Füge eine Handlung in deiner Sprache hinzuApril, 39, wants a baby but her husband leaves her. When her adoptive mother dies, she's contacted by her biological mother, a TV talk show host. April starts seeing the divorced dad of one ... Alles lesenApril, 39, wants a baby but her husband leaves her. When her adoptive mother dies, she's contacted by her biological mother, a TV talk show host. April starts seeing the divorced dad of one of her students at school.April, 39, wants a baby but her husband leaves her. When her adoptive mother dies, she's contacted by her biological mother, a TV talk show host. April starts seeing the divorced dad of one of her students at school.
- Auszeichnungen
- 3 Gewinne & 1 Nominierung insgesamt
- Sheila
- (as Lillias D. White)
- Rabbi
- (as Rabbi Kenneth A. Stern)
Handlung
WUSSTEST DU SCHON:
- WissenswertesFeature film writing, directing, and producing debut for Helen Hunt. She also acted.
- PatzerThe ultrasound picture at six weeks is not developmentally correct. At six weeks, the baby's features (hands, spine, etc.) would not be able to be distinguished; it would look more like a bean in shape.
- Zitate
April Epner: Your wife was seeing someone else?
Frank: Pretty much everyone else. I was too much for her.
April Epner: Your wife? I'm sure she didn't feel that way.
Frank: She told me.
April Epner: What did she say?
Frank: 'You're too much for me.'
April Epner: Ugh.
- SoundtracksMazel Tov Zelda - Zeydns Tants
Written by Dave Tarras
Performed by The Klezmatics
Courtesy of Rounder Records
I caught the first 10 minutes as I waiting for the film I came to see started. I was intrigued and came back the following week to see this little gem of a movie.
With Colin Firth and Matthew Broderick playing against type, it was a relief not to see them so admirable in their roles. Yes, Bette Midler played the typical yenta shrew but hey, at least we see Bette. She's been away from the screen for far too long.
I'll be the first to tell you I have never been a Helen Hunt fan at all. I have never even seen her hit t.v. series, Mad About You. Something about her just rubbed me the wrong way in the movies I have seen her in. But then, I saw this movie and I loved it and she did a terrific job in her production.
Seriously. All these people who are criticizing her are slamming her for the wrong reasons. Why? This is one of those FEW films in life in which it's neither the director, writer, or actor's fault. If there is any downside, it's the editor's fault. Yes, it is.
Why? Because the editor chopped up the scenes. In the editing room, a director can become a genius or a fool. This is one of those cases. I do not fault Helen's direction. I fault the editor here. Some of these scenes should have been allowed to breathe on their own, not jump cut from one emotion to the next.
Despite that editing distraction, this chick flick has heart, it does have emotion. How do I know this? I heard a lot of sniffling, tears of sorrow and joy in the audience when this film ended. That is what a film is suppose to do, make you feel something, be a participant, not a witness.
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Als sie mich fand
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 3.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.735.717 $
- Eröffnungswochenende in den USA und in Kanada
- 72.594 $
- 27. Apr. 2008
- Weltweiter Bruttoertrag
- 8.443.998 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1