Eine Nacherzählung von Domino Harveys Lebensgeschichte. Die Tochter des Schauspielers Laurence Harvey wandte sich von ihrer Karriere als Ford-Model ab und wurde zu einem Kopfgeldjäger.Eine Nacherzählung von Domino Harveys Lebensgeschichte. Die Tochter des Schauspielers Laurence Harvey wandte sich von ihrer Karriere als Ford-Model ab und wurde zu einem Kopfgeldjäger.Eine Nacherzählung von Domino Harveys Lebensgeschichte. Die Tochter des Schauspielers Laurence Harvey wandte sich von ihrer Karriere als Ford-Model ab und wurde zu einem Kopfgeldjäger.
- Auszeichnungen
- 2 wins total
Edgar Ramírez
- Choco
- (as Edgar Ramirez)
Rizz Abbasi
- Alf
- (as Rizwan Abbasi)
Joe Nunez
- Raul Chavez
- (as Joseph Nunez)
Handlung
WUSSTEST DU SCHON:
- WissenswertesTony Scott claimed that the frenetic filming and editing style of the picture is reflective of the high usage of cocaine amongst real bounty hunters he consulted while researching the film.
- PatzerWhen Domino and her dad are at the beach in England in 1993 (really filmed at Santa Monica Pier, Los Angeles), stuffed animals prizes from Findet Nemo (2003) are at the carnival game.
- Zitate
Domino Harvey: I saved her... And when she is older, a woman named Domino will tell her that there is only one conclusion to every story... We all fall down.
- Crazy CreditsThe credits for the principal cast are shown by first name only in the closing credits, ending with the real Domino Harvey, followed by an "In Loving Memory" title card for Domino.
- VerbindungenFeatured in Bounty Hunting on Acid: Tony Scott's Visual Style (2006)
- SoundtracksAm I Really That Bad
Written by Domino Harvey, Jan Pomerans and Solomon Mansoor
Performed by Domino Harvey (as Domino) and the Dagger Baileys
Ausgewählte Rezension
My name is Domino Harvery. {EDIT *dizzying* CHOP} My--my--my name is Domino Harvey. {CUT, CHOP} My name is Domino Harvey. {EDIT. CUT. Playback}
Never have I seen a director take so much flack for his style before. By now it is evident that most people do not appreciate Tony Scott's choppy, flashy, dizzying editing technique. If I have to choose between loving it and hating it, I'd say I love it. It was borderline distracting at times, but the end result was pretty good and it's nice to see a director with a creative edge to his style and some originality (even if it borrows heavily from MTV videos).
This stylistic edge manifests itself as Keira Knightley plays the role of cocky badass bounty hunter Domino Harvey and even her dialogue seems strangely choppy. Otherwise she plays her poorly because I pretty much hated her character and did not sympathize one bit with her, no matter how much she suffered. We follow Domino through her life as she joins up with fellow bounty hunters Mickey Rourke, Rizwan Abbasi and Edgar Ramirez. The crew become tangled up in the FBI and suddenly has a reality show contract under Christopher Walken's TV production company (what is Christopher Walken doing in every film, by the way?). I guess that is a clever film technique, because now Tony Scott is free to use as much flashy MTV/Reality Show editing footage as he likes. It becomes a pastiche of MTV culture at this point.
It followes then that the story is told at an amazingly rapid-fire pace, with lots of raunchy strong language and gun violence. There are some funny jokes; it's all very modern and surreal at the same time. It's a mess, but it's a rather enjoyable mess. It is ultimately flawed in so many ways (the actors try too hard to make their characters "cool", for one) but it works. I give it a weak 7/10 which may seem generous when compared to the general consensus of movie-goers who graded this film but I feel it had some good ideas and executed them well.
7 out of 10
Never have I seen a director take so much flack for his style before. By now it is evident that most people do not appreciate Tony Scott's choppy, flashy, dizzying editing technique. If I have to choose between loving it and hating it, I'd say I love it. It was borderline distracting at times, but the end result was pretty good and it's nice to see a director with a creative edge to his style and some originality (even if it borrows heavily from MTV videos).
This stylistic edge manifests itself as Keira Knightley plays the role of cocky badass bounty hunter Domino Harvey and even her dialogue seems strangely choppy. Otherwise she plays her poorly because I pretty much hated her character and did not sympathize one bit with her, no matter how much she suffered. We follow Domino through her life as she joins up with fellow bounty hunters Mickey Rourke, Rizwan Abbasi and Edgar Ramirez. The crew become tangled up in the FBI and suddenly has a reality show contract under Christopher Walken's TV production company (what is Christopher Walken doing in every film, by the way?). I guess that is a clever film technique, because now Tony Scott is free to use as much flashy MTV/Reality Show editing footage as he likes. It becomes a pastiche of MTV culture at this point.
It followes then that the story is told at an amazingly rapid-fire pace, with lots of raunchy strong language and gun violence. There are some funny jokes; it's all very modern and surreal at the same time. It's a mess, but it's a rather enjoyable mess. It is ultimately flawed in so many ways (the actors try too hard to make their characters "cool", for one) but it works. I give it a weak 7/10 which may seem generous when compared to the general consensus of movie-goers who graded this film but I feel it had some good ideas and executed them well.
7 out of 10
- Flagrant-Baronessa
- 27. Juni 2006
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Domino: Live Fast, Die Young
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 50.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.169.202 $
- Eröffnungswochenende in den USA und in Kanada
- 4.675.000 $
- 16. Okt. 2005
- Weltweiter Bruttoertrag
- 22.984.628 $
- Laufzeit2 Stunden 7 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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