The We Like Girls Project: Volume Three

Success obviously has gone to pornographer Bree Mills' head, judging by this self-serving DVD taken from the second series of her website project.

What is pitched as real sex from star lesbian cinema couples (a very obvious imitation of competitor Girlfriends Films' "Lesbian Sex" series) presents four fine leading ladies going at it, with years of personal relationships to inform their paid work for Bree's camera. But the main point of the bloated, overlong 2-hour exercise is Bree addressing the audience telling us how successful her project is and what a fabulous job everyone did -delivered with the dubious enthusiasm and hyperbole of a Donald Trump.

In fact the content is generic lesbian sex, hardly raised to some higher level that porn fanatics always attribute to "chemistry". I cannot buy Mills' basic premise that familiarity makes the heart grow fonder, preferring to believe that familiarity breeds contempt.

Contempt for the viewer, not for one's paramour. Beyond gay for pay, these actresses, notably the mature team of Syren De Mer and current top attaction Dee Williams, are true professionals and can execute all the XXX moves for the camera in their sleep. The fact that Dee and Syren may have crossed paths over the years many a time or even hung out a bit together rather than merely showing up on set to meet for the very first time proves irrelevant: their sexual coupling here is neither better nor worse than a hundred such scenes they've shot before with random co-stars.

Same goes for the flat-chested cuties Lexi Lore and Harmony Wonder who are forced to suffer through a treacly, misguided Bree prank: as prep for their sex scene, Bree arranges for Harmony to go down on one knee and present Lexi with a corsage in a ludicrous "will you be my girlfriend?" stunt. I was expecting her to pop the question and whip out a wedding ring -guess I'm just a hopeless romantic who hasn't drunk the Bree Mills brand of kool aid.

This faux romanticism doesn't sit well within the clumsy cinema verite approach Mills uses for this series: mindlessly repetitive set-ups of cast arriving for the giddy Bree greeting at the door, lousy interviews, crew shown on screen at work and then a mechanical sex scene.