Die schreibende Professorin von New York City, Frannie Avery, hat eine Affäre mit einem Polizeibeamten, der den Mord an einer schönen jungen Frau in ihrer Nachbarschaft untersucht.Die schreibende Professorin von New York City, Frannie Avery, hat eine Affäre mit einem Polizeibeamten, der den Mord an einer schönen jungen Frau in ihrer Nachbarschaft untersucht.Die schreibende Professorin von New York City, Frannie Avery, hat eine Affäre mit einem Polizeibeamten, der den Mord an einer schönen jungen Frau in ihrer Nachbarschaft untersucht.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Michael Nuccio
- Frannie's Young Father
- (as Micheal Nuccio)
Allison Nega
- Young Father's Fiancee
- (as Alison Nega)
Yaani King Mondschein
- Frannie's Student
- (as Yaani King)
Zach Wegner
- Frannie's Student
- (as Zack Wegner)
Funda Duval
- Baby Doll Bartender
- (as Funda Duyal)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe unrated version is notorious for a scene where fellatio is witnessed by Meg Ryan's character, although it was later revealed in the film commentary that the actress was using a rubber prop.
- PatzerIn the final scene, when Frannie is walking home from the lighthouse after escaping the killer, she is barefoot. When she reaches the garden of her apartment building, she is wearing sandals. When she reaches her apartment, she's barefoot again.
- Zitate
Detective Malloy: I want to do with you what spring does with the cherry trees.
- Crazy CreditsThank you fabulous Kevin Bacon!!! and "Mayor" Harvey Keitel.
- Alternative VersionenThe United Kingdom DVD has deleted scenes as a special feature.
- VerbindungenFeatured in The Pervert's Guide to Cinema (2006)
Ausgewählte Rezension
Deary me, some people get upset when a film isn't what they want it to be, don't they? How dare the film be what the film-makers set out to make, instead of what someone's narrow expectations dictate it should b?
Fancy In the Cut being gritty, seamy, sexy and deeply disturbing ... just like all the publicity (and the rating) warned us it would be. What a shock. How did the people expecting another Piano, or Meg Ryan Finds True Love Yet Again ever find themselves in the cinema?
As for those who have said they have walked out completely unmoved ... either they must be aliens or robots, or are fooling themselves, not wanting to acknowledge the truth of what they've seen on the screen. Seldom have I seen a film that so truly examines the dark side of our sexual impulses. I walked out quite shattered, and wandered around in a daze for a while.
Meg Ryan completely miscast? Ridiculous and insulting. How dare you tell an actress she has to be Little Mary Sunshine for the rest of her life. And she pulls it off brilliantly. She and Mark Ruffalo give the most stunning lead performances for a long time. Why? Because they're playing real, multi-layered people. Not goody-goodies or baddy-baddies.
Didn't like any of the characters? Must have a very limited range of acquaintances, or alternatively, don't like the real people you do know.
Thriller plot not thrilling? Admittedly it's not the strongest point in the film, but it has all the required shocks and surprises (and, you'd think enough gore for the modern audience), and while the revelation of the murderer is not the biggest twist ending ever, the final shot takes your breath away.
And anyway, Campion, while handling the thriller genre competently, is using it as a means to explore sexuality. And attraction. And how much of love involves physicality, carnality, trust, the desire to dominate, the desire to be dominated, and above all, the attraction of the DANGEROUS. Yes, adult stuff, not often tackled in mainstream films.
I think it's her best film ever (possibly excepting Sweetie), and I give it 9 out of 10.
Fancy In the Cut being gritty, seamy, sexy and deeply disturbing ... just like all the publicity (and the rating) warned us it would be. What a shock. How did the people expecting another Piano, or Meg Ryan Finds True Love Yet Again ever find themselves in the cinema?
As for those who have said they have walked out completely unmoved ... either they must be aliens or robots, or are fooling themselves, not wanting to acknowledge the truth of what they've seen on the screen. Seldom have I seen a film that so truly examines the dark side of our sexual impulses. I walked out quite shattered, and wandered around in a daze for a while.
Meg Ryan completely miscast? Ridiculous and insulting. How dare you tell an actress she has to be Little Mary Sunshine for the rest of her life. And she pulls it off brilliantly. She and Mark Ruffalo give the most stunning lead performances for a long time. Why? Because they're playing real, multi-layered people. Not goody-goodies or baddy-baddies.
Didn't like any of the characters? Must have a very limited range of acquaintances, or alternatively, don't like the real people you do know.
Thriller plot not thrilling? Admittedly it's not the strongest point in the film, but it has all the required shocks and surprises (and, you'd think enough gore for the modern audience), and while the revelation of the murderer is not the biggest twist ending ever, the final shot takes your breath away.
And anyway, Campion, while handling the thriller genre competently, is using it as a means to explore sexuality. And attraction. And how much of love involves physicality, carnality, trust, the desire to dominate, the desire to be dominated, and above all, the attraction of the DANGEROUS. Yes, adult stuff, not often tackled in mainstream films.
I think it's her best film ever (possibly excepting Sweetie), and I give it 9 out of 10.
- richard-mason
- 16. Nov. 2003
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- In the Cut - Wenn Liebe tötet
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.750.602 $
- Eröffnungswochenende in den USA und in Kanada
- 97.625 $
- 26. Okt. 2003
- Weltweiter Bruttoertrag
- 23.726.793 $
- Laufzeit1 Stunde 59 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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