Ein Veteran, der beauftragt ist, die verbleibenden Ressourcen der Erde zu gewinnen, beginnt, sich zu fragen, was er über seine Mission und sich selbst weiß.Ein Veteran, der beauftragt ist, die verbleibenden Ressourcen der Erde zu gewinnen, beginnt, sich zu fragen, was er über seine Mission und sich selbst weiß.Ein Veteran, der beauftragt ist, die verbleibenden Ressourcen der Erde zu gewinnen, beginnt, sich zu fragen, was er über seine Mission und sich selbst weiß.
- Auszeichnungen
- 1 Gewinn & 17 Nominierungen insgesamt
David Benyena
- Grow Hall Survivor
- (as David Madison)
John L. Armijo
- NASA Ground Control
- (Nicht genannt)
Fileena Bahris
- Survivor
- (Nicht genannt)
Joanne Bahris
- Tourist
- (Nicht genannt)
Andrew Breland
- Survivor
- (Nicht genannt)
Suri Cruise
- Jack's Daughter
- (Nicht genannt)
Z. Dieterich
- Survivor
- (Nicht genannt)
Paul Gunawan
- Survivor
- (Nicht genannt)
Julie Hardin
- Librarian
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThere were ten days of location shooting in Iceland, where daylight lasted virtually 24 hours. Joseph Kosinski wanted to make a film that was very much based in daylight, considering that a lot of classic sci-fi movies like Alien: Das unheimliche Wesen aus einer fremden Welt (1979) and Der Blade Runner (1982) were shot in near darkness.
- PatzerDuring the opening montage showing the aftermath of the war, the Washington Monument is tilted. The monument was constructed with over 36,000 marble blocks held together only with gravity and friction. There is no metal support structure, and no mortar was used. If the monument were to be tilted, it would fall apart.
- Zitate
Jack Harper: If we have souls, they are made of the love we share... undimmed by time and bound by death.
- Crazy CreditsThe Universal logo features the Earth in its ruined state in 2077 in the film, with the logo's letters rusted.
The Tet space station is seen orbiting the world.
- Alternative VersionenThe film's IMAX release presented the film open-matte, at an aspect ratio of 1.90:1, meaning there was more picture information visible in the top and bottom of the frame than in normal theaters and on home video.
- VerbindungenFeatured in Projector: Oblivion (2013)
- SoundtracksRamble On
Written by Robert Plant, Jimmy Page
Performed by Led Zeppelin
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
Ausgewählte Rezension
Primarily a tale of disinformation, "Oblivion" tackles myriad issues that are relevant to our time: Do you know who you are? Who do you trust to inform you? What is true intimacy? And will Artificial Intelligence rule over mankind? To be frank, the true great villain in "Oblivion" is the human race itself: We are enslaving our own people, destroying our own planet and exterminating each other. But, to be even more precise, the true villains are the people in wealth and power (as portrayed here by sentient artificial intelligence). The millionaires and politicians are the ones who pay to keep us in the dark and on our hamster wheels, feeding them resources at the cost of all life on the surface of the Earth. In our reality, just like in the movie, mankind is engaged in repetitive tasks, staying alive and oblivious to its truth; living in superficial relationships with no real love and allowing the planet to be consumed. As such, you and I ARE the protagonist in this movie: A puppet on strings, fighting against itself and serving an evil, selfish and vampiric power that is corrupting the planet. We are living in the clouds and need to touch grass.
To get the plastic point across, Director Joseph Kosinski employs wonderful vistas of our planet. The photography and prop design in this movie is truly something special (thank you, Claudio Miranda). The color palette also gets the plot across by driving in the difference between conscious and unconscious, earthly and artificial thru black, brown and green versus cream and grey. Thru an exaggerated script, (one which can be frustrating, especially during the first minutes of the film), we see that the ideal life our repairman leads is both luxurious and supposedly meaningful... but something is afoot; it doesn't feel natural! Our protagonist has been fed false information, the same way we are told whatever suits the agenda of today's media outlets. We notice in the movie that those who cannot accept the truth, refuse to engage with the planet; they live in the sky and are not "down to Earth". These people exist in real life, and can usually be found in wealthy circles who are far removed from any struggle, conflict or life difficulty. Because of this, they perceive others as inhuman or below them, when the truth is the exact opposite.
In conclusion, whether it was Joseph Kosinski's intention or not, "Oblivion" asks you to wake up and realize: You are overseeing the destruction of your human soul and are participating in the looting of planet Earth. But what do you do now? The film offers no other solution to this issue of the machine, other than to join a Jihad and bomb the system to kingdom come. As such, "Oblivion" may strike some users into consideration, but mostly passes off as a good time and is quickly forgotten in a sea of other consumables.
To get the plastic point across, Director Joseph Kosinski employs wonderful vistas of our planet. The photography and prop design in this movie is truly something special (thank you, Claudio Miranda). The color palette also gets the plot across by driving in the difference between conscious and unconscious, earthly and artificial thru black, brown and green versus cream and grey. Thru an exaggerated script, (one which can be frustrating, especially during the first minutes of the film), we see that the ideal life our repairman leads is both luxurious and supposedly meaningful... but something is afoot; it doesn't feel natural! Our protagonist has been fed false information, the same way we are told whatever suits the agenda of today's media outlets. We notice in the movie that those who cannot accept the truth, refuse to engage with the planet; they live in the sky and are not "down to Earth". These people exist in real life, and can usually be found in wealthy circles who are far removed from any struggle, conflict or life difficulty. Because of this, they perceive others as inhuman or below them, when the truth is the exact opposite.
In conclusion, whether it was Joseph Kosinski's intention or not, "Oblivion" asks you to wake up and realize: You are overseeing the destruction of your human soul and are participating in the looting of planet Earth. But what do you do now? The film offers no other solution to this issue of the machine, other than to join a Jihad and bomb the system to kingdom come. As such, "Oblivion" may strike some users into consideration, but mostly passes off as a good time and is quickly forgotten in a sea of other consumables.
- AnActorExplains
- 23. Juli 2023
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Oblivion: El tiempo del olvido
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 120.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 89.107.235 $
- Eröffnungswochenende in den USA und in Kanada
- 37.054.485 $
- 21. Apr. 2013
- Weltweiter Bruttoertrag
- 286.168.572 $
- Laufzeit2 Stunden 4 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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