IMDb-BEWERTUNG
7,8/10
2934
IHRE BEWERTUNG
Von der Geburt des Hip-Hop über die Erfindung des Scratchings und des "Beat-Juggling" auf Vinyl bis hin zur neueren "Turntablism"-Bewegung.Von der Geburt des Hip-Hop über die Erfindung des Scratchings und des "Beat-Juggling" auf Vinyl bis hin zur neueren "Turntablism"-Bewegung.Von der Geburt des Hip-Hop über die Erfindung des Scratchings und des "Beat-Juggling" auf Vinyl bis hin zur neueren "Turntablism"-Bewegung.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Fotos
DJ Infamous
- Self - The Allies
- (as Infamous)
J. Smoke
- Self - The Allies
- (as J-Smoke)
The Beat Junkies
- Themselves
- (as Beat Junkies)
DJ Rhettmatic
- Self - Beat Junkies
- (as Rhettmatic)
Carlos Aguilar
- Self - Bullet Proof Space Travelers
- (as DJ Quest)
Handlung
WUSSTEST DU SCHON:
- WissenswertesTo create the "scratched" sequences in the film (where a person during an interview suddenly speaks as if the film itself is being scratched), director Doug Pray sent audio clips which had been recorded onto vinyl to DJ Q-bert, who scratched them, and sent the recordings back to Pray. Pray then edited the interviews to match the scratched sound.
- Crazy CreditsApologies and respect to the many great DJ's and others who we were unable to be included in this film.
- VerbindungenEdited into Destination Planet Rock (2007)
- SoundtracksRockit 2.000
Performed by Herbie Hancock featuring Grand Mixer DXT, Mix Master Mike, Rob Swift, DJ Q-Bert (as Qbert), DJ Disk (as Disk), Babu, DJ Faust (as Faust) and Shannon Ames (as Shortee)
Reconstruction and mix translation by Bill Laswell
Courtesy of Transparent Music and Columbia Records
By arrangement with Sony Music Licensing
Ausgewählte Rezension
This movie was well put together. It showed many facets of DJing and the DJs themselves. It is not everyday that you see "Out Of Character" interviews with most of these legendary DJs. Instead of seeing "DJs" in interviews you see "people who like being DJs" in interviews (hopefully you followed that). IE. Instead of seeing an interview with Mix Master Mike you saw an interview with Maxwell Schwartz and he explained why he likes being a DJ and being Mix Master Mike and what and who inspired and inspires him. You also get to see what the families of these DJs had to deal with as they were starting out which is quite interesting. As far as interviews go the common issue most people could have is that DJ Jazzy Jeff and DJ Cash Money from Philadelphia were not in it. Regardless, seeing Afrika Bambaataa and Jazzy Jay (The Original Jazzy Jay) and other Hip Hop originators was worth the price of the movie. You don't see or hear from these people everyday. The only other issue is more of an industry issue where there was only one female DJ interviewed but that is just a sad reflection of the Hip Hop DJ industry. There should and could have been more interviews with more female DJs...they are out there. This is a movie where a parent who remembers the good ol' days of Hip Hop would appreciate it and they would bring their children to see it. It shows that Hip Hop and the art of DJing has evolved and is not just "As it is!" I'm a house DJ and scratching is not something that is done in House music but I love this movie. Don't get it twisted I've always been a fan of Hip Hop. Great Movie. Cheers.
- patsquiggs
- 2. Juni 2002
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Ди-Джей
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 289.885 $
- Weltweiter Bruttoertrag
- 289.885 $
- Laufzeit1 Stunde 32 Minuten
- Farbe
- Sound-Mix
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