Ein junges Mädchen hat eine Vision, die sie antreibt, Frankreich von seinen Unterdrückern zu befreien.Ein junges Mädchen hat eine Vision, die sie antreibt, Frankreich von seinen Unterdrückern zu befreien.Ein junges Mädchen hat eine Vision, die sie antreibt, Frankreich von seinen Unterdrückern zu befreien.
- Auszeichnungen
- 5 Gewinne & 13 Nominierungen insgesamt
- Look Out
- (as Stephane Algoud)
Handlung
WUSSTEST DU SCHON:
- WissenswertesMost of the characters, including Joan's Captains, were real people. Giles de Rais was a real person who, after the war and Joan's death, retired to his lands. Many years later, he was arrested for the murder of more than 100 young boys, and executed. Some historians believe that his crimes were the basis for the French fairy tale "Bluebeard," about a rich man who murders his wives and hides their bodies in his grand house.
- PatzerJoan's older sister was not murdered by soldiers, but survived to adulthood and married. She died ultimately in childbirth.
- Zitate
Joan of Arc: I've always been faithful to God and I've followed everything He's ever said and I've done everything He's ever asked me to do.
The Conscience: God asked you to do something?
Joan of Arc: Yes. Yes, lots of things.
The Conscience: You mean God said, "I need you, Jeanne."
Joan of Arc: No. But He sent me signs.
The Conscience: Signs? What signs?
Joan of Arc: The wind. The wind. And the clouds, ringing!
The Conscience: Ringing clouds?
Joan of Arc: The dance. The dance. The dance. The dance.
The Conscience: The dance.
Joan of Arc: The sword! The sword lying in the field. That was a sign.
The Conscience: No. That was a sword in a field.
Joan of Arc: No. No, that was a sign!
The Conscience: No. That was a sword. In a field.
Joan of Arc: It can't just get there by itself! It can't. A sword just doesn't get there by itself. It can't just get there by itself.
The Conscience: True. Every event has an infinite number of causes, so why pick one rather than another? There are many ways a sword might find itself in a field.
- Alternative VersionenThe European release was 10 minutes longer than the US theatrical version, which omits, among others, the scene where Joan's virginity is tested before the court of King Charles VII. The longer version has been released in the USA on DVD.
- SoundtracksMy Heart Calling
Lyrics and Music by Éric Serra and Achinoam Nini
Produced by Éric Serra
Performed by Achinoam Nini
With the Special Authorization of Interscope/Geffen
Starring: Milla Jovovich, John Malkovich, Faye Dunaway, Dustin Hoffman, and Pascal Greggory Directed & co-writer: Luc Besson Running Time: 141 minutes Rated R (for graphic violence, rape, and for language)
By Blake French:
Some classic stories just can't be updated. Example: "William Shakespeare's Romeo and Juliet" re-released in 1996. However, one of the greatest tragedies ever told, the story of Joan of Arc, has just been proven possible to be relateable even with time as its enemy. Luc Besson has created a fresh-feeling new version of Joan called "The Messenger," a historical epic that, for better or worse, concentrates mostly on visual style and realistic war scenes rather than answering questions we don't already know about the characters in focus here.
The historical Joan of Arc was a poor young French woman, who believed that there were spiritual signs that ordered her to be a messenger to aid the King of France to victory on the battle field. According to "The Messenger: The Story of Joan of Arc," Charles VII, married to the bitter Yolande D'Aragon, was very grateful of her assistance at the time, especially when Joan explained that God has sent her to lead French troops to war with the English and be victorious.
The visions seen (or imagined) by Joan are clearly brought to life here, with more effective qualities than ever before in a Joan of Arc picture. They are filmed with many unusual special effects, bizarre camera tricks, and a beautifully crafted atmosphere of imagery. In use with these elements to the credit of the depicted scenes, they do a good job of expressing the spiritual dream-like moments through Joan with an imaginative feeling of majesty and revealing emotion. The style, camera, and direction all contribute to making these sequences of the best material in the production.
The film was shot in the Czech Republic, as well as the country of France. Cinematographer Thierry Arbogast captures the courageous historical time period flawlessly in these locations. The battle scenes may get little off track at times; some sequences are meant more for brutality purposes rather than a strong, focused narrative story.
The actors interpret their characters with a precise energetic edge. Milla Jovovich has the ability to be a believable Joan of Arc, but does push the limit on convincing us. Some of the film's efforts are straining toward the idea that Joan was somewhat mentally retarded-and Jovovich does a great job presenting that. Other familiar faces found in "The Messenger: The Story of Joan of Arc" include John Malkovich as King Charles VII, and Faye Dunaway as his spouse, Yolande D'Aragon. Also the legendary Dustin Hoffman inhabits a brief but appropriate role as the Grand Inquisitor, and Pascal Greggory is The Duke of Alençon.
There are scenes in this movie that make the audience stare at the screen in awe, but also scenes that make us ask ourselves questions. Although much of the production is spent on developing Joan's character and motives, the film still doesn't manage to answer some questions being asked by viewers pondering minds. We never learn if the visions Joan experienced were a calling from God, or just a figment of her intellectual imagination. Was Joan really crazy, or only near eccentric? Were the physical objects that Joan felt were signs from a higher spirit actually what she thought they were? An ulterior source could have been Lucifer deceiving the trusting Joan. Or did the French actually triumph in battles because of the spiritual strength accorded by Joan, or was luck the element present? And I personally would have like a little more explanation of the Grand Inquisitor character.
"The Messenger: The Story of Joan of Arc" is a serious dramatic tragedy, and it takes itself as that all of the time. Luc Besson has constructed a movie that is ambitious and inspiring, with no room for the compromising or modest. I recommend the picture weather you're a new comer or a veteran to the Joan of Arc mythology. Even if you already know the story of Joan of Arc like the back of your hand, this telling might just surprise you.
Brought to you by Columbia Pictures.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Luc Besson's Johanna von Orleans
- Drehorte
- Bruntal, Tschechische Republik(Fort of the Tourelles)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 85.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 14.276.317 $
- Eröffnungswochenende in den USA und in Kanada
- 6.360.968 $
- 14. Nov. 1999
- Weltweiter Bruttoertrag
- 66.976.317 $
- Laufzeit2 Stunden 38 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1