Als die Ära des feudalen Japans sich dem Ende zuneigt, hat ein verwitweter Samurai Schwierigkeiten, die Loyalitäten der Clans, zwei junge Töchter, eine betagte Mutter und das plötzliche Wied... Alles lesenAls die Ära des feudalen Japans sich dem Ende zuneigt, hat ein verwitweter Samurai Schwierigkeiten, die Loyalitäten der Clans, zwei junge Töchter, eine betagte Mutter und das plötzliche Wiederauftauchen seiner Jugendliebe auszugleichen.Als die Ära des feudalen Japans sich dem Ende zuneigt, hat ein verwitweter Samurai Schwierigkeiten, die Loyalitäten der Clans, zwei junge Töchter, eine betagte Mutter und das plötzliche Wiederauftauchen seiner Jugendliebe auszugleichen.
- Für 1 Oscar nominiert
- 38 Gewinne & 9 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesOfficial submission of Japan for the 'Best Foreign Language Film' category of the 76th Academy Awards in 2004.
- PatzerWhile Seibei fighting with Toyotaro, Toyotaro katana fell on the ground, right beside Seibei. Toyotaro fell towards river and Seibei make step forward towards Toyotaro, so the katana clearly should stay behind Seibei, beyond possibility to reach by Toyotaro. But from different camera can be seen that katana lay between both of them, 2 meters ahead of Seibei. It's most likely intentional arrangement by director, otherwise Toyotaro wouldn't be able to made his last attempt to grab katana.
- Zitate
Kayano Iguchi: Father, If I learn to do needlework someday I can make kimonos. But what good will book learning ever do me?
Seibei Iguchi: Well, it probably won't ever be as useful as needlework. But you know, book learning gives you the power to think. However the world might change, if you have the power to think you'll always survive somehow. That's true for boys and for girls. All right?
Kayano Iguchi: Yes.
- VerbindungenFeatured in The 76th Annual Academy Awards (2004)
- SoundtracksKimerareta Rhythm
Performed by Yosui Inoue
Sanada plays Seibei Iguchi, a poor, 50-koku ranked samurai who has to support his two daughters and a senile mother, due to the passing away of his wife. The structure and plot turns of the story are simple, but fascinating to watch unfold, and it is perhaps the simplicity and novelistic grace of the narrative that makes the film so remarkable. Seibei works as a scribe with his fellow samurai, and always has to rush home after work to attend to his duties as a father. He lets hygieine slowly slide into second priority (resulting in rather unkempt clothes and socks), but in general, he doesn't seem to care: his two daughters he treasures above all other things. When a woman named Tomoe, a childhood friend that Seibei was particularly fond of, suddenly re-appers into his life, Seibei makes certain decisions that he ultimately ends up regretting later. The rest of the story is full of very interesting plot develoments, playing with the audience's expectations (especially with the relationship between Tomoe and Seiebi), and although the film is not a traditional samurai film in that it does not have alot of action scenes, the composition of the tale, and its "storytelling" invocation (one of the daughters narrates) is good enough to keep you watching.
Hiroyuki Sanada playing Seibei is really a marvel to watch; he adds a very sensible depth and modesty to the character, and infuses it with some understated comic acting as well. At the end of the film, after the climatic final battle, Sanada is able to make the character of Seibei resonate with a very unconventional but nonetheless strong and beautiful heroism. Sanada is really a very talented thespian, and in this film, you may get to sample the sheer range of his great technique. For the world-class acting work he did in this film, he won a Japanese Academy Award, and the film also got noticed by the Oscars (nominated for Best Foreign Language Film, 2004). If there's a chance your able to catch this film in a local theatre (usually, it plays at Landmark) do so, you won't regret it. You'll be able to watch an excellent story unfold, and also see some of the finest acting in world cinema today.
- artist_signal
- 6. Juni 2004
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- The Twilight Samurai
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 559.765 $
- Eröffnungswochenende in den USA und in Kanada
- 8.573 $
- 25. Apr. 2004
- Weltweiter Bruttoertrag
- 7.372.769 $
- Laufzeit2 Stunden 9 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1