Ein romantisches Drama des Erwachsenwerdens, das 1972 auf der Grundlage realer Ereignisse spielt.Ein romantisches Drama des Erwachsenwerdens, das 1972 auf der Grundlage realer Ereignisse spielt.Ein romantisches Drama des Erwachsenwerdens, das 1972 auf der Grundlage realer Ereignisse spielt.
Samuel A. Levine
- Peter
- (as Sam Levine)
Matthew Walker
- Police Officer
- (as Mathew Layne Walker)
Ray Hammack
- Peter's Father
- (as Clyde Hammack)
Andrea Vaughn
- Agnes
- (as A Vaughn)
Deborah Kovarski
- Joe's Mother
- (as Deborah Kovarsky)
Handlung
WUSSTEST DU SCHON:
- SoundtracksAwakening
Music and Lyrics by Tony Schueller
Performed by Tony Schueller
Recorded in Taos, New Mexico
Copyright 2003
All rights reserved.
Ausgewählte Rezension
Okay, let's start with that this is a time piece of the 70s. Let's add this is a true story, God forbid, and taking place in rural Virginia. That's three strikes against this movie in my book.
Director and cinematographer Anne Misawa tells a tale so depressing that it really got me quite angry at the conclusion. There was no compassion, no thoughtful revelation and certainly no credit to human forgiveness. Instead of bringing some enlightenment to the tale, Miss Misawa decides to slap the viewer in the face and certainly increase homosexual distaste and violence. Thanks, Anne, for taking us back to the witch burning era. I'm sorry, even "The Crucible" had it's credibility and understanding. Check out "Latter Days" for this day and age gay stories of revelation.
Jamie Hall is credited as Assistant Director. Did he/she have any vote as to the process? The photography was sometimes impossible to follow. Mostly shot in fuzzy out of focus texture. What was this purpose? Except to make it hard to follow.
This is 2003 folks, not the 1800s. Certainly filming should have more quality than this. I hated the cinematography. Jerry Meadors and Hart Monroe can take the writing credits. Even though they make a point of saying at the end of the picture that it's based on true events, what is the purpose? Usually when you bring a story of such tragedy to the public, you should make a point. I saw no point with this. Only to depress us to the point of frustration. If this is a tribute to those depicted in the story, these writers must have either hated the tale or wanted to capitalize on the shock value. They didn't succeed in either case.
Now to the cast: Fortunately the choice of the casting was quite good. Sam Levine as Peter, Julio Pervillan as Ian and Bryan Carroll as Billy all brought believability and humaness to their roles. You felt they were trying to make the emotional focus honest and caring, even without the writers help. Trevor Lissauer as Joe, the heel, and Amber Taylor as Bess, his cohort, were well cast as the selfish hurtful friends that were bent on destroying any sensitivity that stood in their way.
I don't recommend this movie. In my thinking, it is taking the gay world back decades. It certainly is not making choices for our young teens and college students in coming out and being who they are. Instead it slaps the entire movement in the face. I ask the director and writers, if they dislike homosexuality that much. Don't see this. If you do, understand, the purpose of this type of film, even with good acting, is to bring despair to those struggling with their problems.
Director and cinematographer Anne Misawa tells a tale so depressing that it really got me quite angry at the conclusion. There was no compassion, no thoughtful revelation and certainly no credit to human forgiveness. Instead of bringing some enlightenment to the tale, Miss Misawa decides to slap the viewer in the face and certainly increase homosexual distaste and violence. Thanks, Anne, for taking us back to the witch burning era. I'm sorry, even "The Crucible" had it's credibility and understanding. Check out "Latter Days" for this day and age gay stories of revelation.
Jamie Hall is credited as Assistant Director. Did he/she have any vote as to the process? The photography was sometimes impossible to follow. Mostly shot in fuzzy out of focus texture. What was this purpose? Except to make it hard to follow.
This is 2003 folks, not the 1800s. Certainly filming should have more quality than this. I hated the cinematography. Jerry Meadors and Hart Monroe can take the writing credits. Even though they make a point of saying at the end of the picture that it's based on true events, what is the purpose? Usually when you bring a story of such tragedy to the public, you should make a point. I saw no point with this. Only to depress us to the point of frustration. If this is a tribute to those depicted in the story, these writers must have either hated the tale or wanted to capitalize on the shock value. They didn't succeed in either case.
Now to the cast: Fortunately the choice of the casting was quite good. Sam Levine as Peter, Julio Pervillan as Ian and Bryan Carroll as Billy all brought believability and humaness to their roles. You felt they were trying to make the emotional focus honest and caring, even without the writers help. Trevor Lissauer as Joe, the heel, and Amber Taylor as Bess, his cohort, were well cast as the selfish hurtful friends that were bent on destroying any sensitivity that stood in their way.
I don't recommend this movie. In my thinking, it is taking the gay world back decades. It certainly is not making choices for our young teens and college students in coming out and being who they are. Instead it slaps the entire movement in the face. I ask the director and writers, if they dislike homosexuality that much. Don't see this. If you do, understand, the purpose of this type of film, even with good acting, is to bring despair to those struggling with their problems.
- guilfisher
- 13. Okt. 2004
- Permalink
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