L'uomo che verrà

"The Man Who Will Come" is a drama set in an Italian's region, the Romagna (and not the Tuscany, although many shots come from there), during the II world war. The movie tells an interesting and cruel episode of the passing of the front in Italy: the Slaughter of Marzabotto, a dreadful tragedy, which becomes greater because of the number of children involved (more than two hundreds less-twelve-years-old children). This is the reason for the title, something like a dedication of the movie to children ("The Man Who Will Come" is a baby who survives to tragedy, he represents the generations of tomorrow), and in order to make stronger this connection history-childhood, a female child who doesn't speak is the protagonist of the movie. Director's aims, when he decides to coming this project, as he said recently, were two: to bring the spectator in a time travel, in a reality unknown for many people, and to narrate the war from the child's point of view. Probably, with this movie he reached to bring the spectator in the past (the choice to use the dialect, as Visconti's La Terra Trema, gives more realism to the narration, and makes the movie more eclectic than the others with the same themes; the care for details, from the lights to the clothes, is almost obsessive) but I think the point of view of the young female is just a little part of the movie: final point of view is quite objective, because there are many points of view, and this gives the taste of a good historical reconstruction. To say that this movie shows the war from the child's point of view is probably reductive, or just wrong: a movie which shows the point of view of a child in some historical period is very different from this work. Result? Nice job, but it's impossible to have an historical reconstruction of facts through a subjective point of view or, if it's possible, this movie couldn't reach it.