Füge eine Handlung in deiner Sprache hinzuA Mondo documentary that juxtaposes footage of death, carnage, and unpleasantness with scenes of inspiring and beautiful imagery.A Mondo documentary that juxtaposes footage of death, carnage, and unpleasantness with scenes of inspiring and beautiful imagery.A Mondo documentary that juxtaposes footage of death, carnage, and unpleasantness with scenes of inspiring and beautiful imagery.
Fotos
Franco Prosperi
- Narrator
- (Synchronisation)
Robert Sommer
- Narrator
- (English version)
- (Synchronisation)
Karl Wallenda
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe scene featuring an execution by having a man's arm torn off by two trucks is actually a fabricated sequence.
- PatzerDuring the footage of naked African dancers, the narrator identifies the tribe as the Mashoni. In Antonio Climati and Mario Morra's previous film, Der letzte Schrei des Dschungels (1975), the same footage was used, but the tribe was identified as the Lobi.
- Alternative VersionenThe uncut film runs at 93 minutes film/NTSC format.
- VerbindungenEdited from Der letzte Schrei des Dschungels (1975)
- SoundtracksRing Bing Dong
Performed by Josette Martial
Ausgewählte Rezension
On the verge of mass extinction and deforestation, you can look back to see these mondo films as evidence of where the human race went wrong. Where else can you see an animal rescue guy jump out of a helicopter on to the back of an antelope, to supposedly save them, and take to a wild life park. Steve Irwin hasn't got a look in. Obviously horribly out dated principles. The juxtaposition of elements of western civilisation with those of tribal populations is some what philosophical. The camera crew are photojournalists, much like the war photographers, who go to the most primitive and dangerous places to observe the inhabitants & their rituals.
It is very shocking, but what I respect about these mondo movies is they show life as how it is. Now we live in a bubble, protected from what is happening in war zones around the world; to the horrors inflicted on wild life etc. We live in a sugar coated consumerist version of reality. We can not even openly speak what is happening with in our on societies. This is raw stuff, and I doubt little if any of it is faked for show. It is the essence of the documentary to provide that lens to view in to those areas of life we dare not cross, or it is not feasible to do so. When some one applies constraints on what you see a documentary it will be critically acclaimed, defined art house-but when you show it in all its graphic detail, the majority of people just don't want to know, define the flick as "exploitation". They bury their heads in the sand, like the the ostrich that features in this movie. I like Mondo docs, but even I get to put them in a box, detach myself from reality. I view them as the product of a past age, pretend to myself that these cruelties exhibited are of a time past, and perhaps humans are not like that anymore.
In the age of the camera phone, everybody is essentially a documentary film maker, and it highlights the shield of censorship we live under, where we are unaware of the large quantities of disturbing captured content which must be out there.
Is this made for exploitation purposes: yes! However, it is a documentary film undoubtedly, and documentaries are a product of their environment. Should documentaries about the dark side of human nature not be made? I think they should, and are as every bit as important in the field of documentary film making as, take Attenborough for example. Even Attenborough is taken a bit of a u-turn now, and devoting his later years to warn us about the for ever impending environmental catastrophe looming ahead. This makes some interesting early commentary on this subject, and also war politics (at least in the English language version I seen on Youtube it did). It is not for the documentary film maker to justify its subjects, as it is the documentary film makers job to capture reality, not shape it. Some mondo films are of very bad taste, and it is the direction of the movies which is partly responsible for these. With this movie, I did not feel this way about this movie. It is very graphically violent. You have to say that this documentary team are very well travelled, and the documentary as a whole provides some thought provoking insights in to not only the struggle to live, for all species, including ourselves, but natures propensity for violence and destruction. Recommend for doc buffs.
It is very shocking, but what I respect about these mondo movies is they show life as how it is. Now we live in a bubble, protected from what is happening in war zones around the world; to the horrors inflicted on wild life etc. We live in a sugar coated consumerist version of reality. We can not even openly speak what is happening with in our on societies. This is raw stuff, and I doubt little if any of it is faked for show. It is the essence of the documentary to provide that lens to view in to those areas of life we dare not cross, or it is not feasible to do so. When some one applies constraints on what you see a documentary it will be critically acclaimed, defined art house-but when you show it in all its graphic detail, the majority of people just don't want to know, define the flick as "exploitation". They bury their heads in the sand, like the the ostrich that features in this movie. I like Mondo docs, but even I get to put them in a box, detach myself from reality. I view them as the product of a past age, pretend to myself that these cruelties exhibited are of a time past, and perhaps humans are not like that anymore.
In the age of the camera phone, everybody is essentially a documentary film maker, and it highlights the shield of censorship we live under, where we are unaware of the large quantities of disturbing captured content which must be out there.
Is this made for exploitation purposes: yes! However, it is a documentary film undoubtedly, and documentaries are a product of their environment. Should documentaries about the dark side of human nature not be made? I think they should, and are as every bit as important in the field of documentary film making as, take Attenborough for example. Even Attenborough is taken a bit of a u-turn now, and devoting his later years to warn us about the for ever impending environmental catastrophe looming ahead. This makes some interesting early commentary on this subject, and also war politics (at least in the English language version I seen on Youtube it did). It is not for the documentary film maker to justify its subjects, as it is the documentary film makers job to capture reality, not shape it. Some mondo films are of very bad taste, and it is the direction of the movies which is partly responsible for these. With this movie, I did not feel this way about this movie. It is very graphically violent. You have to say that this documentary team are very well travelled, and the documentary as a whole provides some thought provoking insights in to not only the struggle to live, for all species, including ourselves, but natures propensity for violence and destruction. Recommend for doc buffs.
- chrislawuk
- 2. Aug. 2023
- Permalink
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By what name was Dolce e selvaggio (1983) officially released in Canada in English?
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