Zwei Gesetzlose und ein Kopfgeldjäger wollen eine Schatzkarte haben und werden in der Mandschurei in den 40er Jahren von der japanischen Armee und chinesischen Banditen verfolgt.Zwei Gesetzlose und ein Kopfgeldjäger wollen eine Schatzkarte haben und werden in der Mandschurei in den 40er Jahren von der japanischen Armee und chinesischen Banditen verfolgt.Zwei Gesetzlose und ein Kopfgeldjäger wollen eine Schatzkarte haben und werden in der Mandschurei in den 40er Jahren von der japanischen Armee und chinesischen Banditen verfolgt.
- Auszeichnungen
- 12 Gewinne & 27 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesDirector Kim Jee-woon says he'd like this to be called a "kimchee western", after the Korean food made with fermented cabbages. He says he thinks the plot and film are spicy and vibrant, like the Korean culture and people.
- PatzerWhen Park Chang-yi throws the knife and impales the centipede, he is wearing modern boxer brief underwear.
- Zitate
Man-gil: The bounty on your head is 300 won.
Yoon Tae-goo: What? I'm only worth a piano?
Man-gil: A used one at that.
- Crazy CreditsBe sure to watch the credits, as they show great movie stills as well as behind the scenes movie stills.
- Alternative VersionenThe UK release was cut, cuts were required to remove sight of real animal cruelty, in this instance three cruel horse falls, in line with the requirements of the Cinematograph Films (Animals) Act 1937, in order to obtain a 15 classification. An uncut classification was not available.
- VerbindungenFeatured in Kain's Lists: Top 12 Favorite Westerns (2013)
- SoundtracksDon't Let Me Be Misunderstood
Composed by Bennie Benjamin, Gloria Caldwell and Sol Marcus (uncredited)
Published by Warner/Chappell Music Inc.
Ausgewählte Rezension
My expectations for this film were through the roof. It's basically a Korean all-star game: directed by Ji-woon Kim, he of A Bittersweet Life and A Tale of Two Sisters fame (not to mention The Quiet Family), and starring three of Korea's finest (or at least most popular) actors, Woo-sung Jung, Byung-hun Lee, and (one of my favorite actors, Korean or otherwise) Kang-ho Song.
The production values are top notch, the direction creative and self-assured, the special effects worth the time and money spent on them. I love the kill scenes as directed by Kim, especially one of the first ones where a guy is running from train car to train car, bursting through doors like they don't exist and then BAM! He's five feet behind where he was. You have to see it to appreciate it, I guess. The timing and the focus on the result instead of the impact makes the impact seem more impactful. Whoever edited this film did a great job.
Woo-sung Jung plays the Good, and he's a cute guy who oozes goodness, so that's good. His character is perhaps a bit under-played/under-developed but that's the nature of Good, isn't it? Byung-hun Lee as the Bad has a little bit too much contemporary in his swagger and look. He's more arrogant than Bad, but we're supposed to dislike him so that's good too. Not surprisingly, it's Kang-ho Song, as the Weird, who steals the show. He runs through this movie like a chicken or a turkey with its head cut off but never misses a beat. He's having a good time and makes sure that we do too. He's able to do things that many other actors are incapable of like delivering predictable lines with equal parts sincerity and irony so that we won't even think of groaning out loud. He's so adorably slightly plump and likable that even when ... well, I don't want to give it away ... we like him. We really do.
Caught up in all the fun and excitement I almost forgot that, with very few exceptions, movies with lots of gun fights are stupid.
The production values are top notch, the direction creative and self-assured, the special effects worth the time and money spent on them. I love the kill scenes as directed by Kim, especially one of the first ones where a guy is running from train car to train car, bursting through doors like they don't exist and then BAM! He's five feet behind where he was. You have to see it to appreciate it, I guess. The timing and the focus on the result instead of the impact makes the impact seem more impactful. Whoever edited this film did a great job.
Woo-sung Jung plays the Good, and he's a cute guy who oozes goodness, so that's good. His character is perhaps a bit under-played/under-developed but that's the nature of Good, isn't it? Byung-hun Lee as the Bad has a little bit too much contemporary in his swagger and look. He's more arrogant than Bad, but we're supposed to dislike him so that's good too. Not surprisingly, it's Kang-ho Song, as the Weird, who steals the show. He runs through this movie like a chicken or a turkey with its head cut off but never misses a beat. He's having a good time and makes sure that we do too. He's able to do things that many other actors are incapable of like delivering predictable lines with equal parts sincerity and irony so that we won't even think of groaning out loud. He's so adorably slightly plump and likable that even when ... well, I don't want to give it away ... we like him. We really do.
Caught up in all the fun and excitement I almost forgot that, with very few exceptions, movies with lots of gun fights are stupid.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- The Good the Bad the Weird
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 128.486 $
- Eröffnungswochenende in den USA und in Kanada
- 4.775 $
- 25. Apr. 2010
- Weltweiter Bruttoertrag
- 44.261.209 $
- Laufzeit2 Stunden 19 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
What is the Japanese language plot outline for The Good, the Bad, the Weird (2008)?
Antwort