Ein Busunglück in einer Kleinstadt bringt einen Anwalt in die Stadt, um die Familien zu verteidigen, aber er entdeckt, dass nicht alles so ist, wie es scheint.Ein Busunglück in einer Kleinstadt bringt einen Anwalt in die Stadt, um die Familien zu verteidigen, aber er entdeckt, dass nicht alles so ist, wie es scheint.Ein Busunglück in einer Kleinstadt bringt einen Anwalt in die Stadt, um die Familien zu verteidigen, aber er entdeckt, dass nicht alles so ist, wie es scheint.
- Für 2 Oscars nominiert
- 34 Gewinne & 56 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesAs indicated on writer and director Atom Egoyan's commentary track on the DVD, many people ask about the odd mask worn by the notetaker during the deposition scene. This is a stenographer's mask, an item which is used in real life by a stenographer to record his or her own voice during the deposition.
- PatzerWhen Stephens visits the Ottos, and Mr. Otto offers him some tea, we hear a tea kettle whistling but the one we see on the wood stove is not the whistling type, and there is no steam coming from the kettle.
- Zitate
Mitchell Stephens: I woke to the sound of Zoe's breathing. It was laboured. I looked over and noticed she was sweating and all swollen. I grabbed her, rushed to the kitchen, and splashed water on her face.
Alison: What happened?
Mitchell Stephens: I didn't know. I was in a panic. I guessed she'd been bitten by an insect, but there was no doctor. The nearest hospital was forty miles away, and Zoe was continuing to swell. Klara took her in her arms and tried to breast-feed her, while I dialed the hospital. I finally got a doctor on the line. He sounded young, but cool. He was confident, but there was a nervousness. He had been an intern. This was the first time he ever had to deal with anything like this. He wanted to seem like he knew what he was doing, but he was just as scared as I was.He surmised that there was a nest of baby black widow spiders in the mattress. He told me they had to be babies, or else with Zoe's weight she'd be dead. He told me I had to rush her to the hospital. He was alone. There was no ambulance available. 'Now you listen', he said, 'There's a good chance you can get her to me before her throat closes, but the important thing is to keep her calm.' He asked if there was one of us she was more relaxed with than the other. I said, 'Yes, with me.' Which was true enough, especially at that moment. Klara was wild-eyed with fear, and her fear was contagious. I was a better actor than she was, that's all. Zoe loved us equally then. Just like she hates us both equally now. The doctor told me that I should hold her in my lap, and let Klara drive to the hospital. He asked me to bring a small, sharp knife. It had to be clean. There was no time to sterilize properly. He explained how to perform an emergency tracheotomy. How to cut into my daughter's throat and windpipe without causing her to bleed to death. He told me there'd be a lot of blood. I said I didn't think I could do it. 'If her throat closes up and stops her breathing, you'll have to, Mr. Stephens. You'll have a minute and a half, two minutes maybe, and she'll probably be you can keep her calm and relaxed, if you don't let her little heart beat too fast and spread the poison around, then you might just make it over here first. You get going now', and he hung up. It was an unforgettable drive. I was divided into two people. One part of me was Daddy, singing a lullaby to his little girl. The other part was a surgeon, ready to cut into her throat. I waited for the second that Zoe's breath stopped to make that incision.
Alison: What happened?
Mitchell Stephens: Oh, nothing. We made it to the hospital. I didn't have to go as far as I was prepared to. But I was prepared to go all the way.
- SoundtracksOne More Colour
Words and Music by Jane Siberry
Courtesy of Wing in Music/Red Sky Music
Arranged by Mychael Danna
Vocal by Sarah Polley
Performed by The Sam Dent Band
The film switches between the time that the lawyer arrives in town to "help" the families receive compensation, and to days just prior to the accident. We witness a loving "hippie" couple who has adopted a beautiful Native American boy, a loving mother of a school phobic learning disabled boy, and a widower who loves his two children a great deal and sees them off to school by following them in his truck. This same widower is having an affair with the mother of the school phobic--she is unhappily married to a "pig" of a husband. Complicating matters is the father who obviously loves his teenage daughter in Lolita-like fashion.
Part of the theme of The Sweet Hereafter is similar to Magnolia--accidents do happen--perhaps no one at fault... or perhaps all the adults had some part in it without anyone being at fault, as only the innocent children were killed.
The town had changed... tragedy has taken away the town's joy and innocence. The parents are no longer open with each other, but guarded, suspicious... in deep grief.
The lawyer is little more than an ambulance chaser, attempting to profit off their tragedy. Yet, he, too is a tragic figure who has already "lost" his daughter--
He had saved her when she was a baby, yet she has now turned away from him... and his feelings are now ambivalent towards her--he is a grief-stricken, defeated father, who vascillates between wanting to talk with his daughter on his cell phone and deciding to cut her off.
The story of the Pied Piper is interweaved between various events in the movie to give greater depth to the story. There's also a great scene in the movie between the lawyer and the garage mechanic, who has lost his two children, that shows that the theme is much broader than the literal story:
"I'm telling you this because... we've all lost our children, Mr. Ansel. They're dead to us. They kill each other in the streets. They wander comatose in shopping malls. They're paralyzed in front of televisions. Something terrible has happened that's taken our children away. It's too late. They're gone."
This movie isn't for everyone. It's a serious, layered piece with a lot of melancholy. The kind of fare that film critics can love, but Academy voters will avoid. But what it strives to accomplish is done very well. And it will stay with you long after the final scenes have appeared.
Top-Auswahl
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Details
Box Office
- Budget
- 5.000.000 CA$ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.263.585 $
- Eröffnungswochenende in den USA und in Kanada
- 31.149 $
- 12. Okt. 1997
- Weltweiter Bruttoertrag
- 3.263.585 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1