IMDb-BEWERTUNG
7,4/10
17.111
IHRE BEWERTUNG
Ein Junge entdeckt zufällig ein tiefes Loch im Boden, in dem ein anderer Junge gefangen gehalten wird.Ein Junge entdeckt zufällig ein tiefes Loch im Boden, in dem ein anderer Junge gefangen gehalten wird.Ein Junge entdeckt zufällig ein tiefes Loch im Boden, in dem ein anderer Junge gefangen gehalten wird.
- Auszeichnungen
- 14 Gewinne & 18 Nominierungen insgesamt
Susi Sánchez
- Madre Filippo
- (as Susy Sánchez)
Emilio Fede
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesAs the film is mainly told from a child's point of view, director Gabriele Salvatores instructed his director of photography Italo Petriccione to shoot most of the film at a child's height.
- PatzerWhen Michele's mother cleans blood from between his nose and lips, more blood is visible from his lips down onto his chin, but with the next shot, the blood on his chin is gone.
- VerbindungenFeatured in At the Movies: Folge #1.8 (2004)
- SoundtracksChe gelida manina
from La Boheme
Written by Giacomo Puccini, Luigi Illica and Giuseppe Giacosa
BMG Music
Ausgewählte Rezension
To me this is one of the best movies I've ever seen. A sort of a thriller, miles away from a Hollywood thriller and yet the suspense builds up every other scene, relentlessly, but peacefully.
Sunny (we are amid miles of golden wheat, where these children run with their bicycles unknowingly towards their destiny . There is no rush or heart pounding mystery, but it gets your interest fully from the very beginning with the title presentation.
The beautiful photography shows us at its best the enormous extensions of ripe wheat, ready to be collected, and the patterns the wind creates by playing with it. This field plays a fundamental role in the development of the story.
I don't see the close ups of different field little animals as negatively as Ralph Michael Stein says in his previous review. To me not only they are very interesting to see --at least one of them was totally unknown to me, city dweller that I am-- but they add a certain naivetè, like a certain magic, part of a child's view of the most common things.
Besides they establish the location, a rural one, where little animals are usual things, so much so that our 10 year old boy never looks at them. He saw them too many times to be surprised by them, as we could be. All the children are spectacular actors, the two main characters specially, and maybe because of that, they take much of the screen time. The rest of the cast as perfect as real people. The movie develops into a more and more complex crucible due to the human intervention, always unpredictable and usually determining catastrophic decisions.
The extreme close ups --one eye only, etc.-- are very effective to emphasize whatever is going on in the brain of that character. The script is superb, the direction also. The music fantastic --some of it Vivaldi, no less!--.
Extremely watchable and entertaining.
Sunny (we are amid miles of golden wheat, where these children run with their bicycles unknowingly towards their destiny . There is no rush or heart pounding mystery, but it gets your interest fully from the very beginning with the title presentation.
The beautiful photography shows us at its best the enormous extensions of ripe wheat, ready to be collected, and the patterns the wind creates by playing with it. This field plays a fundamental role in the development of the story.
I don't see the close ups of different field little animals as negatively as Ralph Michael Stein says in his previous review. To me not only they are very interesting to see --at least one of them was totally unknown to me, city dweller that I am-- but they add a certain naivetè, like a certain magic, part of a child's view of the most common things.
Besides they establish the location, a rural one, where little animals are usual things, so much so that our 10 year old boy never looks at them. He saw them too many times to be surprised by them, as we could be. All the children are spectacular actors, the two main characters specially, and maybe because of that, they take much of the screen time. The rest of the cast as perfect as real people. The movie develops into a more and more complex crucible due to the human intervention, always unpredictable and usually determining catastrophic decisions.
The extreme close ups --one eye only, etc.-- are very effective to emphasize whatever is going on in the brain of that character. The script is superb, the direction also. The music fantastic --some of it Vivaldi, no less!--.
Extremely watchable and entertaining.
- davidtraversa-1
- 11. Dez. 2008
- Permalink
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- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
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- I'm Not Scared
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Box Office
- Bruttoertrag in den USA und Kanada
- 1.615.328 $
- Eröffnungswochenende in den USA und in Kanada
- 48.292 $
- 11. Apr. 2004
- Weltweiter Bruttoertrag
- 7.354.418 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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