IMDb-BEWERTUNG
6,5/10
6734
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA TV program selects people at random to kill one another for fame and their freedom.A TV program selects people at random to kill one another for fame and their freedom.A TV program selects people at random to kill one another for fame and their freedom.
- Auszeichnungen
- 3 Gewinne & 4 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesWriter/Director Daniel Minahan's childhood friend, Dawn Lagarto, is given a "Special Thanks" credit. He originally wrote the story using her name for the main character. When it came time to start filming the producers had legal concerns regarding the use of a real person's name, but actress Brooke Smith felt an affinity for the name and wanted to retain it for her character. Minahan called the real Dawn Lagarto and got her blessing to use the name. The real Dawn Lagarto is not an unwed mother, has never participated in a reality TV series, and has never killed anyone.
- PatzerThe truck Tony drives off with the baby in is a Ford Ranger (a mid-size truck). The stock footage of a chase from a helicopter shows a truck that is supposed to be Tony's, but is now a full-sized Chevy. Back in the close-ups, it's a Ford Ranger again.
- Zitate
[After taking a movie audience hostage]
Dawn Lagarto: Bring my baby here or else innocent people are gonna die!
[Audience members applaud and cheer.]
Dawn Lagarto: That means YOU, ASSHOLES!
[Audience shuts up.]
- Crazy CreditsAfter the title credits, a warning appears "Due to the graphic nature of this program, viewer discretion is advised."
- Alternative VersionenThe DVD version includes deleted scenes that are viewed seperately. They include:
- The reunion with Dawn's family is extended.
- A scene of Franklin refusing the radio/GPS rig and explaining why he lives in a lead-lined shack.
- A scene where Franklin is looking in the mirror and mentally preparing himself before he receives the note.
- Franklin's speech in the mall is extended.
- A scene with Connie's priest, where he explains in an interview that he's a fan of the show, that he recognized Connie's voice in the confessional, and that he hopes that she confesses for the two murders before she herself dies.
- 'Man-on-the-street' interviews.
- The 'real' ending, which we are told in the film that the footage was destroyed and then are presented a dramatization of the events. The 'real' ending is, when presented with the choice of killing one another, Jeff and Dawn put the guns down, run out of the theatre, were they meet a crowd of disgruntled fans. The fans give chase after them and, after catching them entering their SUV, begin beating them, presumably to death. This explains why, at the end of the film, Doria is proclaiming that she's been framed and why Jeff survived.
- An interview with Laura with Dawn's baby, where she renames the baby Dawn and says she's proud of her sister.
- A PSA from Doria about checking for testicular cancer.
- SoundtracksMeet The Contenders
Written and Performed by Girls Against Boys
Published by Action Collar Music/EMI/Blackwood Music/BMI
Copyright 2000 Geffen Records;
Girls Against Boys appears courtesy of Geffen Records
Ausgewählte Rezension
`Reality TV' is founded on P T Barnum's famous dictum `Nobody went broke underestimating public taste.' `Series 7 The Contenders' simply takes the idea to its extreme a program where contestants hunt each other down, not in the wild, but in suburbia, the survivor being declared the winner (oddly, the only prize seems to be survival).
Obviously this is satire, and there are some genuinely funny moments, such as the parents of a teenage contestant urging their daughter on, as, armed with a rifle, she attempts to take care of an elderly opponent on a golf course. When the same girl, taking the gun into a shopping mall, is challenged by a security man, she says `its all right, I'm from The Contenders' and he lets her pass. The two main characters, Dawn (Brooke Smith) the champion from the last series and Jeffery (Glenn Fitzgerald), an opponent and former boyfriend, are sympathetically drawn. Dawn is pretty aggressive, but also eight months pregnant, and filled with emotion on returning to her home town. Jeffery, an artist, is suffering from testicular cancer, and though cared for by his devoted wife, wants to die. Needless to say, it becomes pretty hard for Dawn to pull the trigger on Jeffery when she gets the chance. The other contestants are not so sympathetically drawn, but they are by no means monsters, even if Connie the ER nurse with the deadly needle, goes to confession before stepping out to kill someone.
I formed the distinct impression that the contestants were not actually volunteers, being selected at random from something like the list of social security numbers. If that were the case, and I was selected, my first priority would be to wipe out the producers, not my fellow contestants. The Gladiators of ancient Rome were not volunteers of course, and perhaps that's the parallel the producers of the film seek to draw, or perhaps with the military draft for Vietnam.
Occasionally, reality TV makes good television, as in the case of the Australian `RPA' about the day to day workings of a large Sydney hospital. But the contrived ones, like `Survivor', `Boot Camp' and even the quiz show `The Weakest Link' depend on (vicarious) fear and humilation, not to mention voyeurism for their entertainment value. Freak shows such as `Springer' add loathing to the mix.
The director here (Daniel Minehan) does a good job of demonstrating just how nasty the premises are behind these sorts of shows but don't really sheet home the blame. I don't mind seeing a few of the high and mighty humiliated in public but I do object to ordinary mostly decent people being chewed up for entertainment purposes. Dawn and Jeffery deserve our sympathy, not our revulsion, a point the film makes reasonably well. It also illustrates that P T Barnum's dictum has lost none of its force.
Obviously this is satire, and there are some genuinely funny moments, such as the parents of a teenage contestant urging their daughter on, as, armed with a rifle, she attempts to take care of an elderly opponent on a golf course. When the same girl, taking the gun into a shopping mall, is challenged by a security man, she says `its all right, I'm from The Contenders' and he lets her pass. The two main characters, Dawn (Brooke Smith) the champion from the last series and Jeffery (Glenn Fitzgerald), an opponent and former boyfriend, are sympathetically drawn. Dawn is pretty aggressive, but also eight months pregnant, and filled with emotion on returning to her home town. Jeffery, an artist, is suffering from testicular cancer, and though cared for by his devoted wife, wants to die. Needless to say, it becomes pretty hard for Dawn to pull the trigger on Jeffery when she gets the chance. The other contestants are not so sympathetically drawn, but they are by no means monsters, even if Connie the ER nurse with the deadly needle, goes to confession before stepping out to kill someone.
I formed the distinct impression that the contestants were not actually volunteers, being selected at random from something like the list of social security numbers. If that were the case, and I was selected, my first priority would be to wipe out the producers, not my fellow contestants. The Gladiators of ancient Rome were not volunteers of course, and perhaps that's the parallel the producers of the film seek to draw, or perhaps with the military draft for Vietnam.
Occasionally, reality TV makes good television, as in the case of the Australian `RPA' about the day to day workings of a large Sydney hospital. But the contrived ones, like `Survivor', `Boot Camp' and even the quiz show `The Weakest Link' depend on (vicarious) fear and humilation, not to mention voyeurism for their entertainment value. Freak shows such as `Springer' add loathing to the mix.
The director here (Daniel Minehan) does a good job of demonstrating just how nasty the premises are behind these sorts of shows but don't really sheet home the blame. I don't mind seeing a few of the high and mighty humiliated in public but I do object to ordinary mostly decent people being chewed up for entertainment purposes. Dawn and Jeffery deserve our sympathy, not our revulsion, a point the film makes reasonably well. It also illustrates that P T Barnum's dictum has lost none of its force.
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- How long is Series 7: The Contenders?Powered by Alexa
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 195.065 $
- Eröffnungswochenende in den USA und in Kanada
- 28.844 $
- 4. März 2001
- Weltweiter Bruttoertrag
- 300.086 $
- Laufzeit1 Stunde 26 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Series 7: The Contenders (2001) officially released in Canada in English?
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