Project Greenlight

The peer-voting method of picking the top scripts and directors ensures that anything/anybody really good will not be selected. Would you really give someone high marks if you were competing against them? I read each of the top ten scripts in the first PGL and found that the winner, Stolen Summer, was the only one that was not full of typos and grammatical errors. The plots weren't great either.

I entered the second PGL and had one voter who gave me top marks in each category and one who gave me top marks in all but one category and that was just one down. What killed me were the other three voters who gave me marks close to the bottom. Yes, I'm bitter.