IMDb-BEWERTUNG
6,2/10
3827
IHRE BEWERTUNG
Eine schwarze Komödie, die sich um ein TV-Wettermädchen und die zwei sehr unterschiedlichen Männer dreht, die sie verfolgen.Eine schwarze Komödie, die sich um ein TV-Wettermädchen und die zwei sehr unterschiedlichen Männer dreht, die sie verfolgen.Eine schwarze Komödie, die sich um ein TV-Wettermädchen und die zwei sehr unterschiedlichen Männer dreht, die sie verfolgen.
- Auszeichnungen
- 2 Gewinne & 2 Nominierungen insgesamt
Valeria Cavalli
- Dona Saint-Denis
- (as Valéria Cavalli)
Hubert Saint-Macary
- Bernard Violet
- (as Hubert Saint Macary)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThis film was inspired by the assassination of New York architect Stanford White in 1906, and his connection with the dancer Evelyn Nesbit. The same case was handled in the cinema by Richard Fleischer in Das Mädchen auf der Samtschaukel (1955) , with Ray Milland and Joan Collins interpreting the pair of lovers, and by Milos Forman in Ragtime (1981) , with Elizabeth McGovern and Norman Mailer.
- Zitate
Gabrielle Aurore Deneige: What do you do for a living?
Paul André Claude Gaudens: I live.
- SoundtracksElle A Au Fond Des Yeux
Performed by Julien Clerc
Music by Maurice Vallet
Lyrics by Julien Clerc
(C) 1972 Les editions Cracelles, S.A. / Editions et Productions Sidonie, S.A.
Avec l'autorisation des Editions et Productions Sidonie, S.A. and EMI Music Publishing (France), S.A.
(P) 1972 EMI Music (France) - avec l'aimable autorisation de EMI Music (France)
Ausgewählte Rezension
Maybe I was wrong to see first THE GIRL ON THE RED VELVET SWING, reissued in Paris on the very day Chabrol presented his last movie.
The true story of Evelyn Nesbit, magnificently filmed by Richard Fleischer in 1955 with Ray Milland, Joan Collins and Farley Granger, is rewritten by Chabrol and Cécile Maistre without the slightest credit for TGRVS, unfortunately unavailable either on DVD or VHS. Chabrol is a very talented director, with a long and successful career, based essentially on cruel criticism of his own class (the French Bourgeoisie), which provided him with everything necessary to achieve a long career, certainly not without merit. The man, some time ago reputed for drawing his stories while playing Gottlieb electric pool with his friends, has certainly great talent in directing the best available actors.
Unfortunately, in spite of combined efforts, the script is a mere copy of TGRVS,moved into modern France's literary and cynical wealthy world.But the "bourgeois", everywhere, are typical masochists.The actors are good, especially François Berléand performing the Ray Milland role, but Benoit Magimel's is a mere caricature of the part played by Farley Granger in 1955.
There is a general lack of inspiration governing the cinema of today; exceptions like INTERVIEW, by and with Steve Buscemi,plus Sienna Miller, although reminding vaguely Mankiewicz's SLEUTH, but propped by strong professionalism, are much more attractive than this pale copy of Fleischer's chef d'oeuvre.
It seems that Evelyn Nesbit has also inspired E.Doctorow and Milos Forman, for RAGTIME. I hope somebody would bring it back on our screens, or on TV, while Chabrol's imitation is still on. Harry Carasso, Paris, France
The true story of Evelyn Nesbit, magnificently filmed by Richard Fleischer in 1955 with Ray Milland, Joan Collins and Farley Granger, is rewritten by Chabrol and Cécile Maistre without the slightest credit for TGRVS, unfortunately unavailable either on DVD or VHS. Chabrol is a very talented director, with a long and successful career, based essentially on cruel criticism of his own class (the French Bourgeoisie), which provided him with everything necessary to achieve a long career, certainly not without merit. The man, some time ago reputed for drawing his stories while playing Gottlieb electric pool with his friends, has certainly great talent in directing the best available actors.
Unfortunately, in spite of combined efforts, the script is a mere copy of TGRVS,moved into modern France's literary and cynical wealthy world.But the "bourgeois", everywhere, are typical masochists.The actors are good, especially François Berléand performing the Ray Milland role, but Benoit Magimel's is a mere caricature of the part played by Farley Granger in 1955.
There is a general lack of inspiration governing the cinema of today; exceptions like INTERVIEW, by and with Steve Buscemi,plus Sienna Miller, although reminding vaguely Mankiewicz's SLEUTH, but propped by strong professionalism, are much more attractive than this pale copy of Fleischer's chef d'oeuvre.
It seems that Evelyn Nesbit has also inspired E.Doctorow and Milos Forman, for RAGTIME. I hope somebody would bring it back on our screens, or on TV, while Chabrol's imitation is still on. Harry Carasso, Paris, France
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- A Girl Cut in Two
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 409.658 $
- Eröffnungswochenende in den USA und in Kanada
- 18.658 $
- 17. Aug. 2008
- Weltweiter Bruttoertrag
- 8.488.537 $
- Laufzeit1 Stunde 55 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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