Finally getting round to seeing the original Bourne film trilogy, after hearing nothing but good things, there hasn't been any regret watching them. Wasn't sure initially as to whether they'd be my cup of tea or not, hence why it took so long to see them, but that was not the case.
'The Bourne Identity' was a very pleasant surprise, giving a fairly well-worn genre a much needed freshness. It had its imperfections, but was a very solid and even very good film with much to recommend and introduced a cast-against-type Matt Damon in one of his best roles. 'The Bourne Supremacy' was an example of a sequel that was every bit as good as its predecessor, maybe lacking its freshness but also made a few improvements along the way. The original Bourne trilogy ends with 'The Bourne Ultimatum', which has been regarded often as the best of the three, cannot disagree.
Some of the hand-held shaky cam is used a little too excessively (epileptics be warned!) and the ending could have been a little less frenetic and confused and had more careful tying things together and explanation.
Visually, on the other hand, a vast majority of the time 'The Bourne Ultimatum' like its predecessors looks slick and stylish with even more breath-taking locations. There were many instances when the hand-held shaky cam did intensify the tense claustrophobia of the atmosphere and intensity to very good effect, never making things incomprehensible.
Like 'The Bourne Supremacy', the music score is even more dynamic, atmosphere enhancing and more layered this time round, while Paul Greengrass' drama-documentary style and background to his directing is used to full advantage. 'The Bourne Ultimatum' has the sharpest, most intelligent and subtle script of the three films, in a way that is just dazzling.
The story never lets go of its grip and never strains credibility or reality. It is a tense adrenaline rush throughout, with the best mix of exciting action, the best of it is absolutely thrilling, and meaty story-telling, with lots of emotion and characterisation meat, that develops Bourne the best of all three films. Paul Greengrass' directing style and his experience in drama-documentary is once again used to full advantage.
Matt Damon has really made the character of Bourne his own, at the time of 'The Bourne Identity' it was very much a cast-against-type role but now it is one of his best. Julia Stiles and particularly Joan Allen are marvellous, as is a suitably malevolent David Strathairn, and while the supporting cast are a little underused they all do uniformly sterling work (one would be very hard pressed to get a bad performance out of Albert Finney for example).
In conclusion, what a conclusion to the Bourne trilogy. 9/10 Bethany Cox
