Der unscheinbare und gemobbte Oskar findet durch die schöne, aber eigenartige Eli Liebe und Rache.Der unscheinbare und gemobbte Oskar findet durch die schöne, aber eigenartige Eli Liebe und Rache.Der unscheinbare und gemobbte Oskar findet durch die schöne, aber eigenartige Eli Liebe und Rache.
- Nominiert für 1 BAFTA Award
- 76 Gewinne & 58 Nominierungen insgesamt
Johan Charles
- Andreas
- (as Johan Sömnes)
Malin Cederblad
- Sjukhusreceptionist
- (as Malin Cederbladh)
Handlung
WUSSTEST DU SCHON:
- WissenswertesSeveral tricks were used to create the right sound effects for some of the gorier scenes. Biting into sausages was used to replicate biting into skin and flesh, and drinking yogurt was used to sound like drinking blood. The sound of the children blinking was made by the skin of grapes rubbing together in an almost "blinking" motion.
- Patzer(at around 16 mins) As Oskar is looking in his clip book with old newspaper articles, a serial number used by the Swedish police is visible. That number ends with 95, which means that crime was committed in 1995. The movie, however, is set in 1982.
- Zitate
Oskar: Eli... Can you and I be together?
Eli: What do you mean?
Oskar: Well... Will you be my girlfriend?
Eli: Oskar... I'm not a girl.
Oskar: You're not?
[pause]
Oskar: Can we be together?
Eli: Can't we just be how we are?
Oskar: I guess...
Eli: Do you do something special if you're "together"?
Oskar: No.
Eli: We stay just as we were?
Oskar: Yes.
Eli: Then I agree...
Oskar: What?
Eli: We can be "together".
Oskar: Really?
Eli: [Whispers] Yes.
Oskar: Good.
Ausgewählte Rezension
I have watched both Twilight and Let the Right one in.
I strongly feel that Let the Right outruns Twilight on almost EVERY SINGLE ASPECT, except, of course, advertisement, due to the inequality of budgets. (a Swedish director vs a Hollywood one, come on...) If Twilight is no more than an idol gallery under the skin of vampire horror, Let the Right one in is such a film that completely redefines people's perception on traditional vampire horrors.
There aren't many gory scenes or special visual impacts, unlike Twilight being fraught with computer generated scenes. Plus, the pace of Let the Right is slow, without many exaggerations. Yet, the audience could feel the profound impact of the film within, an impact that totally transcends cheap sensory stimuli, while exerting a quiet yet POWERFUL "shake" upon people's soul.
I felt very upset that an American remake will be done next year. From our common sense, we could deduct how the remake would be compared to the original. Before the remake ruins the story, do yourself a favour watching the originals!!!
If you feel yourself mentally more mature than 15 y.o., go watch Let the Right on in instead of Twilight. You will NOT regret your choice.
I strongly feel that Let the Right outruns Twilight on almost EVERY SINGLE ASPECT, except, of course, advertisement, due to the inequality of budgets. (a Swedish director vs a Hollywood one, come on...) If Twilight is no more than an idol gallery under the skin of vampire horror, Let the Right one in is such a film that completely redefines people's perception on traditional vampire horrors.
There aren't many gory scenes or special visual impacts, unlike Twilight being fraught with computer generated scenes. Plus, the pace of Let the Right is slow, without many exaggerations. Yet, the audience could feel the profound impact of the film within, an impact that totally transcends cheap sensory stimuli, while exerting a quiet yet POWERFUL "shake" upon people's soul.
I felt very upset that an American remake will be done next year. From our common sense, we could deduct how the remake would be compared to the original. Before the remake ruins the story, do yourself a favour watching the originals!!!
If you feel yourself mentally more mature than 15 y.o., go watch Let the Right on in instead of Twilight. You will NOT regret your choice.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Déjame entrar
- Drehorte
- Örnäset, Luleå, Norrbottens län, Schweden(the apartments)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.122.065 $
- Eröffnungswochenende in den USA und in Kanada
- 49.295 $
- 26. Okt. 2008
- Weltweiter Bruttoertrag
- 11.227.336 $
- Laufzeit1 Stunde 54 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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