Die wahre Geschichte von Danny Greene, einem harten irischen Schläger, der in den 1970er Jahren in Cleveland für Gangster arbeitete.Die wahre Geschichte von Danny Greene, einem harten irischen Schläger, der in den 1970er Jahren in Cleveland für Gangster arbeitete.Die wahre Geschichte von Danny Greene, einem harten irischen Schläger, der in den 1970er Jahren in Cleveland für Gangster arbeitete.
- Auszeichnungen
- 1 Nominierung insgesamt
- Mike Frato
- (as Steven R. Schirripa)
- Frank Brancato
- (as Vinny Vella Sr.)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDue to budget limits and to add to the realism to the movie, the director and producers chose to use real news clips from the Cleveland area from the actual events that took place in the movie.
- PatzerSt. Malachi's Church in Cleveland is spelled with an 'i,' not a "y" as shown in the movie.
- Zitate
Danny Greene: Mr. MacLeish; Danny Green.
Mr. MacLeish: I know who ya are. You're the tool who sent me this... Four thousand to unload each vessel? Are you outta your fucking mind? The price is two thousand. We have a contract and you're going to honor it or I'm going to lock out your union. Is that clear ya fuckin' potato eater?
Danny Greene: Potato eater? Seeing as how the potato was the only source of nutrition in Ireland for 300 years and half the population including my ancestors died in the great famine, I'd say that term is insensitive. Speaking of culinary tastes, Mr. MacLeish, you're Scottish aren't you? Let's talk about Haggis. Haggis is seasoned lard stuffed into a sheep's colon. So I may be a potato eater Mr. MacLeish but I don't eat fat out of a sheep's asshole... What do you think of the new carpet?
- VerbindungenFeatured in Youngstown: Still Standing (2010)
- SoundtracksI'm Gonna Keep on Loving You
Written by Norman Whiteside, DJ Will Gill (as William Gilbert) and John Primm
Performed by Kool Blues
Courtesy of Numero Group
By arrangement with Bank Robber Music
The film has a great story to tell and I can only imagine how amazing the film would have been if they had a director like Martin Scorsese behind the camera. That's what I kept feeling while I watched this film, that it was a Scorsese wannabe. That's not exactly a bad thing, because I did enjoy the film, but I wanted to enjoy it so much more.
There are aspects of the film that are great and if a masterful craftsman were behind the camera than I can honestly see this film being one of the best of the year. The film feels short on a lot of things, mainly the small things that would have made this film great. The relationship between him and his wife was nonexistent. The smaller characters played by Christopher Walken, Val Kilmer and Vinnie Jones deserved more screen time. There was a relationship between Stevenson and Kilmer that was interesting, as one was a cop and the other a known mobster, but the film decided not to dive any further than two scenes. I hate to throw Goodfellas into the mix, but had the story been crafted more like that film, then this could have been great.
The story is based on true events, with some liberties of course. Some of the special effects, like the car bombings are incredibly poor. A story like this deserves a bit more attention to detail from the writer and director. It felt like they loved the story, but didn't know exactly how to tell it. Again, if they had proper backing in the budget department, then this film would have been really great. The car bombing scenes are really poorly done and this is such an integral part of the film. Some of them are actual explosions, others aren't. It's poor production values, stick with the real thing.
Kill the Irishman is a good movie when it should be a great movie. In terms of gangster flicks, it's one of the better ones. It's nowhere near the calibre of Goodfellas or Donnie Brasco. It feels like the odd film that wants to be apart of the family. It just falls short of admittance. A good film is good film though.
- Matt_Layden
- 11. Juni 2011
- Permalink
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Maten al irlandés
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.188.194 $
- Eröffnungswochenende in den USA und in Kanada
- 145.430 $
- 13. März 2011
- Weltweiter Bruttoertrag
- 1.188.194 $
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1