Gefangen auf Sankt Helena blickt Napoleon Bonaparte 1816 auf sein Leben zurück.Gefangen auf Sankt Helena blickt Napoleon Bonaparte 1816 auf sein Leben zurück.Gefangen auf Sankt Helena blickt Napoleon Bonaparte 1816 auf sein Leben zurück.
- 1 Primetime Emmy gewonnen
- 4 Gewinne & 11 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe series was shot simultaneously in French and English. Thus, two versions exist, with the same actors and near-identical edits, but different original languages.
- PatzerTsar Alexander and Napoleon are listening to Paganini's Caprice No. 24. However, that piece was only composed in 1817, when Napoleon was already in St. Helena.
- Zitate
Napoléon: The English are calling upon my men to desert by flooding our lines with this drivel. It'll have no effect on them!
Maréchal Joachim Murat: I'm not so sure. The men have had enough. Most of the time we have to force them to obey!
Napoléon: Have the officers discipline them again. That's why they're here.
Maréchal Joachim Murat: The officers, they say that you torture your soldiers, and that you will never be able to seize Egypt.
Napoléon: I have, Murat, Egypt is ours, almost ours. Cairo is a French city. The Nile Delta has been pacified, and all there is left to subjugate a few Turkish regiments.
Maréchal Joachim Murat: Turks and Arabs, supported by the English. Be realistic, Bonaparte. We can't go on, especially with the plague on our heels.
Napoléon: The doctors assured me that the epidemic could be contained.
Maréchal Joachim Murat: The doctors can do nothing against fear.
Napoléon: I can.
- Alternative VersionenShot simultaneously in French and English. For the French version, the French actors spoke in French, the rest recited their dialogues in English and were later dubbed by other actors. For the English version, the French actors repeated the same shots reciting the dialogues in English.
- VerbindungenFeatured in The 55th Annual Primetime Emmy Awards (2003)
- SoundtracksNapoleon
Written by Richard Grégoire
Performed by Bulgarian Symphony Orchestra-Sif 309
Courtesy of Virgin Classics
This is a modern interpretation, so any glory of war is ruthlessly stamped out, to the point that great battles are always seen as useless slaughter with piles of corpses. Well, in part they are.
If you're looking for any of La Gloire, a big part of the period, you'll look in vain. The people rarely cheer Napoleon. We know his soldiers often shouted "Vive L'Empereur" as he passed. Instead, in the film, they barely notice him on the battlefield.
Isabel Rossellini as Josephine is seen too often, as (one of the) the women of his life. Murat stands in for all his Marshals, as a film can only pay so many actors. John Malkovich as Talleyrand is very good.
An interesting and intelligent film. Clavier plays the part of Napoleon well, although in the interests of covering all his life, he is a bit one dimensional. If you thirst for battlefield tactics, and scenes of battle, you'll be disappointed. Only one battle is covered in any detail is Austerlitz, his finest victory.
Napoleon was an extremely intelligent and relatively peaceful man. Most of the wars he fought were forced upon him by European nations in the pay of the English, who could not abide him. He was a better man than they were.
- talkbaktalk
- 15. Juni 2018
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