Nitta Sayuri enthüllt, wie sie ihre Wurzeln in einem Fischerdorf hinter sich ließ und zu einer der berühmtesten Geisha Japans wurde.Nitta Sayuri enthüllt, wie sie ihre Wurzeln in einem Fischerdorf hinter sich ließ und zu einer der berühmtesten Geisha Japans wurde.Nitta Sayuri enthüllt, wie sie ihre Wurzeln in einem Fischerdorf hinter sich ließ und zu einer der berühmtesten Geisha Japans wurde.
- 3 Oscars gewonnen
- 32 Gewinne & 47 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesThere was much discussion about the traditional Geisha hairstyles of the time period and the filmmakers decided to give each character a specific hairstyle that was slightly symbolic of her character. Pumpkin's hair was slightly over-exaggerated with many ornaments to indicate her character's desperation to succeed. Hatsumomo's hair when loose was wild, while her up-do was set with sections of hair dangling out to indicate her character's disregard for tradition, and her loose morals. Mameha's hair was side swept with simple buns or generally loose over one shoulder to give her a simple elegant appearance, as Mameha is supposed to be naturally beautiful. Sayuri's hair was always a simple style either in a bun, a braid or a less exaggerated style to indicate her natural beauty and less need of elaborate styles.
- PatzerWhen Hatsumomo and Pumpkin are leaving on the night of Pumpkin's debut, neither Mother nor Auntie spark flint on their backs. A Geisha would never leave her okiya without this act being performed as it was believed it brought good luck.
- Crazy CreditsNo studio logos are shown at the beginning. They however appear shortened after the end credits and are accompanied by the film's score.
- VerbindungenFeatured in The 63rd Annual Golden Globe Awards 2006 (2006)
- SoundtracksAnata No Mono Yo
Written by Takao Saeki and Kouka Sassa
Performed by Noriko Awaya
Courtesy of Columbia Music Entertainment, Inc.
Ausgewählte Rezension
I lived in Japan for 3 years and I loved the book, rich with visual imagery. I went to the see the movie with a good deal of trepidation, convinced that they were going to butcher it and sex it up to appeal to American audiences. Instead I sat spellbound in my seat as I watched the images that Arthur Golden has created in my mind with words years before, play themselves out on the screen in front of me. Every shot, ever scene, every tiny detail was just beautiful. I literally did not look away from the screen the entire time. The acting wasn't spectacular. I think they could have found somebody better to play Sayuri. The children were all wonderful. The stand-out actress by far was Gong Li as Hatsumomo. The villain had the best opportunities to show her skills as a thespian. The plot stuck very closely to the book. They eliminated the scenes that they needed to in the interest of time, but they didn't try to take any shortcuts or speed up the plot. I really felt like the story was played out beginning to end without sacrificing any of the meat. You'll read a lot of reviews in the coming weeks praising the gorgeous photography. Every word is true. Words like "lush" and "exquisite" only begin to do it justice. I've never had the experience of being transported to another time by a movie in quite this way.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Memoirs of a Geisha
- Drehorte
- California State Railroad Museum - 111 I Street, Sacramento, Kalifornien, USA(interiors: railroad station)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 85.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 57.490.508 $
- Eröffnungswochenende in den USA und in Kanada
- 682.504 $
- 11. Dez. 2005
- Weltweiter Bruttoertrag
- 162.242.962 $
- Laufzeit2 Stunden 25 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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