Füge eine Handlung in deiner Sprache hinzuJessica, the eldest daughter of a coal miner-turned-farmer, has a fling with her half-brother Carl, which complicates things more when she becomes pregnant.Jessica, the eldest daughter of a coal miner-turned-farmer, has a fling with her half-brother Carl, which complicates things more when she becomes pregnant.Jessica, the eldest daughter of a coal miner-turned-farmer, has a fling with her half-brother Carl, which complicates things more when she becomes pregnant.
Ted Heimerdinger
- Carl
- (as Ted Heim)
Marjorie Johnson
- Mother
- (as Marj Johnson)
Hersha Parady
- Donna
- (as Betty Ann Parady)
Ron Parady
- Tom
- (as Ronald B. Parady)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe film was shot for $29,000. That money covered the cost of 35mm film stock, processing and food, which was easily raised by taking advantage of '60s-era tax laws that made losing money on investing in film a profitable endeavor for wealthy funders. [IndieWire]
- PatzerWhen Carl is walking up the road; he carries a suitcase in his left hand and a bag in his right. However, in the next immediate cut when a car passes him by it is now in reverse. The suitcase is carried with the right hand and the bag with the left hand.
- Alternative VersionenShortly after release, the film was sold to an exploitation producer who added raunchier scenes to give the film more appeal on the drive-thru grindhouse circuit. Amongst the changes made to this version (which was renamed Miss Jessica is Pregnant) were a shot of Carl spotting Jessie naked from behind in the bath near the beginning after he clears the dinner table, a sex scene between two revellers from the bar in the basement of the gas station after Carl manhandles Jessie back into the car, and a sex scene between Carl and Jessie in the field which was much more ambiguous in the original. When restored in the late 2010s, the brief shot of Jessie naked in the bath was retained, but the other sex scenes (including some shot but not included in either version) can only be seen in the supplemental material on the Blu-ray releases.
- VerbindungenFeatured in Twisted Sex Vol. 18 (1998)
Ausgewählte Rezension
For a film revolving around incest, Spring Night, Summer Night is surprisingly restrained, captivating, and ultimately beautiful. The characters, writing, and production are all far better than I expected, and really remarkable for a film made in the late 1960s.
The filmmakers were quite brave for taking on this subject matter. This film could easily have turned to trash in less adept hands. Yet they somehow managed to tell this story in away that feels authentic and is almost entirely non-sensational. The entire film feels like a documentary really. The dialog and acting come across as real in a way that few films ever successfully pull off, especially older films. The film never explains anything to you, and the characters rarely can explain themselves, and yet you still walk away feeling like you know all of the characters and even the town itself.
The cinematography is also wonderful. Often intimate, it makes you feel like part of the scene. This isn't common in films of the era and it's done really well here. The bar scenes are the highlight for me. There are also some excellent creative shots that are beautiful yet not overly showy.
The audio design also stands out. There is no background music and audio is often jumbled. A family dinner for example is appropriately noisy, with family members talking over each other combined with the sounds of the meal itself. Sometimes part of a conversation will be drowned out by a passing car. Again, this all makes you feel like part of the scene instead of passively viewing it.
Overall, this is just a remarkable film: sometimes beautiful, other times thought provoking, and always captivating. It's like nothing I've seen from the era and I highly recommend it, even if the plot description turns you off.
The filmmakers were quite brave for taking on this subject matter. This film could easily have turned to trash in less adept hands. Yet they somehow managed to tell this story in away that feels authentic and is almost entirely non-sensational. The entire film feels like a documentary really. The dialog and acting come across as real in a way that few films ever successfully pull off, especially older films. The film never explains anything to you, and the characters rarely can explain themselves, and yet you still walk away feeling like you know all of the characters and even the town itself.
The cinematography is also wonderful. Often intimate, it makes you feel like part of the scene. This isn't common in films of the era and it's done really well here. The bar scenes are the highlight for me. There are also some excellent creative shots that are beautiful yet not overly showy.
The audio design also stands out. There is no background music and audio is often jumbled. A family dinner for example is appropriately noisy, with family members talking over each other combined with the sounds of the meal itself. Sometimes part of a conversation will be drowned out by a passing car. Again, this all makes you feel like part of the scene instead of passively viewing it.
Overall, this is just a remarkable film: sometimes beautiful, other times thought provoking, and always captivating. It's like nothing I've seen from the era and I highly recommend it, even if the plot description turns you off.
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- Laufzeit1 Stunde 22 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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Oberste Lücke
By what name was Spring Night Summer Night (1967) officially released in Canada in English?
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