Drei Skifahrer, die auf einem Sessellift gestrandet sind, müssen eine Entscheidung über Leben oder Tod treffen.Drei Skifahrer, die auf einem Sessellift gestrandet sind, müssen eine Entscheidung über Leben oder Tod treffen.Drei Skifahrer, die auf einem Sessellift gestrandet sind, müssen eine Entscheidung über Leben oder Tod treffen.
- Auszeichnungen
- 2 Gewinne & 5 Nominierungen insgesamt
- Sullivan
- (Nicht genannt)
- Snowboarder
- (Nicht genannt)
- Guy on Chairlift #1
- (Nicht genannt)
- Guy on Chairlift #2
- (Nicht genannt)
- James
- (Nicht genannt)
- Twisted Sister Fan in Cafeteria
- (Nicht genannt)
- Man who shouts 'Last chair is through'
- (Synchronisation)
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe film was shot entirely practically, meaning no soundstage, nor greenscreen, nor CGI. The actors and actresses were truly suspended over fifty feet in the air on the side of a real mountain in Utah.
- PatzerSki resorts send "liftees" to inspect the lifts at the end of every shift to prevent this very scenario from happening.
- Zitate
Parker O'Neil: Okay then, Lynch, what *is* the worst way to die?
Joe Lynch: What...
Parker O'Neil: No, no, no, you have an answer for everything. What is your biggest fear?
Joe Lynch: That's easy. The Sarlacc pit.
Parker O'Neil: I'm sorry, the what?
Joe Lynch: The Sarlacc pit. From "Return of the Jedi". Uh, hello. Being slowly digested over a thousand years - worst death ever.
Dan Walker: [in a mocking whiny voice] Dan, why don't I ever have a girlfriend? Why?
- VerbindungenFeatured in Trailer Failure: Sex and the City 2, Frozen (2010)
- SoundtracksHelicopter Fight Song
Written by Chris Zerby (as Christopher Zerby)
Performed by Helicopter Helicopter
Courtesy of Initial Records
I caught this at the Parks Mall AMC back in February and thought it was fantastic. It's from the Open Water/Black Water/The Canyon school of survival horror. All of those films are intense portraits of people stuck in some form of wilderness nightmare with little hope of escape, but Frozen may just be my pick for best of the bunch. At one point early on into the trio's predicament, I discovered that I had unknowingly squeezed my hands together so tightly that they had fallen asleep, so it's safe to say that the tension got to me. The characters also really grew on me as the film wore on, and I actually felt really bad for them. This is Emma Bell's first film, and I was quite impressed with her performance. While she has a spotty moment or two, for a first-timer, I'd say she knocked it out of the park. Her standout scene takes place when she's relaying her fears about what might happen to her puppy if she dies on the lift, and if he'd think she abandoned him.
Kudos to Adam Green for shooting this film on location. There are no green-screens or studio sets to be found here. Green and company found an actual lift to go out and shoot on. Equal amounts of kudos must go to the actors, as they were the ones up on the lift braving the elements for the authenticity a film of this type needs. Their hard work and tolerance paid off, as I often felt like I was right there on the lift with the characters. The chilly atmosphere vividly leaps off the screen, the bleak nature of the situation in which these three find themselves never in doubt. This film also hit a little closer to home for me, as I spent a week of skiing, etc. in Winter Park, CO not two months prior to watching this at the theater. With that fresh in my mind, I was left with an even stronger feeling of "What if?".
Also effective is the sparingly used score, usually played over visuals of the abandoned ski park. There are some gruesome bits, particularly the hand scene from the trailer and a discovery towards the film's end, but most of the tension comes from the predicament itself and some of the debasing things the characters have to do. Needing to take a leak while stuck on a ski lift may not be a big deal if you're a guy, but Parker's options aren't so easy.
I didn't think much of Adam Green's Hatchet. Frozen, on the other hand, is worth raving about.
Top-Auswahl
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 246.176 $
- Eröffnungswochenende in den USA und in Kanada
- 131.395 $
- 7. Feb. 2010
- Weltweiter Bruttoertrag
- 3.843.774 $
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1