Als seine Frau von einem Wahnsinnigen umgebracht wird, macht sich Rennie Cray auf die Suche nach ihrem Mörder, einem gnadenlosen, an einen Rollstuhl gebundenen Serienmörder.Als seine Frau von einem Wahnsinnigen umgebracht wird, macht sich Rennie Cray auf die Suche nach ihrem Mörder, einem gnadenlosen, an einen Rollstuhl gebundenen Serienmörder.Als seine Frau von einem Wahnsinnigen umgebracht wird, macht sich Rennie Cray auf die Suche nach ihrem Mörder, einem gnadenlosen, an einen Rollstuhl gebundenen Serienmörder.
- Auszeichnungen
- 2 Nominierungen insgesamt
- Olivia Cray
- (as Guylaine St. Onge)
- Patient
- (Nicht genannt)
- Wrecker operator
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesTest screening cut ran 2 hours 5 mins approx but was edited down to a brisk run time of 1 hour 20 mins for pacing. Exorcised, among other things were scenes of Cray and his wife at the beginning, Fargo as an able bodied man committing murders, Cray in prison, a subplot of Macklin struggling with his superiors over his investigation and more scenes of molly and Clay in the junk yard.
- PatzerAs the car flips at the climax of the movie, the left rear wheel entirely comes off the axle, yet, when the car finally settles back onto the ground, the wheel is back on.
- Zitate
James 'Rennie' Cray: Can I give you ride?
Molly Poole: Somebody's meeting me.
James 'Rennie' Cray: What about later?
Molly Poole: It's kind of a bad time.
James 'Rennie' Cray: I didn't say we'd enjoy ourselves.
Molly Poole: You promise?
James 'Rennie' Cray: We'll be pitiful.
- VerbindungenEdited into Feast (2005)
"Highwaymen" finally gives us a thriller, that avoids all the crutches of the mainstream film-making that we have seen in the last few years. The stunts are all metal cars crashing into each other - no fancy effects (i.e. Nic Cage jumping a bridge in a digital mustang during the cheesy "Gone in 60 seconds" remake). Here we have car doors getting ripped off and then actually being replaced with second-hand parts by the characters in the film - a realistic car chase film. Finally.
The music, by Mark Isham, is very simple and very scary. It brings back memories of "Halloween" and "Nightmare on Elm Street" - when filmmakers knew how to use frequencies to build tension. There is no Brittany Spears or Metallica singles on the soundtrack, indicating that at least one filmmaker still can hold his own, and not fall to the popular vote when designing a film's soundtrack.
The acting is excellent - Jim Caviezel is great.
The cinematography is first class - and on film, which is refreshing when much of the movie takes place at night and many filmmakers get scared and run to video nowadays (Michael Mann "Collateral"). Great land scapes and long empty roads are brilliantly photographed by cinematographer Rene Ohashi.
By far the best are the sound effects. All the car engine sounds are greatly accurate - from the Barricuda's Hemi to El Dorado's big block - all sounds are accurately placed and brilliantly timed. This, and all the great car-talk within the dialogue makes for a true car film that anyone who loved the old car chase films of the late 60's to the late 70's, would greatly enjoy this one as well.
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Veloces y mortales
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 371.396 $
- Eröffnungswochenende in den USA und in Kanada
- 195.436 $
- 15. Feb. 2004
- Weltweiter Bruttoertrag
- 2.442.378 $
- Laufzeit1 Stunde 20 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1