IMDb-BEWERTUNG
6,3/10
19.818
IHRE BEWERTUNG
Ein französischer Journalist wird in Afghanistan von den Taliban entführt.Ein französischer Journalist wird in Afghanistan von den Taliban entführt.Ein französischer Journalist wird in Afghanistan von den Taliban entführt.
- Auszeichnungen
- 1 Nominierung insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesBased on their respective beret colors and badges, Kovax, Lucas, Victor and Marius are all "Commandos Marine" of the French Navy, while Elias is most likely from the "No. 10 Air Parachute Commando" unit of the French Air Force and Tic-Tac is a Commando from the French Army's "1st Marine Infantry Parachute Regiment". France's Special Operations Command (COS) has direct operational command of all special operation units, and thus are able to select members from different branches based on mission needs.
- PatzerWhile the opening scene is set in Kosovo, the cars have French license plates.
- VerbindungenFeatured in ACS France (2018)
Ausgewählte Rezension
While a tad overlong and light on character development, SPECIAL FORCES nevertheless delivers a fairly solid entry in the modern warfare genre. The plot is rather simple: a French special forces unit (the movie is French/French-produced) is sent in to rescue a journalist from Afghanistan who has been captured by a Taliban warlord. Right off the bat, you are introduced to the principal characters, but not much is given in the way of character development or making the audience care, aside from some small character moments interspersed throughout the latter half of the film. The performances are adequate, with the best being given by Diane Kruger (as the journalist) and Djimon Hounsou (one of the special forces guys). The actor who portrays the Taliban warlord also does a good job, probably adding some depth to his character by having him be Western-educated and somewhat caught between Western culture and his own culture and beliefs, but not much attention is paid to his character either. It also doesn't help that his demise later in the film is done so haphazardly and unceremoniously. As far as the combat sequences go, they were fine and done in current "en vogue" style of somewhat shaky "cinema verite" realism to give a sense of the chaos of battle. The violence was effective and not gratuitous in any way. However, towards the end the movie drags a little bit as we're shown day after day passing of the core group trying to get away from their pursuers and safely back into Afghanistan (they've been wandering around in the Pakistani desert for most of the movie). Overall, the movie is effective in the combat sequences and showing how the special forces team bond with the people they try to rescue. Over the course of the film, you do grow to care a little bit more about the characters but not because you feel like you really know them, just because you empathize with the sticky situation they're in. The movie aspires to be SAVING PRIVATE RYAN (made by the French, and set during the Afghan war), but it falls short of the mark. Still, it makes for a somewhat entertaining, slightly taxing, viewing experience.
- brchthethird
- 13. Nov. 2014
- Permalink
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Details
- Erscheinungsdatum
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- Auch bekannt als
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Box Office
- Budget
- 10.000.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.759 $
- Eröffnungswochenende in den USA und in Kanada
- 10.759 $
- 14. Okt. 2012
- Weltweiter Bruttoertrag
- 3.424.648 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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