Tommy ist ein moderner Wissenschaftler und kämpft gegen die menschliche Sterblichkeit an. Verzweifelt sucht er nach dem medizinischen Durchbruch, der das Leben seiner krebskranken Frau Izzi ... Alles lesenTommy ist ein moderner Wissenschaftler und kämpft gegen die menschliche Sterblichkeit an. Verzweifelt sucht er nach dem medizinischen Durchbruch, der das Leben seiner krebskranken Frau Izzi retten kann.Tommy ist ein moderner Wissenschaftler und kämpft gegen die menschliche Sterblichkeit an. Verzweifelt sucht er nach dem medizinischen Durchbruch, der das Leben seiner krebskranken Frau Izzi retten kann.
- Auszeichnungen
- 9 Gewinne & 38 Nominierungen insgesamt
Alex Bisping
- Foot Soldier Del Toro
- (as Alexander Bisping)
Handlung
WUSSTEST DU SCHON:
- WissenswertesWarner Bros. refused to do a director's commentary for the DVD release, so Darren Aronofsky recorded one in his living room and released it on his website.
- PatzerThe second brightest star of Orion constellation, Betelgeuse, is missing in the sky views throughout the film.
- Crazy CreditsThe movie ends with a white out, which represents the Big Bang or creation of the Universe. Following that, the white areas behind the credits condense, which correlates with the condensation of matter and ultimate large scale structure of the universe. These devolve to a black screen, the early "opaque" stage of the universe, when early particles were forming. From this, stars begin to form, one by one until the credits end with a universe full of stars and the story of our universe to the present, told behind the credits.
- Alternative VersionenThe film was originally submitted to the BBFC on 30th June 2006, where it was passed with a 15 certificate. However, on 30th November 2006 the film was submitted again as a "re-edited" international version, with "changes made to reels 2, 3 and 5". This new version runs 16 seconds longer and was awarded a lower 12A certificate. The BBFC's website does not list the specific changes made.
- VerbindungenEdited into Race for Space (2010)
Ausgewählte Rezension
...and here I shall attempt to review what will one day be a classic in the hopefully near future. The Fountain is many things. It's a touching film. It's not long, though, clocking in at around 80 or 90 minutes, but it does manage to pack in enough emotion to out-do every single lame, candy-assed Hollywood romance ever created, or almost. More movies should cut down their running times like this; because there is not a wasted moment in The Fountain from start to finish, despite the movie still moving at an gregariously slow pace. You won't find any blitzed, seizure-inducing cut-and-paste editing scenes here, and there are no epic explosions and battle scenes either. What you will find, though, is an entire treasure trove of realistic passion and jaw-dropping emotion, and that's the strong point of this movie. Nothing here feels contrived or derivative or fake at all - this is a story of a woman with a lot of love in her heart and a passion for life in general, and a man who would do anything to preserve the same love for all eternity. That's the Fountain.
The Fountain is a simple movie. While at first it's repertoire of lazily abstract images and slow plot construction may seem intimidating and might even turn off the average moviegoer, a deeper voyage into The Fountain's layers reveals something not hard to comprehend at all. I mean, honestly, this film is a love story at it's core, there are no mind-bending plot twists and secret meanings. It's just a passionate, intricately woven romance about how far a man would go to let his love live on forever. If you're looking for super slick plot twists and drama, then look elsewhere, because The Fountain is not your typical modern flick at all. As I said, average moviegoers probably won't be able to get into this one. It's just too abstract and weird, and I won't blame anyone for disliking it on the basis of it's obvious inaccessibility. But regardless, the shimmering majesty of this movie is evident to those who are willing to try and find it. It's clear after the film sinks in - The Fountain is a straightforward and simple film disguised by multiple layers of artistic refinement and glorious imagery. Oh, it's not all clear cut for you, there is one other sticky point for some people - the fact that The Fountain takes place in three different time-spans all at once, weaving them together into a rich, complex tapestry of master-class storytelling. Yet somehow, despite the winding complexity of it all, The Fountain remains a pretty basic story once you get your head around it's eccentricities. Simplicity and complexity go hand in hand here to create a plethora of beauty and sorrow, a perfect oxymoron.
There's a very deep, broad contrast between the beautiful simplicity of the film's plot line and the absolutely jaw-dropping grandeur of the special effects and graphics utilized here. The directing here is through the roof, and the cinematography on display here is probably amongst the five or six best from any movie I've ever seen, if not the very top of the goddamn list. Just watch the last few minutes of the movie, and you'll understand. One of the things I really love about The Fountain is that it's beautiful and touching without trying to be anything it isn't. It's an honest film, and it does everything it wants to do effortlessly and flawlessly, with graceful, sweeping movements that etch a stunning caricature of rich, luscious aesthetics into an otherwise simple story. Marvelous.
The Fountain is a simple movie. While at first it's repertoire of lazily abstract images and slow plot construction may seem intimidating and might even turn off the average moviegoer, a deeper voyage into The Fountain's layers reveals something not hard to comprehend at all. I mean, honestly, this film is a love story at it's core, there are no mind-bending plot twists and secret meanings. It's just a passionate, intricately woven romance about how far a man would go to let his love live on forever. If you're looking for super slick plot twists and drama, then look elsewhere, because The Fountain is not your typical modern flick at all. As I said, average moviegoers probably won't be able to get into this one. It's just too abstract and weird, and I won't blame anyone for disliking it on the basis of it's obvious inaccessibility. But regardless, the shimmering majesty of this movie is evident to those who are willing to try and find it. It's clear after the film sinks in - The Fountain is a straightforward and simple film disguised by multiple layers of artistic refinement and glorious imagery. Oh, it's not all clear cut for you, there is one other sticky point for some people - the fact that The Fountain takes place in three different time-spans all at once, weaving them together into a rich, complex tapestry of master-class storytelling. Yet somehow, despite the winding complexity of it all, The Fountain remains a pretty basic story once you get your head around it's eccentricities. Simplicity and complexity go hand in hand here to create a plethora of beauty and sorrow, a perfect oxymoron.
There's a very deep, broad contrast between the beautiful simplicity of the film's plot line and the absolutely jaw-dropping grandeur of the special effects and graphics utilized here. The directing here is through the roof, and the cinematography on display here is probably amongst the five or six best from any movie I've ever seen, if not the very top of the goddamn list. Just watch the last few minutes of the movie, and you'll understand. One of the things I really love about The Fountain is that it's beautiful and touching without trying to be anything it isn't. It's an honest film, and it does everything it wants to do effortlessly and flawlessly, with graceful, sweeping movements that etch a stunning caricature of rich, luscious aesthetics into an otherwise simple story. Marvelous.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- The Last Man
- Drehorte
- Guatemala(Exterior)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 35.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.144.010 $
- Eröffnungswochenende in den USA und in Kanada
- 3.768.702 $
- 26. Nov. 2006
- Weltweiter Bruttoertrag
- 16.468.343 $
- Laufzeit1 Stunde 37 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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