Eine Gruppe von Vorstadt-Biker-Möchtegern, die auf der Suche nach Abenteuern sind, fahren auf die offene Straße, bekommen aber mehr, als sie erwartet haben, wenn sie auf eine New-Mexico-Gang... Alles lesenEine Gruppe von Vorstadt-Biker-Möchtegern, die auf der Suche nach Abenteuern sind, fahren auf die offene Straße, bekommen aber mehr, als sie erwartet haben, wenn sie auf eine New-Mexico-Gang namens Del Fuegos treffen.Eine Gruppe von Vorstadt-Biker-Möchtegern, die auf der Suche nach Abenteuern sind, fahren auf die offene Straße, bekommen aber mehr, als sie erwartet haben, wenn sie auf eine New-Mexico-Gang namens Del Fuegos treffen.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
- Mr. Putnam
- (as Vic Izay)
Handlung
WUSSTEST DU SCHON:
- WissenswertesMaggie's Diner was built in Madrid, New Mexico for the film, but the producers were asked to leave the building standing when filming was complete. It is now a gift shop that sells Wild Hog and Del Fuego souvenirs.
- PatzerEarly in the film when Doug (Tim Allen) is taken to a Cincinnati hospital, an outdoor image of the hospital clearly shows two palm trees in the background. There are no palm trees in Cincinnati. This is obviously a "stock shot." The same identical stock shot appears in "Old Dogs" when Rita Wilson is taken to a hospital. (There are no palm trees in that part of the country either).
- Zitate
Jack: You're gonna pay a disobedience fee of $10,000! Plus another $40,000 to rebuild the bar! And if you wanna see your friend alive again, do not call the cops! If you're not here in half an hour to settle this, I'm gonna take the fine out on your friend's legs! I'm gonna break 'em with this tire iron!
Dudley Frank: Don't bring the money! I'm a computer programmer! I don't need my legs!
Jack: Fine! I'll break his hands!
Dudley Frank: Oh, damn it. Bring the money!
- Crazy CreditsAs the credits roll, Extreme Makeover: Home Edition shows up and gives the Del Fuegos a new home, courtesy of the Wild Hogs. A few members have interviews with talking about the new bar. And a shot of the Wild Hogs in a bar watching the show.
- SoundtracksSlow Ride
Written by 'Lonesome' Dave Peverett (as David Peverett)
Performed by Foghat
Courtesy of Bearsville Records / Rhino Entertainment Company
By Arrangement with Warner Music Group Film & TV Licensing
Wild Hogs follows four middle-aged men losing excitement (among other things) in their daily aspects of life. Doug (Tim Allen) isn't the fun guy he used to be, Bobby (Martin Lawrence) is not able to run his own home, Woody (John Travolta) has lost pretty much everything, and Dudley (William H. Macy) has nothing to begin with. The four of them decide to take their boring lives out for a spin, and try to relive the glory days of college-- ride off in their motorbikes across the country. The main conflict is whether or not they can unleash the Wild Hogs in them and be able to reach California in one piece. The other problem arises when the well-known tough biker gang Del Fuegos crosses paths with them.
The premise is something we've all seen before, yet it can still be done well with the right group of people. Mixing John Travolta, Martin Lawrence, Tim Allen, and William H. Macy is something that truly would not, and could not have been predicted by anybody. Nonetheless, this unique quartet does a fantastic job. Not one actor is overused or overacting, and we see each of the actors' talents brought to life. Tim Allen puts his physical humor to the test and succeeds. John Travolta brings his comedic chops and also is shockingly hilarious. Martin Lawrence has his good movies (Nothing to Lose) and his really bad movies (Black Night, Big Momma's House 2) but in here, he doesn't go too far, doesn't attempt too hard, and holds his own as the uncertain Bobby. Topping them all is William H. Macy, whose physical comedy tops all the others in this movie. Rounding out the cast is an assortment of cameos and short roles that despite being good were quite underused (Marisa Tomei, Stephen Tobolowsky, Ray Liotta, John C. McGinley, Peter Fonda).
The laughs in here are present pretty much throughout the film, and it ranges from funny little one-liners, to physical comedy, to lowbrow comedy, to even a bit of absurdity. A bit of it is predictable, yet some of it comes flying out of nowhere (literally and figuratively). We have a nice bit of cinematography to capture some of it, including a nice shot of "death" taking a liking to William H. Macy and a brilliant game of "Bullslapping." The director, Walt Becker, knows better and lets the camera roll and the actors take control of what is going on. He was fortunate enough to capture the fun and silliness with little effort.
We don't have Oscar material in the least bit, but we have material that will spark laughing riots from the audience time and time again. Like most decent comedies of this decade, its best not to be taken seriously, because analyzing and nitpicking would distract from the overall experience. Like what the characters in the film originally wanted; it was a trip with no rules, no barriers, and no remorse. Wild Hogs does just that; it was a raw, strong PG-13 ride with the violence, sex, profanity, and look-away moments that anyone on the open road would witness. Also supporting this movie is a nice soundtrack, cleverly adding some good Southern rock, Bon Jovi, AC/DC, and even White Zombie. Try to catch some subtle Disney humor involving the actors and character's names.
Bottom Line: So what if the script isn't groundbreaking? So what if the direction didn't enhance anything? So what if the story became a bit predictable? We have four veteran actors making fools of themselves for almost two hours on the open road, and with very little time in between potential laughs. It was just pure popcorn entertainment, and isn't that what you want on a Friday night? Wild Hogs will not inspire you to do something, but it will inspire some conversations and maybe even a second viewing. Besides, it is rare to see Tim Allen and Martin Lawrence provide a slew of funny moments. While this movie could have benefited from fewer clichés and more unpredictability, it stands tall as the first good comedy of 2007.
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 168.273.550 $
- Eröffnungswochenende in den USA und in Kanada
- 39.699.023 $
- 4. März 2007
- Weltweiter Bruttoertrag
- 253.625.427 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1