Ein Detektiv, der den Tod eines Mannes in den Bergen untersucht, lernt während seiner hartnäckigen Ermittlungen die geheimnisvolle Frau des Toten kennen.Ein Detektiv, der den Tod eines Mannes in den Bergen untersucht, lernt während seiner hartnäckigen Ermittlungen die geheimnisvolle Frau des Toten kennen.Ein Detektiv, der den Tod eines Mannes in den Bergen untersucht, lernt während seiner hartnäckigen Ermittlungen die geheimnisvolle Frau des Toten kennen.
- Nominiert für 2 BAFTA Awards
- 76 Gewinne & 161 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesDirector Park Chan-wook has mentioned that initially he didn't like the idea of using many text messages in the film. He even said that he considered making it a period piece, in order for the characters to write each other beautifully hand written letters instead of text messages on their phones. When he finally decided on a contemporary setting, when possible, he had the characters use a smart watch, voice recordings and translation apps instead of typing.
- PatzerAt 1:10, there is a close up of Ki Do-soo's Rolex Day Date with perpetual movement. This is an automatic watch, with sweeping second hand, and yet it is show to 'tick' to the next minute, and the minute hand jumps. This is not how Rolex automatic movements work.
- SoundtracksMist
Performed by Jung Hoon Hee and Song Chang-sik
Ausgewählte Rezension
Hmm. I really wanted to like this movie, since I'm a big fan of The Handmaiden by Park Chan-wook. I went in with solid expectations, but unfortunately, for the most part this didn't work for me really.
Let's start with the positive things though. What did I like? The overall cinematography was pretty impressive, with clever camera work elevating each scene. Some camera angles where really interesting in how they framed the characters in the scene, both using close-ups and also with unconventional camera placements. The acting was good, especially from Tang Wei who portrays her character with a great sense of mystery. Also, I very much liked the soundtrack.
But, I'll be honest here, this movie confused the hell out of me. Even though I really tried to follow along with the plot. The movie introduces and reveals so much information all the time and moves between scenes with such a fast pace that it's pretty hard to process everything. On top of that, the narrative is constantly jumping back and forth in time and place, suddenly revisiting old scenes and conversations briefly, which just adds to the confusion. It's not that I dislike complex storytelling, the earlier mentioned The Handmaiden has plenty of interwoven and layered narrative that still manages to tell an understandable and engaging story. Decision to Leave feels in comparison like a needlessly complicated movie with a runtime that is too long for its own good. There are a lot of twists and turns going on, but it just gets a bit tiresome by the end.
I assume that this is a movie that probably becomes better on subsequent viewings, but currently I'm not sure if I have the energy or interest to give this another go. As it stands now, I think this movie is only decent and nothing more really, which is a bit unfortunate.
(Seen at the 2022 Stockholm International Film Festival)
Let's start with the positive things though. What did I like? The overall cinematography was pretty impressive, with clever camera work elevating each scene. Some camera angles where really interesting in how they framed the characters in the scene, both using close-ups and also with unconventional camera placements. The acting was good, especially from Tang Wei who portrays her character with a great sense of mystery. Also, I very much liked the soundtrack.
But, I'll be honest here, this movie confused the hell out of me. Even though I really tried to follow along with the plot. The movie introduces and reveals so much information all the time and moves between scenes with such a fast pace that it's pretty hard to process everything. On top of that, the narrative is constantly jumping back and forth in time and place, suddenly revisiting old scenes and conversations briefly, which just adds to the confusion. It's not that I dislike complex storytelling, the earlier mentioned The Handmaiden has plenty of interwoven and layered narrative that still manages to tell an understandable and engaging story. Decision to Leave feels in comparison like a needlessly complicated movie with a runtime that is too long for its own good. There are a lot of twists and turns going on, but it just gets a bit tiresome by the end.
I assume that this is a movie that probably becomes better on subsequent viewings, but currently I'm not sure if I have the energy or interest to give this another go. As it stands now, I think this movie is only decent and nothing more really, which is a bit unfortunate.
(Seen at the 2022 Stockholm International Film Festival)
- niclasericsson
- 13. Nov. 2022
- Permalink
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Decision to Leave?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Decision to Leave
- Drehorte
- Songgwangsa Temple, Suncheon-si, Jeollanam-do, Südkorea(visited temple)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.179.864 $
- Eröffnungswochenende in den USA und in Kanada
- 96.200 $
- 16. Okt. 2022
- Weltweiter Bruttoertrag
- 22.026.067 $
- Laufzeit2 Stunden 19 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen