Zwei todbesessene Schwestern, Ausgestoßene in ihrer Vorstadt, müssen sich mit den tragischen Folgen auseinandersetzen, wenn eine von ihnen von einem tödlichen Werwolf gebissen wird.Zwei todbesessene Schwestern, Ausgestoßene in ihrer Vorstadt, müssen sich mit den tragischen Folgen auseinandersetzen, wenn eine von ihnen von einem tödlichen Werwolf gebissen wird.Zwei todbesessene Schwestern, Ausgestoßene in ihrer Vorstadt, müssen sich mit den tragischen Folgen auseinandersetzen, wenn eine von ihnen von einem tödlichen Werwolf gebissen wird.
- Auszeichnungen
- 10 Gewinne & 9 Nominierungen insgesamt
Pak-Kwong Ho
- Janitor
- (as Pak-Kong Ho)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDirector John Fawcett refused to have CGI effects in the film, opting for all of the special creature effects to be done with prosthetics and makeup.
- PatzerWhen Brigitte and Sam are running through the house trying to find Ginger as a Werewolf, every window they pass has light shining in, even though it's supposed to be late at night.
- Crazy CreditsThank you to: ¡EEK! (EXPERIMENTAL ENGINEERING KORPORATION)
- Alternative VersionenA Collector's Edition DVD was released in Canada that contains over 20 minutes of Deleted/Extended footage. The additional scenes are as follows.
- A scene in the hallway of the high school. Ginger carves the word "Fuck" into a locker door while Brigitte takes a Polaroid of herself. There is a small amount of dialogue as Brigitte says that people suck.
- Extended footage of Brigitte and Ginger arriving home after the attack on Ginger. There is more of Brigitte screaming for help, and extra footage of her scrambling to get first aid supplies to help Ginger.
- Ginger gets out of the shower, stands in front of the bathroom mirror and pulls some of the hair out of her shoulder wound.
- While changing TV channels, Brigitte comes across a really cheesy werewolf movie and watches it for a moment.
- Additional footage in the greenhouse before Brigitte tells Sam that she's a werewolf. Sam is conducting an experiment on a rare plant when Brigitte startles him and ruins the experiment. Sam alludes to the fact that his family owns the greenhouse, and that it's "the family crypt."
- Mr. Wayne threatens to suspend Ginger for attacking Trina on the playing field. Brigitte blackmails him into letting Ginger go, threatening to claim that he tried to rape Ginger.
- Ginger starts to get stir crazy after being isolated in her room. She thrashes around and tears pictures off of the wall. At one point, she spits out a tooth, claiming "That's five." But she shows Brigitte that she's grown "two more of the new ones," and shows Brigitte her fangs. Ginger reads a list of symptoms for PMS, then tries to get Brigitte to let her go out. Brigitte responds "PMS is the least of your problems."
- Another scene in the greenhouse with Sam mentioning that the cops have been asking him about Trina's disappearance. Sam assumes that Brigitte killed her. Brigitte calls him a "cherry hound." Sam asks if Brigitte thinks he's the type to go around chasing virgins. Brigitte asks Sam if he thinks she's the type to go around killing them.
- A little kid in a puppy suit comes across Jason. Jason asks the kid if he can bark, and the kid lets out a little "woof." "That's not a bark," Jason says, grabbing the kid and growling.
- A much extended scene involving Mr. Wayne's death. Ginger tells Mr. Wayne that Brigitte locked her in the bathroom. He has Brigitte paged over the school's intercom. Brigitte hears the page and begins walking towards his office. She shyly walks past 2 police officers who are investigating Trina's disappearance. She hesitates for a moment before entering Mr. Wayne's office. When she opens the door, Ginger pulls her into the office, where Mr. Wayne is laid out dead on the desk. Brigitte tells Ginger that there is a cure, and that it worked on Jason. Brigitte says that Sam can make more. Ginger yells at Brigitte for betraying her for some guy.
- Additional footage after Pamela finds Trina's body. Mr. Fitzgerald walks outside and asks what she's doing. She says she's just remembering old times.
- In the van, Pamela gives Brigitte some make-up to hide the circles under her eyes.
- Extended scene at the party. Ginger opens her shirt up in front of Sam. He sees her morphed abdomen and says "Nice getup."
- Brigitte makes her way through the party crowd, trying to find Sam and Ginger. She runs into Jason's friends, who mock her for looking like a zombie. She leaves, and Jason walks up, just missing her. He asks his friends if they've seen Ginger. One friend asks if he and Ginger broke up, and Jason responds "Oh yeah." The friend says that Ginger is hot and that Jason is an idiot for breaking up with her. Jason calls him a fag.
- Outside the party, a police cruiser pulls up next to Pamela's van. The little kid in the puppy suit is in the back seat. Two officers go inside looking for Jason. Pamela thinks they are after her daughters, so she grabs the plastic container holding Trina's severed fingers and follows them inside.
- Brief additional dialogue when Brigitte walks in on Sam and Ginger.
- Pamela wanders through the party.
- Jason grabs Brigitte and Ginger as they try to leave the party. The police officers find Jason's friends, and ask if they know where he is. One friend, mad about being called a fag, points Jason out. Jason sees the cops, thinks they are after Ginger, and calls them over. Pamela shows up and knocks Jason down, yelling "Let go of my girls!" She tells her daughters to run, and walks over to the cops. She shows the cops Trina's fingers, and claims that she killed Trina. She starts flailing around so the cops will take her away. Jason watches all of this, then grabs a beer and starts talking to a random hot girl at the party.
