Wahre Geschichte von Heinrich Harrer, einem österreichischen Bergsteiger, der sich mit dem Dalai Lama anfreundete, als China die Macht über Tibet übernahm.Wahre Geschichte von Heinrich Harrer, einem österreichischen Bergsteiger, der sich mit dem Dalai Lama anfreundete, als China die Macht über Tibet übernahm.Wahre Geschichte von Heinrich Harrer, einem österreichischen Bergsteiger, der sich mit dem Dalai Lama anfreundete, als China die Macht über Tibet übernahm.
- Auszeichnungen
- 3 Gewinne & 8 Nominierungen insgesamt
BD Wong
- Ngawang Jigme
- (as B.D. Wong)
Ngawang Chojor
- Lord Chamberlain
- (as Ven. Ngawang Chojor)
Handlung
WUSSTEST DU SCHON:
- WissenswertesJetsun Pema is the real-life sister of The Dalai Lama. In this film she plays the mother of The Dalai Lama and hence her own mother.
- PatzerThe movie depicts the Dalai Lama's enthronement occurring after Germany surrenders in WWII, and after China invades Tibet. The actual Enthronement Ceremony took place on 22 February 1940, (Iron-Dragon Year, 1st month, 14th day), long before the end of the war and the Chinese invasion. On 17 November 1950 the Dalai Lama assumed full temporal (political) power over Tibet, more then 10 years after his Enthronement Ceremony.
- Zitate
Dalai Lama: We have a saying in Tibet: If a problem can be solved there is no use worrying about it. If it can't be solved, worrying will do no good.
- Crazy CreditsAs the end credits roll, a view of the mountains of Tibet is seen.
- SoundtracksPurification Et Benediction
Performed by Monks of Namgyal Monastere
Ausgewählte Rezension
First of all, Seven Years In Tibet is a very aesthetically pleasing film. The snowy Himalayas, the Tibetan villages, and the amazing costumes and religious ceremonies are all filmed beautifully, with rich colours and lighting. The music by John Williams is also excellent, and it's fascinating to hear how it blends with the unusual Tibetan music.
It's not all surface though, there's depth here too. Don't believe the negative comments about Brad Pitt's acting. Admittedly his accent slips a bit in places, but he does a great job as Heinrich, both the unpleasant, arrogant character at the beginning, and the more gentle and wise man that he becomes as the film progresses. His relationship with the young Dalai Lama (a very impressive actor) is an unusual one and refreshingly unsentimental. The film is well edited; scenes are not drawn out any longer than they need to be. As a whole, it is fast paced but also peaceful, tender and moving. You don't get bored but you're not bombarded with pointless action scenes either.
It's a pleasant surprise to see a Hollywood film where women and other cultures aren't treated as objects, and are allowed to be full, complex characters. It could be argued that this film has a Western perspective, but after all, it is adapted from a book written by a European living in Tibet, and intended for Western audiences. It treats the Tibetan culture with a great deal of respect, so I don't really see a problem with that. Similarly, those who have complained that it doesn't tell you enough about the Dalai Lama and too much about Heinrich, ultimately it is Heinrich's story, and that is its strength: that it is one man's tale, and not a political polemic. It gives you a great sense of how people's stories intersect and how the whole world is connected.
Overall, an unusual film, very involving and emotional without sentimentality, with wonderful music and outstanding cinematography. Highly recommended.
It's not all surface though, there's depth here too. Don't believe the negative comments about Brad Pitt's acting. Admittedly his accent slips a bit in places, but he does a great job as Heinrich, both the unpleasant, arrogant character at the beginning, and the more gentle and wise man that he becomes as the film progresses. His relationship with the young Dalai Lama (a very impressive actor) is an unusual one and refreshingly unsentimental. The film is well edited; scenes are not drawn out any longer than they need to be. As a whole, it is fast paced but also peaceful, tender and moving. You don't get bored but you're not bombarded with pointless action scenes either.
It's a pleasant surprise to see a Hollywood film where women and other cultures aren't treated as objects, and are allowed to be full, complex characters. It could be argued that this film has a Western perspective, but after all, it is adapted from a book written by a European living in Tibet, and intended for Western audiences. It treats the Tibetan culture with a great deal of respect, so I don't really see a problem with that. Similarly, those who have complained that it doesn't tell you enough about the Dalai Lama and too much about Heinrich, ultimately it is Heinrich's story, and that is its strength: that it is one man's tale, and not a political polemic. It gives you a great sense of how people's stories intersect and how the whole world is connected.
Overall, an unusual film, very involving and emotional without sentimentality, with wonderful music and outstanding cinematography. Highly recommended.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Seven Years in Tibet
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 70.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 37.957.682 $
- Eröffnungswochenende in den USA und in Kanada
- 10.020.378 $
- 12. Okt. 1997
- Weltweiter Bruttoertrag
- 131.457.682 $
- Laufzeit2 Stunden 16 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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