Dead End Run

But good weird or bad weird? I'm leaning towards the former, if only because the rote yakuza film I was expecting turned out to be anything but, and I do like surprises.

Avant-garde might be the best way of describing what happens here: three "stories," each concerning two people, a (possible) death, and the relationship formed between those people in that moment. Beyond that, things just get...weird. In one segment, for instance, a recently killed woman animates herself in a very horror movie fashion, and then goes on to do a long, strange, song/dance piece with her killer.

The first and second sequences are closely linked in terms of content and style, whereas the third follows a much more conventional cops-and-crook set up, which seems a bit disappointing - except that it may or may not represent a thematic resolution of the first two. You be the judge.

Reminiscent, vaguely, of David Lynch, though with lower production values. Long stretches of silence, heavy on atmosphere; one of the most stunning shots of steam you'll ever see. Not a great movie by any means, but certainly an interesting one.