Zwei ungleiche Schwestern

Despite occasional overacting, this movie contains some interesting psychological and sociological insights. Most of the situations are plausible, even when they contain stereotypes. Although Martine's character could be construed as vicious and riddled with over-the-top intolerance, in the end she arouses more pity than contempt. Her younger sister Louise, fresh from the provinces and utterly devoid of sophistication and savoir-faire, in the end turns up trumps, a modern version of Andersen's ugly duckling. All the minor characters appear credible, as they witness with patient puzzlement the increasingly hysterical outbursts of the Parisian sister. A subtle touch is provided by Martine's unprepossessing little boy, who should be, but isn't, the logical comfort to his mother's depressive condition. If there is a moral to this fast-paced middle-class comedy, it is that no intelligent woman should sentence herself to merely being a wife and mother. Louise, on the other hand, has twigged this, and triumphs in the end.