Ein Taxifahrer hat heiße Tipps für einen grünen und ungeschickten Polizisten, der eine Reihe von Banküberfällen in New York City aufklären will, die von einem Quartett brasilianischer Bankrä... Alles lesenEin Taxifahrer hat heiße Tipps für einen grünen und ungeschickten Polizisten, der eine Reihe von Banküberfällen in New York City aufklären will, die von einem Quartett brasilianischer Bankräuberinnen verübt wurden.Ein Taxifahrer hat heiße Tipps für einen grünen und ungeschickten Polizisten, der eine Reihe von Banküberfällen in New York City aufklären will, die von einem Quartett brasilianischer Bankräuberinnen verübt wurden.
- Auszeichnungen
- 3 Gewinne & 7 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesIngrid Vandebosch, one of the female robbers in this film, is married to Jeff Gordon, who has an uncredited cameo in this film.
- PatzerWashburn opens the valve on a tank of Nitrous Oxide, saying that they can't fire at them because the "flammable" gas will explode. Nitrous Oxide is not flammable but it is an oxidizer. If you lit a match in a room full of N2O the flame would glow brighter than usual but there would be no explosion.
- Zitate
Washburn's Mom: Andy is not a really a strong driver. See, he had a really bad experience when he had his first driving lesson. So...
Washburn: Driving lesson? You call that a driving lesson?
Washburn's Mom: Yes!
Washburn: Dad let go of the wheel and said "You better steer or you're gonna kill the whole family".
Washburn's Mom: Yeah! It's good for you.
Washburn: We where going 90, I was six!
Washburn's Mom: That's right! And that's the way he taught you to swim!
Washburn: I can't swim either!
- Crazy CreditsOuttakes are shown during the closing credits
- SoundtracksCrazy in Love
Written by Rich Harrison, Jay-Z (as Shawn Carter), Beyoncé and Eugene Record
Performed by Beyoncé
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
(contains a sample of "Are You My Woman (Tell Me So)"
Performed by The Chi-Lites
Courtesy of Brunswick Record Corporation).
I quite liked the original for what it was so I decided to give this film a try to see if it could manage to be fun. I'll be honest and say that the trailer attracted me because it had car chases, a bit of a laugh and some faux-lesbian teasing there, gone are my 'art-house' credentials! I hoped that these elements could be kept fun and that the film could have a spark to it in some area that would raise it above the genre and actually make it fun to watch. Sadly I was wrong and my worries about the effort put into this film were realized in the first few minutes of the film where a skinny person on a bike is revealed to be Belle even though their body shapes could not be more different! With this lack of attention to detail I did not have high hopes but I figured I was being picky and tried to get past it. However from here on in everything is exactly as you would expect lacking imagination and effort in almost every regard.
The plot is nonsense but to pick on that is to be too demanding because none of us expected anything too cohesive or logical but suffice to say that attempts to build stories around the characters are all flat and uninteresting. However what I did need from the film was action, excitement, comedy and spark. The action is OK but nothing special the use of CGI cars to make impossible stunts really takes away from the impact of the action, while the limitations of the busy streets means that the car chases are very tightly cut and never feel real and impressive. This reduces how excited the audience can feel and me and the other 15 people in the cinema sat rather impassive for most of the action scenes. With this OK, then the comedy needed to match it to produce an OK film, but it didn't. Not at all. The comedy is partly based on that wonderful comic device that black people are cool and sassy while white people are geeky and uptight. Oh, how I never tire of seeing racial stereotypes enforced in the name of comedy. With this old chestnut wheeled out again, the rest of the comedy falls into line and I never really laughed more than once. The button pushing and lack of imagination continues with the robbers themselves who are nothing more than legs and skin who are there to attract an idiotic and salivating male audience (ie me) on the promise of titillation. They don't deliver this very well at all and the scenes where they try to feel cheap, tacky and exploitative instead of sexy and fresh.
The cast are lumbered with the material but they don't do as much as perhaps they could have done to make it better. Fallon is annoying and geeky simply filling the 'white' cliché in the 'cool black/geeky white' combo. Latifah continues to just play the easy ethnic cliché stuff for every penny.
I don't know if she is like this in real life but I must admit that I do find her ethnic cliché to be lazy and rather offensive her smart-mouth, impatience and speed to violence has been in many of her last few roles and I don't think it is the best use of her position, but then again if you put money in front of me then I'd probably do the same. Esposito is pretty wasted in a thankless role before being used as a piece of meat for the sake of selling the film to the male audience (yes, yes, I admit it). The models are nothing but eye candy and I didn't think they did it very well.
Overall this is not a terrible film because it will appeal to boys and young teenagers with its noisy mix of unattainable leggy women, fast cars, basic humour and racial stereotyping; the target audience for this is shown even in the cut which removes a use of the MF word so that it can get to a younger audience. For me though I found it lacking any sort of imagination, spark or wit and instead just took the easy line of cliché, stereotype and noise. It will appeal to some, but not to me, and it was an effort to get to the end.
- bob the moo
- 3. Dez. 2004
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Taxi: Derrape total
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 36.879.320 $
- Eröffnungswochenende in den USA und in Kanada
- 12.029.832 $
- 10. Okt. 2004
- Weltweiter Bruttoertrag
- 71.255.003 $
- Laufzeit1 Stunde 37 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1