Ein Mord im Louvre und Hinweise auf Da Vinci-Gemälde führten zur Entdeckung eines religiösen Geheimnisses, das seit zweitausend Jahren von einem Geheimbund geschützt wird und die Grundlagen ... Alles lesenEin Mord im Louvre und Hinweise auf Da Vinci-Gemälde führten zur Entdeckung eines religiösen Geheimnisses, das seit zweitausend Jahren von einem Geheimbund geschützt wird und die Grundlagen des Christentums erschüttern könnte.Ein Mord im Louvre und Hinweise auf Da Vinci-Gemälde führten zur Entdeckung eines religiösen Geheimnisses, das seit zweitausend Jahren von einem Geheimbund geschützt wird und die Grundlagen des Christentums erschüttern könnte.
- Auszeichnungen
- 8 Gewinne & 21 Nominierungen insgesamt
- Docent
- (as Andrew Clark)
Handlung
WUSSTEST DU SCHON:
- WissenswertesAudrey Tautou revealed that, during her audition, she asked if she could take a photo of Ron Howard and Tom Hanks to prove that she'd actually met them.
- PatzerThere was no need to know the capsule's combination in order to open it as vinegar is easily frozen in a household freezer. Simply freeze the capsule and then smash it open to reveal the internal message.
- Zitate
Robert Langdon: This is the original icon for male. It's a rudimentary phallus.
Sophie Neveu: Quite to the point.
Sir Leigh Teabing: Yes, indeed.
Robert Langdon: This is know as the blade. It represents aggression and manhood. It's a symbol still used today in modern military uniforms.
Sir Leigh Teabing: Yes, the more penises you have, the higher your rank. Boys will be boys.
- Crazy CreditsThe "A" and "V" in the film title are replaced with the "Blade" and the "Chalice" symbols described by Langdon in the movie.
- Alternative VersionenThe film was originally shown to the UK censors in an unfinished form, with a temp score and sound mix. The BBFC advised Sony Pictures that sound levels during some acts of violence may be too impactful for the requested "12A" rating, so the film was likely to receive a 15 classification. When formally submitted, the final levels of sound effects on the completed soundtrack had reduced the strength of some acts of violence to an extent which made the film able to get a "12A" rating.
- VerbindungenFeatured in Das große Rennen: Herculean Effort for Some Herculean Dudes (2006)
First, I have to qualify myself. I read the book and I LOVED it; couldn't put it down. I loved the history, the speculation, the riddles and puzzles, and the masterful blend of fact and fiction. Additionally, I'm not religious, although I was definitely familiar with Christian historical icons such as Jesus, John the Baptist, and Mary Magdelene before I read the book. I also happen to be a big fan of Tom Hanks, Ron Howard, and Ian McKellan.
Having said that, I went in prepared to like this movie, even though I had somewhat lowered my expectations based on the barrage of bad reviews. All of this proved to be a winning formula for me, apparently.
If you're like me and you loved the book and you like the artistic team that pursued making it into a movie, then you'll most likely come out satisfied. You won't mind what many critics have called "overly-long exposition" and historical flashbacks, because that's pretty much what the book consisted of. And in the book, it was absolutely engrossing! So, I personally didn't mind all of the explanation of history, symbols, etc.
Critics have also found fault with Tom Hanks and Audrey Tatou's portrayals of Robert Langdon and Sophie Neveu (respectively), saying that they delivered flat performances. But once again, whoever read the book will remember that both of these characters weren't that dynamic on the written page, either. Of course, Sir Ian McKellan, with the juiciest role of Holy Grail scholar Sir Leigh Teabing, chews up the scenery every time he's shown on screen. Sir Leigh Teabing was also one of the richest characters in the book.
I think that the people who won't like this movie are people who didn't read the book, and are going into the theater expecting a regular movie, which it's not. It's an adaptation of a very wordy, detailed, twisting, speculative novel that blends fact and fiction in a devastatingly effective way, and it's easy to get lost while watching the movie if you don't already know where the story is going. Sure, Ron Howard uses digitized, grainy flashbacks of ancient pagan rituals and societies to move the narrative along and to keep the audience on point, but I can see how it could be overwhelming to those who only know the bare bones of the plot. However, those who found it fascinating in the book will find pleasure in seeing the visual accompaniment to what they've already read.
In short, you go see this movie (or read the book) for how it challenges popularly-held beliefs; not for its rich, engaging character development. It's a quest for the "truth", and in terms of the IDEAS expressed, they did a dag-blasted good job of translating those ideas onto the screen. Those who often complain that movies don't stay true to the books that they're based on will find comfort in the fact that Akiva Goldsman and Ron Howard have stayed incredibly close to the original text when translating it onto the screen. However, this will be to the dismay of those movie-goers who haven't read the book, and are therefore expecting a traditional action thriller with traditional action thriller dialogue.
If you go to RottenTomatoes.com, you'll see the huge disparity between what the critics have said, and what the users have said regarding this film. While the cumulative critics rating is a dismal 22%, the combined user rating is a 74%, which is way above average for the site. That should speak volumes to whoever is skeptical about seeing the movie because of the bad reviews.
The bottom line is that it's definitely a movie worth watching if only to see how the creative team behind it went about turning the best-selling novel into celluloid. It's also a treat to see something in popular culture challenge popular religious ideals so skillfully, even if only in the form of fiction.
My advice: go see for yourself.
- KrisDemeanoR
- 21. Mai 2006
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- The Da Vinci Code
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 125.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 217.536.138 $
- Eröffnungswochenende in den USA und in Kanada
- 77.073.388 $
- 21. Mai 2006
- Weltweiter Bruttoertrag
- 760.006.945 $
- Laufzeit2 Stunden 29 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1