IMDb-BEWERTUNG
6,9/10
32.262
IHRE BEWERTUNG
Der Maler Francisco Goya sieht sich mit dem Skandal um seine Muse konfrontiert, die von einem Mönch der Ketzerei beschuldigt wird.Der Maler Francisco Goya sieht sich mit dem Skandal um seine Muse konfrontiert, die von einem Mönch der Ketzerei beschuldigt wird.Der Maler Francisco Goya sieht sich mit dem Skandal um seine Muse konfrontiert, die von einem Mönch der Ketzerei beschuldigt wird.
- Auszeichnungen
- 2 Gewinne & 5 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesWhen asked why a film about such a quintessentially Spanish artist was made in English, the director replied "I don't speak Spanish."
- PatzerWhen Goya unveils the unflattering portrait of the queen, she is deeply offended. Actually, queen Maria Louisa liked that portrait so much that she made Goya the first court painter.
- Zitate
[Bonaparte and Lorenzo are looking at paintings of Maria Luisa]
Joseph Bonaparte: I met her once... don't recall her being quite so ugly though. How did she have so many lovers?
Brother Lorenzo: [smiling] She was the Queen, Your Majesty.
Ausgewählte Rezension
Being a big fan of Forman I was obviously hoping that this film would keep me entertained and interested for its entire duration. It did, to a fair extent. Yet, what it lacked was any punch. No real statement or continuity came forth by the time the credits rolled up.
The film's premise of an exploration of Spain before its invasion and subsequent religious reversals and recantions is just lacking completely in continuity. No character is really explored deeply, Forman changes focus far too often. Take the sudden jump of 15 years midway through the film. Most characters are done away with completely and all others are beyond recognition except the main protagonist, the painter Goya. Even he is not really that interesting. He paints paintings. For different people. Natalie Portman's character serves as obvious pathos at the beginning, then her character turns into a demented and ruined savage. Forman never allows any identification, or any centre of interest establish itself. One moment the film seems to be dealing with religious fanaticism, other times with hypocrisy and social upheaval, other times with war.
The film is simply too disjointed, the characters mostly dull and the plot far too linear for this to be ranked amongst Forman's masterpieces. It spends too much time weaving around aimlessly with any apparent focus or goal. It seems Forman wanted to portray a period different any specific purpose or moral lesson - which is what he has achieved although really the cultural observations are equally diluted. Overall, a boring and plain film lacking intent or artistic endeavour, it is like Goya himself - nondescript and a little on the plain side.
The film's premise of an exploration of Spain before its invasion and subsequent religious reversals and recantions is just lacking completely in continuity. No character is really explored deeply, Forman changes focus far too often. Take the sudden jump of 15 years midway through the film. Most characters are done away with completely and all others are beyond recognition except the main protagonist, the painter Goya. Even he is not really that interesting. He paints paintings. For different people. Natalie Portman's character serves as obvious pathos at the beginning, then her character turns into a demented and ruined savage. Forman never allows any identification, or any centre of interest establish itself. One moment the film seems to be dealing with religious fanaticism, other times with hypocrisy and social upheaval, other times with war.
The film is simply too disjointed, the characters mostly dull and the plot far too linear for this to be ranked amongst Forman's masterpieces. It spends too much time weaving around aimlessly with any apparent focus or goal. It seems Forman wanted to portray a period different any specific purpose or moral lesson - which is what he has achieved although really the cultural observations are equally diluted. Overall, a boring and plain film lacking intent or artistic endeavour, it is like Goya himself - nondescript and a little on the plain side.
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Details
Box Office
- Budget
- 50.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.000.626 $
- Eröffnungswochenende in den USA und in Kanada
- 159.671 $
- 22. Juli 2007
- Weltweiter Bruttoertrag
- 9.448.082 $
- Laufzeit1 Stunde 53 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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