Ein junger Drogendealer beobachtet, wie sein hochkarätiges Leben nach dem Mord an seinem Cousin, bei dem sein bester Freund wegen des Verbrechens verhaftet wird, zerstört wird.Ein junger Drogendealer beobachtet, wie sein hochkarätiges Leben nach dem Mord an seinem Cousin, bei dem sein bester Freund wegen des Verbrechens verhaftet wird, zerstört wird.Ein junger Drogendealer beobachtet, wie sein hochkarätiges Leben nach dem Mord an seinem Cousin, bei dem sein bester Freund wegen des Verbrechens verhaftet wird, zerstört wird.
- Auszeichnungen
- 1 Nominierung insgesamt
- Narrator
- (Synchronisation)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDirector Joel Schumacher previously worked with Emma Roberts' aunt Julia Roberts (who was also formerly engaged to Kiefer Sutherland) on Flatliners - Heute ist ein schöner Tag zum Sterben (1990) and Entscheidung aus Liebe (1991).
- PatzerThe blood on Hunter's face disappears and reappears throughout the interrogation scene at the police station
- Zitate
Narrator: [on White Mike] You will not be remembered if you die now. You'll be buried and mourned by a few and what more can you ask for? The world will spiral from underneath you, and you are either too smart or too dumb to find God. Maybe you are angry, only because the way out is through love, and you are just horny and lonely.
- VerbindungenReferences Today (1952)
- Soundtracks15 to 20
(uncredited)
Written by Phenomenal Handclap Band
Performed by Phenomenal Handclap Band
Imagine you are watching a young man in a room, alone with the open casket of his mother, who had just passed away from cancer. He's thinking that the wig the undertaker put on her, to hide her hair loss from the therapy, was unbecoming. He would rather see her for the last time as she really was at the end of her days, bald-headed. This is an important thought of his, which sets up a subsequent scene that would otherwise be totally inexplicable.
How can a film-maker express this thought? By introducing someone into the room with which the young man can have a conversation about this? No, that destroys the solitude of the moment. By having him speak this thought aloud to his mother's remains? Not very likely. By creating a completely new scene where someone is present and then create an artifice to have a conversation about it? No, that adds unnecessary complexity and bulk to wade through, confusing the storyline.
What Schumacher does is to use a narrator to give the viewer a short-cut directly into the minds of his characters at times - many times. This makes the film somewhat more like a visual book than a movie. It wouldn't do for most movies but it was effective here. (I got a good chuckle from the vapidity of the last thought of Sara's that we are exposed to.) It is a different approach but I, for one, enjoyed it. I most probably would not of enjoyed the book this film is based on, as I don't think there was enough plot substance here to make an enjoyable book for me but I do think there was sufficient substance for a film. 6.5 out of 10.
- bilgerat99
- 26. Jan. 2011
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Twelve - Die Party ihres Lebens
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 183.920 $
- Eröffnungswochenende in den USA und in Kanada
- 110.238 $
- 8. Aug. 2010
- Weltweiter Bruttoertrag
- 2.648.195 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1