Füge eine Handlung in deiner Sprache hinzuA documentary about the development around Barton Springs in Austin, Texas, and the environment's unexpected response to human interference.A documentary about the development around Barton Springs in Austin, Texas, and the environment's unexpected response to human interference.A documentary about the development around Barton Springs in Austin, Texas, and the environment's unexpected response to human interference.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Ronald Reagan
- Self
- (Archivfilmmaterial)
Jim Bob Moffett
- Self
- (Archivfilmmaterial)
Frank Cooksey
- Self
- (Archivfilmmaterial)
Handlung
WUSSTEST DU SCHON:
- WissenswertesTerrence Malick, a long time resident of Austin, originally conceived the idea for the film.
- PatzerA latter animation showing water lines becoming blood vessels has a noticeable shift. It appears a duplicate frame has been accidentally inserted.
- Zitate
Gary Bradley: Nature in your life, very quickly becomes God. A God who gives great abundance at times... and takes everything away at times.
[on growing up on a farm]
- Crazy CreditsThe film's credits play alongside a series of photographs. Contribution photographers are listed at the end of the sequence. Photos were from various Flickr accounts and many names are actually Flickr members' nicknames.
- VerbindungenFeatures Frontline: The Great American Bailout (1991)
- SoundtracksSpiegel Im Spiegel
Written by Arvo Pärt
Performed by Vadim Gluzman abd Angela Yoffe
Courtesy of BIS Records
Ausgewählte Rezension
This film premiered at Austin's SXSW Film Festival after its initial showing a few months ago at Sundance. The Unforeseen is one of the most cinematically beautiful documentaries to appear in a long time. There are stunning sequences of Barton Springs. One could certainly feel the influence of producers Robert Redford (particularly A River Runs Through It) and Terrence Malick. The nature shots were spectacular. The story that is told is particularly powerful to those who know and love Austin, but the broader conflicts between land development and environmental protection are universal and can be well-understood, although perhaps in a less personal way, by those who have never visited Austin.
While the film is clearly takes a pro-environmental stand, it is not a one-sided polemical. It presents a sympathetic and fair portrait of land developer Gary Bradley. It lets him tell his story without making him out to be a cruel unfeeling villain. It presents the history in a nuanced light that is often missing from documentary film-making. The film includes many conflicting voices and let's the audience make its own decisions. This type of film reflects the best standards of journalistic rather ideological Michael Moore-style manipulative film-making. It presents a complicated conflict of values in a way that both takes a stand without mocking those they disagree with. While some of the narrative seems a little self-righteous at times, and the title (taken from a poem used in the film) seems a little confusing and unclear, overall, the film is an excellent lesson in history and politics. I hope that it gets wide distribution, because it is a debate that the American public needs to engage over what trade offs Americans are willing to make between the environment and development. How much of our natural beauty are we willing to give up to accommodate modernity?
While the film is clearly takes a pro-environmental stand, it is not a one-sided polemical. It presents a sympathetic and fair portrait of land developer Gary Bradley. It lets him tell his story without making him out to be a cruel unfeeling villain. It presents the history in a nuanced light that is often missing from documentary film-making. The film includes many conflicting voices and let's the audience make its own decisions. This type of film reflects the best standards of journalistic rather ideological Michael Moore-style manipulative film-making. It presents a complicated conflict of values in a way that both takes a stand without mocking those they disagree with. While some of the narrative seems a little self-righteous at times, and the title (taken from a poem used in the film) seems a little confusing and unclear, overall, the film is an excellent lesson in history and politics. I hope that it gets wide distribution, because it is a debate that the American public needs to engage over what trade offs Americans are willing to make between the environment and development. How much of our natural beauty are we willing to give up to accommodate modernity?
- JustCuriosity
- 9. März 2007
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Το απρόβλεπτο
- Drehorte
- Barton Springs, Austin, Texas, USA(Swimming Pool)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 90.287 $
- Eröffnungswochenende in den USA und in Kanada
- 2.496 $
- 2. März 2008
- Weltweiter Bruttoertrag
- 90.287 $
- Laufzeit1 Stunde 28 Minuten
- Farbe
- Sound-Mix
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Oberste Lücke
By what name was The Unforeseen (2007) officially released in Canada in English?
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