Die Scheinwelten, in die sich vier Menschen aus Coney Island mit Hilfe von Drogen geflüchtet haben, geraten ins Wanken, als ihre Sucht stärker wird.Die Scheinwelten, in die sich vier Menschen aus Coney Island mit Hilfe von Drogen geflüchtet haben, geraten ins Wanken, als ihre Sucht stärker wird.Die Scheinwelten, in die sich vier Menschen aus Coney Island mit Hilfe von Drogen geflüchtet haben, geraten ins Wanken, als ihre Sucht stärker wird.
- Für 1 Oscar nominiert
- 37 Gewinne & 69 Nominierungen insgesamt
- Donut Cop
- (as Mike Kaycheck)
Handlung
WUSSTEST DU SCHON:
- Wissenswertes(at around 44 mins) During Ellen Burstyn's impassioned monologue about how it feels to be old, cinematographer Matthew Libatique accidentally let the camera drift off-target. When director Darren Aronofsky called "cut" and confronted him about it, he realized the reason Libatique had let the camera drift was because he had been crying during the take and fogged up the camera's eyepiece. This was the take used in the final print.
- PatzerWhen the characters take Heroin, either injected or snorted, the sequence showing their eyes dilating is inaccurate. Opiates produce a constricting of the pupil. However, the dilating is correct when the characters are using Ecstasy and Cocaine.
- Zitate
Sara Goldfarb: I'm somebody now, Harry. Everybody likes me. Soon, millions of people will see me and they'll all like me. I'll tell them about you, and your father, how good he was to us. Remember? It's a reason to get up in the morning. It's a reason to lose weight, to fit in the red dress. It's a reason to smile. It makes tomorrow all right. What have I got Harry, hm? Why should I even make the bed, or wash the dishes? I do them, but why should I? I'm alone. Your father's gone, you're gone. I got no one to care for. What have I got, Harry? I'm lonely. I'm old.
Harry Goldfarb: You got friends, Ma.
Sara Goldfarb: Ah, it's not the same. They don't need me. I like the way I feel. I like thinking about the red dress and the television and you and your father. Now when I get the sun, I smile.
- Crazy CreditsThe man on the train who says "You're whacked" to Sara when she tells him that she's going to be on TV is credited as "You're Whacked".
- Alternative VersionenAvailable in both the uncut, unrated theatrical version and an edited, R-rated version (mainly for conservative rental stores like Blockbuster.)
- SoundtracksBialy & Lox Conga
Performed by The Moonrats
Marcel Reginatto - Saxophone, Vocals
Brian Emrich - Bass Guitar, Vocals
Oscar Oñoz - Trumpet, Vocals
Theodore Birkey - Keyboards, Vocals
Tico Torres (as Hector Torres) - Percussion, Vocals
Darren Aronofsky - Vocals
Engineered, Programmed and Mixed by James Murphy for DFA at Plantain Recording House NYC
This movie is by no means flawless, but then again I would like to hope that the flaws add to the gritty reality of the film. The ending was truly the most frightening thing I have ever seen in film- forget the cheap scares of The Exorcist, Psycho and the endless bile of the 'slasher flick', this stuff is REAL.
In a country amid a 'war against drugs' this is a powerful film which could do more to turn kids away from drugs than any measly government "task-force" or classroom lecture.
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Réquiem por un sueño
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.635.482 $
- Eröffnungswochenende in den USA und in Kanada
- 64.770 $
- 8. Okt. 2000
- Weltweiter Bruttoertrag
- 7.390.108 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1