IMDb-BEWERTUNG
4,1/10
2179
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA sex worker, a hired killer, and a movie crew cross paths in a Venice hotel where human meat is on the menu in this freewheeling film.A sex worker, a hired killer, and a movie crew cross paths in a Venice hotel where human meat is on the menu in this freewheeling film.A sex worker, a hired killer, and a movie crew cross paths in a Venice hotel where human meat is on the menu in this freewheeling film.
- Auszeichnungen
- 2 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesJohn Webster's play "The Duchess of Malfi" was first performed in 1614 at the Globe Theatre in London, and first published in 1623. The onscreen credits simply list the title followed by the author's name, and omit the word "play".
- VerbindungenReferences Citizen Kane (1941)
Ausgewählte Rezension
After sitting through literally 2 and 1/2 hours of assaultingly pretentious montages and amateurish camera work (not to mention editing), I was even more appalled by Figgis' own take on his work (speaking after his TIFF screening).
The man brags openly about not having any script, storyline or characters to speak of. He then goes on to talk about how he is the "actor's director", giving his cast the "freedom" to indulge themselves and improvise. What I'm thinking was how could you do this to your producers, to your cast?!--people who put their reputations on the line and end up looking utterly ridiculous (the only one to emerge from this wreck unscathed is John Malkovich, clearly smart enough to pull-out from the project just in time, only to appear in the opening 2 scenes)!
What I'm wondering is: why did Figgis want to make this film?
For that matter Figgis didn't even seem to know what his movie was about. I've never before seen such a soulless, self-indulgent piece.
Making a good, meaningful film should be a labor of love for the filmmaker. When you ask an actor to put their names and invest their abilities on your project you must pay them the same respect.
In the end, when I think of `Hotel', I think of Figgis standing before a microphone making a complete ass of himself, going on about the brilliance of his work. But others not fortunate enough to have that experience will more likely remember David Schwimer barking like a dog or Burt Reynolds entering and smiling for the camera and then having literally nothing to say for an entire scene, never to appear in the movie again.
If it were up to me the film would end with a still, black-and-white head shot of its "director" Mike Figgis, superimposed above all the credits.
This is unwatchable, pretentious garbage--one of the worst cases of directorial masturbation I've ever seen.
See it.
The man brags openly about not having any script, storyline or characters to speak of. He then goes on to talk about how he is the "actor's director", giving his cast the "freedom" to indulge themselves and improvise. What I'm thinking was how could you do this to your producers, to your cast?!--people who put their reputations on the line and end up looking utterly ridiculous (the only one to emerge from this wreck unscathed is John Malkovich, clearly smart enough to pull-out from the project just in time, only to appear in the opening 2 scenes)!
What I'm wondering is: why did Figgis want to make this film?
For that matter Figgis didn't even seem to know what his movie was about. I've never before seen such a soulless, self-indulgent piece.
Making a good, meaningful film should be a labor of love for the filmmaker. When you ask an actor to put their names and invest their abilities on your project you must pay them the same respect.
In the end, when I think of `Hotel', I think of Figgis standing before a microphone making a complete ass of himself, going on about the brilliance of his work. But others not fortunate enough to have that experience will more likely remember David Schwimer barking like a dog or Burt Reynolds entering and smiling for the camera and then having literally nothing to say for an entire scene, never to appear in the movie again.
If it were up to me the film would end with a still, black-and-white head shot of its "director" Mike Figgis, superimposed above all the credits.
This is unwatchable, pretentious garbage--one of the worst cases of directorial masturbation I've ever seen.
See it.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Отель
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 29.813 $
- Eröffnungswochenende in den USA und in Kanada
- 12.840 $
- 27. Juli 2003
- Weltweiter Bruttoertrag
- 35.588 $
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Sound-Mix
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