- VerbindungenEdited into Ginger Snaps: Deleted Scenes (2000)
- SoundtracksCloning Technology
Written by Burton C. Bell, Dino Cazares & Raymond Herrera
Performed by Fear Factory
Used by permission of BMG Music Publishing Canada Inc. and Roadrunner Records
Ausgewählte Rezension
Somehow I had missed catching up with this almost "underground" flick although I had it mentally logged as one to check-out. (sorry, check 'oat'....it's Canadian) Addressed that problem yesterday when I picked up the dvd from a $5.95 bargain bin!
I'll keep it simple. This is, if not the best horror film I have ever seen...pretty damn close to it! It is the ONLY horror film that has ever "touched me" emotionally and that it achieved this is quite extraordinary. As a werewolf film it is simply outstanding - blows digitised crap like UNDERWORLD out of the water. The very budgetary constraints of the film HELPED ultimately - the director having to rely on old-fashioned "acting" to hold up viewer credibility. Although Isabelle is the "Ginger" of the title and she is soo damned good, it is Perkins as Brigitte that commands respect for her effort.
The Fitzgerald sisters with their fascination for 'staged horror' find themselves very much on the outer in the school social hierarchy. It is not until Ginger is bitten by a werewolf, in what is undoubtedly the most graphic and realistic lycanthropic savaging ever filmed...that they are forced even further into social isolation. What neither the sisters OR the film ever lose sight of however is their sisterly bond, itself consummated by a blood-pact at childhood.
There is nothing predictable or unoriginal about this film, from the script to the camera angles, right up to the heartfelt tragedy itself of Ginger's condition. And that is why this film leaves most other horror films in its wake - it is multi-dimensional with strong characterizations. Mimi Rogers even, in a smallish part as the girls' mother is spot on hitting the exact right note as a frustrated mother and increasingly unfulfilled wife.
The film weaves brilliantly the coming-of-age pains with the physical transformation brought on by the lycanthropic condition. Marvellous imagery of menstrual blood at critical moments.
Mention should also be made of Kris Lemche's role as Sam, the school druggie and the only friend they have, not that Ginger is interested. Somewhat Christian Slaterish in mannerisms, he contributes strongly to the film's success.
Superbly handled conclusion with both excellent werewolf effects and the saddest of photographic recollections....nothing one would expect to see in formula horror flicks devoted to this subject matter. The very last scene is both moving and inspired.
Obviously I am not alone in this perception. The film carries one of the highest rankings for its genre. I would personally nudge it up to a 7.5 but thats neither here nor there.
Why it received such limited theatrical release worldwide I cannot begin to imagine, but the production teams behind SCREAM, I KNOW WHAT YOU DID...., CABIN FEVER, TCM, DOG SOLDIERS and myriad other clones, should take a long hard look at this and find out HOW to make (and stage) a horror film with pretty much no money!
I would have considered that $19.95 for the dvd was money well spent!
I'll keep it simple. This is, if not the best horror film I have ever seen...pretty damn close to it! It is the ONLY horror film that has ever "touched me" emotionally and that it achieved this is quite extraordinary. As a werewolf film it is simply outstanding - blows digitised crap like UNDERWORLD out of the water. The very budgetary constraints of the film HELPED ultimately - the director having to rely on old-fashioned "acting" to hold up viewer credibility. Although Isabelle is the "Ginger" of the title and she is soo damned good, it is Perkins as Brigitte that commands respect for her effort.
The Fitzgerald sisters with their fascination for 'staged horror' find themselves very much on the outer in the school social hierarchy. It is not until Ginger is bitten by a werewolf, in what is undoubtedly the most graphic and realistic lycanthropic savaging ever filmed...that they are forced even further into social isolation. What neither the sisters OR the film ever lose sight of however is their sisterly bond, itself consummated by a blood-pact at childhood.
There is nothing predictable or unoriginal about this film, from the script to the camera angles, right up to the heartfelt tragedy itself of Ginger's condition. And that is why this film leaves most other horror films in its wake - it is multi-dimensional with strong characterizations. Mimi Rogers even, in a smallish part as the girls' mother is spot on hitting the exact right note as a frustrated mother and increasingly unfulfilled wife.
The film weaves brilliantly the coming-of-age pains with the physical transformation brought on by the lycanthropic condition. Marvellous imagery of menstrual blood at critical moments.
Mention should also be made of Kris Lemche's role as Sam, the school druggie and the only friend they have, not that Ginger is interested. Somewhat Christian Slaterish in mannerisms, he contributes strongly to the film's success.
Superbly handled conclusion with both excellent werewolf effects and the saddest of photographic recollections....nothing one would expect to see in formula horror flicks devoted to this subject matter. The very last scene is both moving and inspired.
Obviously I am not alone in this perception. The film carries one of the highest rankings for its genre. I would personally nudge it up to a 7.5 but thats neither here nor there.
Why it received such limited theatrical release worldwide I cannot begin to imagine, but the production teams behind SCREAM, I KNOW WHAT YOU DID...., CABIN FEVER, TCM, DOG SOLDIERS and myriad other clones, should take a long hard look at this and find out HOW to make (and stage) a horror film with pretty much no money!
I would have considered that $19.95 for the dvd was money well spent!
Top-Auswahl
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Details
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.554 $
- Eröffnungswochenende in den USA und in Kanada
- 1.430 $
- 28. Okt. 2001
- Weltweiter Bruttoertrag
- 2.554 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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