Eine Frau, die mit ihren beiden lichtempfindlichen Kindern in ihrem abgedunkelten alten Familienhaus lebt, ist überzeugt, dass das Haus heimgesucht wird.Eine Frau, die mit ihren beiden lichtempfindlichen Kindern in ihrem abgedunkelten alten Familienhaus lebt, ist überzeugt, dass das Haus heimgesucht wird.Eine Frau, die mit ihren beiden lichtempfindlichen Kindern in ihrem abgedunkelten alten Familienhaus lebt, ist überzeugt, dass das Haus heimgesucht wird.
- Nominiert für 2 BAFTA Awards
- 29 Gewinne & 55 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe disease the children have is an actual disease known as Xeroderma Pigmentosum, which is basically an extreme sensitivity to sunlight. It is very rare with roughly a thousand people in the world who have it.
- PatzerWhen Grace runs out with a shotgun, she mouths the words, "I'll shoot" but on the audio track she says "Don't Move".
- Zitate
Mrs. Mills: Death of a loved one can lead people to do the strangest things.
- Crazy CreditsBefore the opening credits or music begin, we hear Grace's voice over a black screen; she says (in the manner of a mother about to tell a bedtime story), "Are you sitting comfortably? Then I'll begin."
- Alternative VersionenTheatrical releases included a longer credit sequence with sketches of Nicole Kidman in the attic and the servants, SFX differences, and some lines of dialogue that were deleted from all subsequent home media releases and TV airings (most notably to make certain plot revelations less obvious).
- SoundtracksI Only Have Eyes for You
(1934)
Music by Harry Warren
Lyrics Al Dubin
Sung a cappella by Nicole Kidman (uncredited)
Published by WB Music Corp. (ASCAP)
Ausgewählte Rezension
Rarely does a scary film come around that isn't schlocky and obvious. 'The Others', directed by the great Alejandro Amenabar (Abre los Ojos) is a stylish, spooky and fun film to watch that doesn't cheapen itself like so many in the genre. It is 1947 on the island of Jersey in England, and Grace (Nicole Kidman) is the mother of two small children, Charles (Christopher Eccleston) and Anne (Alakina Mann) who are allergic to the sunlight, so they are not allowed to go outside. Moreover, any room they are in has to be locked with the curtains shut, a cumbersome task in their mansion with its 50 doors. Mysteriously, the mansion's staff left the week before, which precipitates the arrival of three new servants; a gardener and two housekeepers who are promptly hired. Further complicating matters is the fact that Anne keeps talking to an unseen child, and unexplained footsteps, opened curtains and doors opening and shutting are starting to wear thin on the already uber-fragile Grace, until the occurrences threaten their lives.
With 'The Others', Amenabar gives us a truly spooky and stylish thriller. The foggy atmosphere outside of the mansion, the dark rooms lit by candles within the house, both of these are just many of the beautiful stylistic areas of the film. Kidman is great as the incredibly brittle and mentally frayed Grace. While she puts on a cool, haughty façade, the circumstances she finds herself in are clearly eating away at her sanity. The actors who play her children are actually quite good themselves, particularly Alakina Mann, who holds her own in her confrontational scenes with Kidman and others. The screenplay, also written by Amenabar is quite intelligent, and if you haven't heard the 'twist' at the end, it is pretty ingenious. It is ingenious and well-written regardless, but the impact upon discovery is pretty decent.
'The Others' is not a phenomenal film by any means, but it is a refreshing change from the standard thriller/suspense fare, because it adds a truly intelligent and stylish bent to the genre. Other than children, (obviously) this film can be recommended to pretty much anyone, as long as they don't expect it to be the frenetic, jump-cut fest that is so prevalent nowadays. 'The Others' takes its time to get to its reveal, and it is worth every minute. 7/10
Shelly
With 'The Others', Amenabar gives us a truly spooky and stylish thriller. The foggy atmosphere outside of the mansion, the dark rooms lit by candles within the house, both of these are just many of the beautiful stylistic areas of the film. Kidman is great as the incredibly brittle and mentally frayed Grace. While she puts on a cool, haughty façade, the circumstances she finds herself in are clearly eating away at her sanity. The actors who play her children are actually quite good themselves, particularly Alakina Mann, who holds her own in her confrontational scenes with Kidman and others. The screenplay, also written by Amenabar is quite intelligent, and if you haven't heard the 'twist' at the end, it is pretty ingenious. It is ingenious and well-written regardless, but the impact upon discovery is pretty decent.
'The Others' is not a phenomenal film by any means, but it is a refreshing change from the standard thriller/suspense fare, because it adds a truly intelligent and stylish bent to the genre. Other than children, (obviously) this film can be recommended to pretty much anyone, as long as they don't expect it to be the frenetic, jump-cut fest that is so prevalent nowadays. 'The Others' takes its time to get to its reveal, and it is worth every minute. 7/10
Shelly
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Los otros
- Drehorte
- Palacio de los Hornillos, Las Fraguas, Iguña, Cantabria, Spanien(exteriors of Grace Stewart's mansion)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 17.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 96.578.502 $
- Eröffnungswochenende in den USA und in Kanada
- 14.089.952 $
- 12. Aug. 2001
- Weltweiter Bruttoertrag
- 210.002.906 $
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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