Das Leben von Drogenschmuggler Julian, der in Bangkoks krimineller Unterwelt aufblüht, wird noch komplizierter, als seine Mutter ihn zwingt, denjenigen zu finden und zu töten, der für den kü... Alles lesenDas Leben von Drogenschmuggler Julian, der in Bangkoks krimineller Unterwelt aufblüht, wird noch komplizierter, als seine Mutter ihn zwingt, denjenigen zu finden und zu töten, der für den kürzlichen Tod seines Bruders verantwortlich ist.Das Leben von Drogenschmuggler Julian, der in Bangkoks krimineller Unterwelt aufblüht, wird noch komplizierter, als seine Mutter ihn zwingt, denjenigen zu finden und zu töten, der für den kürzlichen Tod seines Bruders verantwortlich ist.
- Auszeichnungen
- 14 Gewinne & 20 Nominierungen insgesamt
Kowit Wattanakul
- Choi Yan Lee
- (as Kovit Wattanakul)
Handlung
WUSSTEST DU SCHON:
- WissenswertesChang's (Vithaya Pansringarm's) outfit in this movie is what retired cops in Thailand wear.
- PatzerWhen Julian fought Chang, Chang kicked Julian in the left leg several times leaving Julian unable to walk normally, but later on Julian is seen stumbling on his right leg rather than the left.
- VerbindungenFeatured in Showreel: We've Got Keanu Reeves (2013)
- SoundtracksJai-Orn
("Falling in Love")
Lyric/Melody by Kanokwan Kung-noi
Performed by Fon Thanasuntornas (first recorded in the album titled "Jai-Orn , released in B.E.2543)
Ausgewählte Rezension
If you've seen Drive, then you should know that this movie is nothing like it, except perhaps in the fact that they are both beautifully shot. Drive had a pretty brisk pace, good dialogue, a plot that went somewhere, and a likable character.
Only God Forgives had none of that. This is a movie which moves along at a snail's pace, and even at a runtime of 90 minutes, it feels like many hours go by before even a single thing happens. Even the characters move and turn slowly.
The plot, such as it is, you would probably find worth watching, but Nicolas Winding Refn peppers it with pseudo-dream sequences and many pointless scenes that drag on for ever, so that the plot becomes hard to stay interested in.
Now, some things you might care about.
The acting. Ryan Gosling, of whom I was a fan in his earlier days, plays the same character from Drive, except that here he is indeed even more emotionless. He speaks about 5 lines during the whole movie, and has fewer different facial expressions. Kristin Scott Thomas is very good, although she feels underused. She is definitely the strong point of this movie. Vithaya Pansringarm, who plays a prominent role in the movie, is as expressionless as Gosling, although he is somewhat better, in my opinion.
Action scenes do exist, and they do resemble those from Drive, in that they are very matter-of-factly and visceral. Here, Winding Refn has really indulged in a lot of gratuitous gore, although overall, I found the action scenes quite entertaining. One particular one showcases Byron Gibson's acting talents, and it is particularly (and hilariously) cringe-worthy.
All the characters in this movie are unlikable. It is extremely difficult to get yourself to care for any of them, including Gosling's, who is arguably the protagonist here.
Aside from Scott Thomas' acting, the only other redeeming quality of this film is the excellent way in which most scenes are set up and shot. The sets, the camera movement, the placement of the actors, all of these make up for some truly gorgeous shots.
Overall, sad as I am to say it, I cannot recommend seeing Only God Forgives.
Only God Forgives had none of that. This is a movie which moves along at a snail's pace, and even at a runtime of 90 minutes, it feels like many hours go by before even a single thing happens. Even the characters move and turn slowly.
The plot, such as it is, you would probably find worth watching, but Nicolas Winding Refn peppers it with pseudo-dream sequences and many pointless scenes that drag on for ever, so that the plot becomes hard to stay interested in.
Now, some things you might care about.
The acting. Ryan Gosling, of whom I was a fan in his earlier days, plays the same character from Drive, except that here he is indeed even more emotionless. He speaks about 5 lines during the whole movie, and has fewer different facial expressions. Kristin Scott Thomas is very good, although she feels underused. She is definitely the strong point of this movie. Vithaya Pansringarm, who plays a prominent role in the movie, is as expressionless as Gosling, although he is somewhat better, in my opinion.
Action scenes do exist, and they do resemble those from Drive, in that they are very matter-of-factly and visceral. Here, Winding Refn has really indulged in a lot of gratuitous gore, although overall, I found the action scenes quite entertaining. One particular one showcases Byron Gibson's acting talents, and it is particularly (and hilariously) cringe-worthy.
All the characters in this movie are unlikable. It is extremely difficult to get yourself to care for any of them, including Gosling's, who is arguably the protagonist here.
Aside from Scott Thomas' acting, the only other redeeming quality of this film is the excellent way in which most scenes are set up and shot. The sets, the camera movement, the placement of the actors, all of these make up for some truly gorgeous shots.
Overall, sad as I am to say it, I cannot recommend seeing Only God Forgives.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Sólo Dios perdona
- Drehorte
- Emporium Suites - 622 Sukhumvit Road, Khlong Toei, Bangkok, Thailand(Crystal's hotel)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.800.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 779.188 $
- Eröffnungswochenende in den USA und in Kanada
- 313.958 $
- 21. Juli 2013
- Weltweiter Bruttoertrag
- 10.658.332 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen