Lincoln

... as many of the details about the personalities and machinations involved are clearly explained in that book.

Steven Spielberg's "Lincoln," released in 2012, stands as a masterful exploration of one of America's most revered leaders during a pivotal moment in history. Centered on the final months of Abraham Lincoln's presidency, the film delves deeply into the complexities of politics and personalities involved in the passing of the Thirteenth Amendment.

At its heart, Daniel Day-Lewis's portrayal of Abraham Lincoln is nothing short of extraordinary. Day-Lewis embodies Lincoln with a mesmerizing authenticity, capturing not only his physical presence but also his mannerisms and profound intellect. His performance humanizes Lincoln, showing his wit, compassion, and the burden of leadership during the Civil War.

The screenplay by Tony Kushner is a standout feature, drawing from Doris Kearns Goodwin's book "Team of Rivals" to craft a narrative that is both intellectually stimulating and emotionally resonant. The film focuses on Lincoln's strategic efforts to pass the Thirteenth Amendment, which would abolish slavery, amidst the tumultuous political landscape of the time. Kushner's script is rich in dialogue, filled with eloquence and historical depth, providing viewers with a window into the moral and ethical dilemmas faced by Lincoln and his contemporaries.

Spielberg's direction is deft and restrained, allowing the performances and the weight of history to take center stage. The cinematography and production design evoke the atmosphere of the 1860s with meticulous attention to detail, from the elaborate period costumes to the meticulously recreated settings of Washington, D. C.

Supporting performances by Sally Field as Mary Todd Lincoln, Tommy Lee Jones as Thaddeus Stevens, and David Strathairn as William Seward, among others, are uniformly excellent, adding layers of complexity to the narrative and enhancing the film's emotional impact.

"Lincoln" is not just a biographical drama but a profound meditation on power, justice, and the enduring struggle for equality. It resonates deeply with contemporary issues while reminding us of the moral imperatives that shaped America's history. By focusing on Lincoln's personal and political struggles, Spielberg and his team have crafted a film that is both enlightening and deeply moving, offering audiences a powerful and thought-provoking cinematic experience.

"Lincoln" is a triumph of filmmaking, anchored by Daniel Day-Lewis's transformative performance and Spielberg's assured direction. It stands as a testament to the enduring relevance of Abraham Lincoln's legacy and remains a landmark in historical cinema.

Lincoln (2012)

A highly polished, restrained, important movie.

That doesn't make this an exciting movie. The acting is terrific, and filming excellent (including a color saturation pulled back to give it an old look without seeming affected). It is clearly expert in the way we expect from Steven Spielberg above perhaps anyone, at least in the mainstream conventional sense.

But there are two things that make this movie a must see. One is the content. It's about one of the two or three most important things ever to happen in this country--the fight to end slavery during the Civil War. This is such powerful stuff it will make you weep. (If it doesn't, you'll have to ask why.) It's laid out as clearly and emphatically as possible while still keeping accurate.

The second thing is simply the overwhelming performance by Daniel Day-Lewis. It is so good you forget it's a performance (unlike, for example, his intensity in "There Will Be Blood" which stood out as a work of acting above the movie). Here he is so woven into the fabric of things he is indistinguishable from the historic truth, somehow. It's really the magic of the transparency of movie-making of this kind. Amazing performance.

It seems sacrilege to say this but the movie isn't perfect. Because of its material--getting the anti-slavery amendment through Congress--it involves a lot of talk, and a lot of people that you have to keep track of. I think Spielberg did this as good as it could be done, so no criticism there, but it does mean a lack of physical and even emotional drama through much of the film. I don't mean it's dull, just that it's conversational. I also found shreds of Spielberg's Frank Capra quality of making the movies--and his subjects--a little simplified. He ties up loose ends. He makes it all a fine package, very fine. Maybe too fine for what I would call high art. At times.

I think we'll have an easier time judging it in six months, or six years. Also the subject matter makes it almost unassailable, since clearly most of us are all for the passing of any anti-slavery legislation.

See this for all the reasons you have heard. Don't miss it. Maybe down a coffee before you go, but see it no matter what. As I say, it's important. It reminds you of greatness, and that's not something to miss.

UPDATE over one year later: I see that I accepted a lot of decisions by the writer and director as their prerogative, like focussing on one issue and narrowing to a short period of time. I had no bones with the scope of the movie. But in retrospect I see how the limitations of time and scope and background also create a sense of mis-information. That is, if you want a bigger picture of Lincoln, this movie is not quite right. Its aggrandizement is also not unavoidable, like the somewhat insipid (and yet moving) recital of the Gettysburg Address at the beginning by soldiers. Overall, though, I stick to my main thought--see it, and soak up what you can, without expecting perfection. Yes, see it for what it is, nothing less.

Most people will be aware that Steven Spielbergs filmography can be split into to two categories Action Adventures and Real Life Dramas and Lincoln falls into the latter categories but that's no disservice to the film as I think this is a fantastic film with amazing performances and a riveting story. When you boil it down the thing that are going to make or break this movie are the performances and they all work especially Daniel Day-Lewis who gives one of the best performances I have ever seen he embodies everything that Abraham Lincoln stood for and delivers a performance that is impossible not to get behind and it is easy to tell that the set backs in what he is trying to accomplish are taking a toll on him. Tommy Lee Jones also killed it in this movie I loved every second of his screen time he just seemed like an alternative version of Lincoln. Every thing Lincoln could be if he showed no restraint. The story of this movie is done in a very compelling way just do using in Lincolns last few months in office bringing the story into focus. James Spader was also extremely entertaining in this movie I loved his entire sub-plot of trying to get votes for the amendment and truly stole every scene he was in (except from any scene he had with Day-Lewis). Spielberg directs the film in a way to ensures that the audience is never bored and he doesn't do it in a lazy way by cutting the camera constantly he ensures that something visually interesting is always happening on screen. However my only flaw with this movie is the fact that we never truly saw with our own eyes what Lincoln was fighting for we never see slaves suffering and begging for freedom in fact most of the slaves seen in the movie are treated reasonably well. Of course I understand why one would want to end slavery I just think I would have made for some more compelling scenes in the film.

Lincoln is one of my favourite Steven Spielberg movies with amazing performance and a compelling and riveting story.

A-91%

I saw Lincoln yesterday and have been turning the movie over in my head. Something seemed lacking. Then I realized what that was.

The movie portrayed Congress debating over the 13th Amendment that would end slavery. The movie also portrayed only politically correct Black people. In Lincoln one only sees black people that are smartly dressed soldiers, suited gentlemen, and immaculately dressed, well-spoken and seemingly college educated women.

That historical fiction blights the movie.

The vast majority of Blacks in 1865 were not well-spoken, well-dressed, or well-educated. They had been denied access to such opportunities.

A reasonable person, in 1865, imbued with the observations of their time, might well believe that Black people were inferior in intellect or that that Black people weren't ready for the responsibilities of freedom. In Lincoln, you see these arguments aired. However, the speeches seem nonsensical when the movie deliberately declined to provide the social and cultural context that would have supported those perspectives.

There is a lot to like about Lincoln, though. Daniel Day Lewis was exceptional in the lead role. He avoided the mistake of making A. Lincoln a caricature of who Lincoln was. The characters and the script closely follow history. Few actors could have so believably delivered the role of Thaddeus Stevens but Tommy Lee Jones manages that very well.

"He contained multitudes." Walt Whitman

A story about Abraham Lincoln's 13th Amendment fight could be a snoozer in the hands of anyone else except director Steven Spielberg and actor Daniel Day-Lewis. Together they bring alive the passage of one of the nineteenth century's greatest pieces of legislation, freeing slaves for all time.

While the Civil War was coming to a close after 4 bloody years in 1865, Lincoln politicked for the amendment's passage, knowing full well that if peace were obtained, the impetus for the amendment would vanish. So politics and war are inextricably tied together, and arguably the most noble American president bartered and lied his way to passage.

Spielberg makes clear that sequestering the South's negotiating team until passage was crucial, if not impeachable. The drama as votes are bought or cajoled is an apt companion to the catastrophic war that cost over a half million lives. Less rewarding as drama is Lincoln's relationship with his wife, Mary (Sally Field), whose depression over the loss of her first child stalks here her lifetime and makes for some less than sweet moments on screen.

But this film belongs to Lincoln, who, as memorably portrayed by Day-Lewis, is a leader of strong will peppered by a sense of humor and a relentless penchant for tales: The story of George Washington's portrait in a British water closet is a hoot. Tommy Lee Jones' Thaddeus Stevens is essential Jones: gruff, blunt, ugly, and charismatic with a dollop of kindness no better exemplified than in his final scene in his bedroom.

Although this is occasionally a heavy-handed history lesson, it is my preferred way to learn. I know now what the 13th Amendment is, and I am aware in our own time of the severity of politics-- that great leaders must also be great politicians, with all the pejorative connotations our recent presidential election can conjure. Steven Spielberg brilliantly shows us that the process can be for the people and by the people and may not perish.