Füge eine Handlung in deiner Sprache hinzuThe roommate of a model and sexploitation actress reads her writings to a group of sensual women.The roommate of a model and sexploitation actress reads her writings to a group of sensual women.The roommate of a model and sexploitation actress reads her writings to a group of sensual women.
Linda Boyce
- Rita
- (as Claudia Cheer)
Jackie Richards
- Maxine
- (as Maxine)
Uta Erickson
- Fantasy Woman #2
- (as Carla Costa)
Maria Lease
- Janice
- (Nicht genannt)
- …
Geri Miller
- Go-Go Dancer
- (Nicht genannt)
Marianne Prevost
- Go-Go Dancer
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- VerbindungenFeatured in Twisted Sex: Volume 22 (2006)
Ausgewählte Rezension
One of the lesser Something Weird offerings, issued in support of its companion film "Babette", MONIQUE, MY LOVE is a tiresome exercise in romantic softcore porn.
It seems doomed to be confused with the work of Roberta Findlay, though actually watching the film establishes none of her style or interests. Endless narration is boring.
Format, including some brief NYC location photography, is more in the vein of Nick Millard, with the "trying to be sexy" femme voice married to silent footage. In a companion film titled BABETTE (or RETURN OF THE SECRET SOCIETY), which uses the same music, narrator and structure, Nick's favorite fetish -patent leather boots - is included. Another non-candidate for authorship would be C. Davis Smith, who also preferred this MOS shooting, but the credited director "Peter Woodcock" was mostly likely just a nameless hack who never made it in movies, other than cranking out 3 forgettable sapphic programmers.
Footage is strictly filler, as the narrator lady's roommate goes for auditions held by a sleazy movie producer, or poses for still photos. A clapper board for a film-within-a-film titled "Wild Woman" displays Peter Woodcock's name on it. Though full-frontal-nudity is included, film's most risqué elements are timid indeed, as a guy chloroforms one of our heroines for some light bondage action, a bit of foot fetishism and a brief rubdown with a coke bottle.
Score alternates between folk-rock and acid-rock with numbing, repetitive results.
It seems doomed to be confused with the work of Roberta Findlay, though actually watching the film establishes none of her style or interests. Endless narration is boring.
Format, including some brief NYC location photography, is more in the vein of Nick Millard, with the "trying to be sexy" femme voice married to silent footage. In a companion film titled BABETTE (or RETURN OF THE SECRET SOCIETY), which uses the same music, narrator and structure, Nick's favorite fetish -patent leather boots - is included. Another non-candidate for authorship would be C. Davis Smith, who also preferred this MOS shooting, but the credited director "Peter Woodcock" was mostly likely just a nameless hack who never made it in movies, other than cranking out 3 forgettable sapphic programmers.
Footage is strictly filler, as the narrator lady's roommate goes for auditions held by a sleazy movie producer, or poses for still photos. A clapper board for a film-within-a-film titled "Wild Woman" displays Peter Woodcock's name on it. Though full-frontal-nudity is included, film's most risqué elements are timid indeed, as a guy chloroforms one of our heroines for some light bondage action, a bit of foot fetishism and a brief rubdown with a coke bottle.
Score alternates between folk-rock and acid-rock with numbing, repetitive results.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Laufzeit1 Stunde 5 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Monique, My Love (1969) officially released in Canada in English?
Antwort