the secondary moral, about the evils of xenophobia and paranoia, both of which are embodied by the movie's antagonist, the government agent and the military, are very politically charged. While this may sound initially controversial and politically charged for a kids' movie (the second of which I do not deny), I noticed that it was in large part a thoughtful spoof of Cold War America, with jokes as well as valuable lessons about "duck and cover" and 1950s nuclear edginess that I found very clever.
On a final note, I do have to point out that this movie had me laughing hard, but more importantly, it brought me closer to tears than any animated movie I can remember (including Bambi), closer than I like to admit. I wish that I had discovered it sooner, and I hope that everyone gets the chance to experience it the way I did.
Now, I'm a 17-year-old who is slowly transitioning into the domain of movie buffdom, which basically means that I am watching a stream of movies based on recommendations from friends, critics, and the IMDb Top 250 list. I got this one almost by accident after the local rental place could not find the movie I was really after, choosing it basically on the knowledge that it was the previous project of Brad Bird, director of The Incredibles (a personal favorite). After watching it, I felt like calling up every mother I knew and telling her to have her children (and herself) watch this.
The Iron Giant revolves around an adventurous young boy in 1950s small-town America who discovers a gigantic robot out in the woods that has arrived on Earth from goodness-knows-where. He befriends the robot, while trying to keep him safe from a nosy government agent. The story seldom lags, with a series of comical adventures connected by the boy's growing relationship with his friend.
This movie is very appealing as entertainment. The voices are well-done, and the scenery is also terrific. Most importantly, though, is the animation, which is a bright spot from this time period. The characters are well-drawn, especially the Giant, who through terrific design, lifelike movements, and clever small touches (i.e., the eyes) seems both alien and human, imposing and childlike. Furthermore, the animation is comical. I don't know when I have ever seen slapstick or punchlines so well-complimented by the animation. The script, written by Bird and based off the book The Iron Man, is also very well done. Though the movie relies upon a few minor crutches common to children's movies, it is still very original and clever.
One thing that I must point out about this movie is its morals. Throughout the movie, the main moral of the story, about the Iron Giant learning and choosing to be good, is actually fairly adroitly handled. At no point when the subject comes up, including standard sentimental climax, does the idea seem contrived. Throughout the movie, evidence of Bird's influence by comic books is quite evident, and his ultimate message about heroes (variations of which will resurface in The Incredibles) is relevant and sincere. However, I do have to say that the secondary moral, about the evils of xenophobia and paranoia, both of which are embodied by the movie's antagonist, the government agent and the military, are very politically charged. While this may sound initially controversial and politically charged for a kids' movie (the second of which I do not deny), I noticed that it was in large part a thoughtful spoof of Cold War America, with jokes as well as valuable lessons about "duck and cover" and 1950s nuclear edginess that I found very clever.
On a final note, I do have to point out that this movie had me laughing hard, but more importantly, it brought me closer to tears than any animated movie I can remember (including Bambi), closer than I like to admit. I wish that I had discovered it sooner, and I hope that everyone gets the chance to experience it the way I did.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- El gigante de hierro
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 70.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 23.315.035 $
- Eröffnungswochenende in den USA und in Kanada
- 5.732.614 $
- 8. Aug. 1999
- Weltweiter Bruttoertrag
- 23.338.190 $
- Laufzeit1 Stunde 26 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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