The Fantastic Four: First Steps

The Fantastic Four: First Steps doesn't just reboot a legacy - it rewires it with care, clarity, and cinematic control. From its very first frames, the film announces a shift in tone: retro aesthetics lend a nostalgic yet distinct visual palette, while the story grounds itself not in multiversal noise, but in human decisions and scientific curiosity. This is a Marvel film that respects both the super and the human.

Unlike most origin stories, the setup here is brisk and assured. The film's first act is structured to give audiences a quick, satisfying look at the team's backstory and past deeds, never lingering too long but still managing to earn every emotional beat. There's no hand-holding, and yet nothing feels rushed.

Where this film truly surprises is in its character work. Johnny Storm isn't just the loud, reckless sibling - here, his intelligence is finally given equal weight, offering context to his presence among astronauts. Ben Grimm, too, is more than the "muscle"; there's a deep sincerity to his character, a balance of science and strength. The team chemistry feels lived-in - full of quiet bickering, mutual admiration, and a rhythm only shared by families who've been through things together. Their bond feels earned.

Villain-wise, First Steps pulls off a rarity: a visually formidable Galactus rendered with restraint, not excess. Though Silver Surfer purists may still hold a soft spot for Doug Jones' performance in Rise of the Silver Surfer, this iteration serves the story's vision well. And in a surprise turn, even HERBIE - the team's robo companion - is no gimmick. The CGI character is narratively vital, not just another quip machine.

Director Matt Shakman strikes an impressive balance between science-fiction and superheroism, giving each frame a purpose. The film doesn't lean heavily on humor (thankfully), instead relying on strong dramatic beats, coherent action, and a screenplay that embraces a comic-book sensibility - particularly during its stylized crescendo.

Visually, the film is a treat. From cosmic scenes to grounded lab environments, everything feels tangible and lived-in. The action is clean, never bloated, with each power sequence well-thought-out and easy to follow. While the score doesn't stand out as a whole, it's used judiciously, heightening the right moments without becoming overwhelming.

Despite being part of a sprawling cinematic universe, First Steps works remarkably well as a standalone. It carves space for the Fantastic Four without relying on MCU cameos or overstuffed references. That said, the post-credit scene is minimal yet seismic - enough to send a wave of gasps through the theatre.

Sum up - The Fantastic Four: First Steps is both a film and a foundation. It's smart without being cold, epic without losing intimacy, and finally gives Marvel's First Family the treatment they deserve. More than a comeback - this is a course correction.

The movie is set in the 1960s, and I really liked the retro vibe. The visuals, costumes, and music all felt fresh and different from other Marvel movies. Pedro Pascal did a solid job as Reed Richards, and Vanessa Kirby was great as Sue Storm.

The story was okay, nothing too deep. It felt more like an introduction to the characters than a full, exciting story. There wasn't a strong villain presence either-Galactus didn't feel dangerous at all, and Silver Surfer barely had any screen time.

There were a few fun moments and some nice character scenes, but the pacing was off sometimes. Parts of the film felt slow or a bit disconnected. Not much tension or emotion overall.

In short: it's a decent movie to kick off the new Fantastic Four era, but nothing special. I'm curious to see what comes next, but this one didn't blow me away.

The film looks very good-one of the most visually impressive Marvel films. The scene in space blew me away. The retro-futuristic look is very well done, with a lot of practical effects. The characters were very well cast. The interaction between the characters is well written, and you immediately get a sense of their relationships. Pedro Pascal is, for me, the scene-stealer because he plays Reed Richards perfectly. His inner conflict is portrayed extremely well. The Silver Surfer is also cool, as she actually surfs, and her action moments are fantastic. The score is amazing-a real earworm and one of Marvel's best.

Unfortunately, the film was too short. They should have expanded the world further; it went a bit too fast. Especially in the second act, when Galactus appeared, the plot felt rushed and didn't really take its time. The story itself was relatively flat and without many complex twists.

In summary, the film was good, but something was missing in the second act. 8.1/10.

To get this out of the way: this is the best fantastic four movie that has been made. That is of course not much of a bar to cross, but it deserves to be said.

This movie was fine. Nothing more or less. It was partially eclipsed by what is turning into a fantastic year for movies, which I think does color my opinion of it somewhat. The characters feel authentic to their roles, and the set design/visual effects are phenomenal. Unfortunately, these things are held back by poor writing (I'm looking at you, middle-of-the-movie-inspirational-speech). The characters just simply don't make decisions that feel like things real people would choose to do, which is saying something because honestly very little actually happens by way of plot in this movie. I will not elaborate to keep my review spoiler-free, but this was the biggest problem I had with this movie.

Props to Marvel for the best FF movie we've ever had. Hiring better writers would have elevated this from "okay" to a legitimately good movie.

This film stands out as one of the finest entries the Marvel Cinematic Universe has delivered in years. In an era where superhero fatigue is often discussed, it manages to feel fresh, engaging, and surprisingly well crafted. The only notable drawback is its relatively brief runtime, which, while keeping the pace brisk, also leaves you wishing for a little more breathing room to explore certain moments in greater depth. In fact, it occasionally feels as though certain scenes or connective sequences were trimmed or removed.

Within this tight framework, the balance of elements is remarkably effective. The humor is sharp without feeling forced, adding levity at the right points to prevent the narrative from becoming overly heavy. The moments of seriousness carry genuine emotional weight, offering stakes that feel both personal and impactful. While the action is somewhat limited compared to other MCU installments, what is present is well choreographed, visually appealing, and integrated into the story rather than serving as mere spectacle.

The performances across the board are commendable, with each actor bringing nuance to their roles. That said, one lingering wish is for more focus on certain characters. Reed Richards and Ben Grimm in particular could have benefitted from additional screen time to deepen their arcs. Likewise, Galactus, though imposing, is largely confined to narration; a flashback or more direct involvement would have heightened his menace. Shalla-Bal, the Silver Surfer, is compelling, but additional sequences exploring her homeworld, its culture, and the dire circumstances that forced her sacrifice would have enriched her arc. Seeing the emotional weight of her decision to become Galactus's herald, torn between saving her planet and surrendering her freedom, could have created a more powerful audience connection.

By the end, you may still hope these elements are expanded in a sequel, but you will not resent their absence here. And yes, it is most certainly rewatchable and thoroughly enjoyable.