IMDb-BEWERTUNG
7,3/10
7556
IHRE BEWERTUNG
Ein kleiner mexikanischer Junge reist nach dem Tod seiner Großmutter in die USA, um seine Mutter zu suchen.Ein kleiner mexikanischer Junge reist nach dem Tod seiner Großmutter in die USA, um seine Mutter zu suchen.Ein kleiner mexikanischer Junge reist nach dem Tod seiner Großmutter in die USA, um seine Mutter zu suchen.
- Auszeichnungen
- 8 Gewinne & 2 Nominierungen insgesamt
Adrian Alonso
- Carlos Reyes 'Carlitos'
- (as Adrián Alonso)
Handlung
WUSSTEST DU SCHON:
- WissenswertesExcept for the Los Angeles exteriors, the film was shot in Mexico.
- PatzerWhile looking through a box of Carlos' belongings he kept in her office, Doña Carmen finds a small photo album with the note "trabajos Mamá / Señora Maqjuensi / 323 2175021 / Señora Esnaide / 323 3961825" (at 1:29:56; in English the first line is "Mom works" or "Mom's jobs"). Doña Carmen presumably calls one or both of these numbers but is shown speaking on the phone to Señora Snyder (at 1:30:12) who wasn't listed on the note. (The spellings of womens' names shown in the note are undoubtedly phonetic-isms for "MacKenzie" and "Snyder", meaning that "Señora Snyder" actually IS listed on the note.)
- Zitate
Carlos Reyes 'Carlitos': My mom said that...
Carlos Reyes 'Carlitos': when I missed her...
Carlos Reyes 'Carlitos': I should look at the moon...
Carlos Reyes 'Carlitos': 'cause she'd be looking at it too...
Carlos Reyes 'Carlitos': so I could feel close to her...
Carlos Reyes 'Carlitos': and not be so sad.
- SoundtracksSi me ven llorando
Written by Alberto Vences
Performed by Banda la Cumbanchera
Cortesía de: Producciones Fonográficas Jasper, S.A. de C.V.
Ausgewählte Rezension
Under the Same Moon (2007)
This story is one that will feel too close to home to many viewers--immigrants of all kinds, and parents who have ever been separated from their kids. The emotional stakes get piled so high you know that it can't end in disaster (the audience would be angry), so you kind of wait to see how the inevitable gets worked out.
What holds it completely together is the stellar acting of the lead boy, played by Adrian Alonso, with great support from his pretty but a bit restrained mother, played by Kate del Castillo. You can't help but feel for them, and the many hardships they encounter will move you right along with the events.
Which is the only conspicuous problem with the movie--the hardships are endless and brutal and almost comically classic. I'm sure they're all true enough, and I'm sure there are even individuals who face all these things in one lifetime. But it all happens in a week as the days tick off one by one to the critical weekly phone call. It's too much, really, no matter how you cut it--unless you think of it as a kind of modern Grimm fairy tale. In those, terrible things happen to kids and yet there is a dramatic outcome you take in stride. The fact this is kind of knowingly over the top happens when our two leads come within feet of each other (in the sprawling city of Los Angeles) and don't know it. Could be, but it doesn't help any sense of realism.
And yet it is filmed with an attention to small details, to making people reasonable (bad and good people both) and believable. That's eventually all backdrop to the tale, complete with wicked relatives, a knight in shining armor, and a couple of scofflaws who come to the rescue just in time.
It'll make you cry, and you might get mad at being so manipulated. But I think it's worth it.
This story is one that will feel too close to home to many viewers--immigrants of all kinds, and parents who have ever been separated from their kids. The emotional stakes get piled so high you know that it can't end in disaster (the audience would be angry), so you kind of wait to see how the inevitable gets worked out.
What holds it completely together is the stellar acting of the lead boy, played by Adrian Alonso, with great support from his pretty but a bit restrained mother, played by Kate del Castillo. You can't help but feel for them, and the many hardships they encounter will move you right along with the events.
Which is the only conspicuous problem with the movie--the hardships are endless and brutal and almost comically classic. I'm sure they're all true enough, and I'm sure there are even individuals who face all these things in one lifetime. But it all happens in a week as the days tick off one by one to the critical weekly phone call. It's too much, really, no matter how you cut it--unless you think of it as a kind of modern Grimm fairy tale. In those, terrible things happen to kids and yet there is a dramatic outcome you take in stride. The fact this is kind of knowingly over the top happens when our two leads come within feet of each other (in the sprawling city of Los Angeles) and don't know it. Could be, but it doesn't help any sense of realism.
And yet it is filmed with an attention to small details, to making people reasonable (bad and good people both) and believable. That's eventually all backdrop to the tale, complete with wicked relatives, a knight in shining armor, and a couple of scofflaws who come to the rescue just in time.
It'll make you cry, and you might get mad at being so manipulated. But I think it's worth it.
- secondtake
- 15. Dez. 2012
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- La misma Luna - Wenn der Mond scheint, denke an mich
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 12.590.147 $
- Eröffnungswochenende in den USA und in Kanada
- 2.769.655 $
- 23. März 2008
- Weltweiter Bruttoertrag
- 23.313.049 $
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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