Ein Anwalt wird zum Ziel eines korrupten Politikers und seiner N.S.A. Schläger, wenn er versehentlich wichtige Beweise für ein schweres politisch motiviertes Verbrechen erhält.Ein Anwalt wird zum Ziel eines korrupten Politikers und seiner N.S.A. Schläger, wenn er versehentlich wichtige Beweise für ein schweres politisch motiviertes Verbrechen erhält.Ein Anwalt wird zum Ziel eines korrupten Politikers und seiner N.S.A. Schläger, wenn er versehentlich wichtige Beweise für ein schweres politisch motiviertes Verbrechen erhält.
- Auszeichnungen
- 5 Gewinne & 16 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesGene Hackman turned down this movie several times, but was ultimately convinced to sign on after a phone call by director Tony Scott. Will Smith later signed on at a relative post-Independence Day (1996) bargain price because he wanted to work with Hackman.
- PatzerWhen Dean is running on the hotel roof after Brill leaves him, the surveillance team reports that the satellite is coming on-line with "one meter resolution". One meter resolution indicates that the smallest pixel (detail) that can be seen is 1 meter by 1 meter while the film clearly suggests that the satellite has enough resolution to see Dean running. Assuming you would need at least "web-cam" resolution (75 pixels-per-inch), the satellite resolution would need to be roughly 2,800 times higher than one meter (38 inches x 75 pixels per inch = 2,850).
- Zitate
Robert Clayton Dean: What the hell is happening?
Brill: I blew up the building.
Robert Clayton Dean: Why?
Brill: Because you made a phone call.
- Alternative VersionenAlso available in an "Unrated Extended Edition" which features some new/extended footage (ca. 7 minutes) like some explicit shots of the senator with his secretary or Dean finding his dead ex-girlfriend covered in blood.
- VerbindungenEdited into 24: Twenty Four: 12:00 a.m.-1:00 a.m. (2001)
- SoundtracksO Come All Ye Faithful
(Also known as "Adeste Fidelis")
Music attributed to John Reading (uncredited)
Arranged by Margaret Dorn, Linda Lawley, Danny Pelfrey
Performed by The Accidentals
Courtesy of Amusicom Records
Ausgewählte Rezension
Well, I like this one. I like the cast, the visuals are well done, but what is more important is the plot that I like really much. It's not the most sophisticated plot of all times, but I think it's quite good, and to some degree, realistic. Of course it's not possible to move sattelites that quickly, or zoom in on a videotape that much and still have crystal-clear visual, but quite some technology seen is realistic today, or in the near future. This is an hollywood flick, all right, so they have quite much action and everything looks very easy, steering a sattelite seems to be no harder than playing a video game, what makes it all seem a bit unrealistic/sci-fi-like, but today's technical posibilities are quite large, and continue to grow, so informing oneself about the issue (I mean the real world issue) is not a bad idea.
To give you some points to think:
The list could go on, but what I want to say is that one should think about the posibilities and listen to what the politicians say, and what they want to allow the federal organisations.
You want to be able to still _enjoy_ the movie in some years time, not thinking of it as being somewhat normal just as everyday life, all right?
To give you some points to think:
- It's routine for the credid card companies to document every transaction made with the cards, go figure who gets the docs if police is investigating.
- Every call / fax done is documented for billing, go figure, who...
- At least for your ISP it's possible to read every unencrypted email you send or receive, go figure ...
- Today there are MANY cameras in public areas in Great Britain, with numbers still growing.
- Face recognition software is already being used in combination with some surveillance cameras.
- Dictation software that can interpret your spoken word and convert it into written text is being sold to you today, maybe some organisations have much better versions at their hands ...
The list could go on, but what I want to say is that one should think about the posibilities and listen to what the politicians say, and what they want to allow the federal organisations.
You want to be able to still _enjoy_ the movie in some years time, not thinking of it as being somewhat normal just as everyday life, all right?
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Enemigo público
- Drehorte
- 1633 Connecticut Avenue Northwest, Washington, District of Columbia, USA(Zavitz gets hit by a car)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 90.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 111.549.836 $
- Eröffnungswochenende in den USA und in Kanada
- 20.038.573 $
- 22. Nov. 1998
- Weltweiter Bruttoertrag
- 250.849.789 $
- Laufzeit2 Stunden 12 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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Oberste Lücke
What was the official certification given to Der Staatsfeind Nr. 1 (1998) in Japan?
Antwort