Todos estamos invitados

I just watched the movie this evening, and the only reason for which I didn't leave the theater was because I was on my first date, and I thought it would be too rude to start off that way. I felt deeply disappointed about the movie, and I still keep thinking why the director, the script writers, the actors, etc., couldn't see they were filming a complete boutade about such a complex situation as that of the Basque Country. The movie just doesn't make any sense trying to combine (a) the portrait of a so-called terrorist (poor Oscar Jaenada) and his pathetic terrorist friends (the only connection with true terrorists must be that both groups must exchange the same unreal dialogs), (b) the complete change of attitude of what's supposed to be a brave university professor right after he receives the first warning from the terrorist group, (c) an absurd show, I guess, of Basque cuisine and traditions, and (d) the most unbelievable way of dying... It's a shame that such high percentage of the very few movies made in Spain about important issues such as terrorism, politics, corruption, etc. has to be so bad. But perhaps it's just because we don't understand what cinema is about, who knows...